<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8215959507252742289</id><updated>2012-02-10T15:11:58.513+01:00</updated><title type='text'>Autour de Babel</title><subtitle type='html'>Toute la programmation des émissions "Autour de Babel", produites en alternance par Dominique Mussche, Christine Gyselings, Anne Mattheeuws, André Defossez,... and guests (we want YOU !-)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default?start-index=101&amp;max-results=100'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>215</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-4409315322728998536</id><published>2012-02-10T15:11:00.000+01:00</published><updated>2012-02-10T15:11:58.527+01:00</updated><title type='text'>Autour de Babel #195 - Jouni Lojamo</title><content type='html'>&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;0:00 &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;"Musiq3… Autour de Babel…Chaque Vendredi…" &lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;0:37&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Sun Ra and His Arkestra: When There Is No Sun&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Disco3000&lt;/i&gt;, Art Yard, 2007)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;2:10&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Mimir: Mimyriad 1&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Mimyriad&lt;/i&gt;, Streamline, 2007)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;5:56&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Luc Ferrari: Untitled #6&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;(album &lt;i&gt;Cycle Des Souvenirs -1995-2000- Exploitation Des Concepts No 2&lt;/i&gt;, Blue Chopsticks, 2002)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;9:41&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Halim El-Dabh: Pirouette&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Crossing Into The Electric Magnetic&lt;/i&gt;, Without Fear, 2000)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;11:46&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Doron Sadja: Untitled #4&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;A Piece Of String, A Sunset&lt;/i&gt;, 12K, 2003)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;16:22&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Seth Nehil: Untitled #1&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Knives&lt;/i&gt;, Senufo Editions, 2010)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;20:06&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Tim Hecker: Sketch 4&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Dropped Pianos&lt;/i&gt;, Kranky, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;22:34&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Rafael Toral: Wave Field 6&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Wave Field&lt;/i&gt;, Dexter's Cigar, 1998)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;25:52&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;Pita: PK II&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;(album &lt;i&gt;A Bas La Culture Marchande&lt;/i&gt;, No Fun Productions, 2007)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;30:38&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Jim O'Rourke: Canadian Bonus Track&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Japan Tour CD&lt;/i&gt;, No Fun Productions, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;35:55&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Fennesz: Seven Stars&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Seven Stars&lt;/i&gt;, Touch, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;38:26&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Brian Eno: An Ending -Ascent-&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Apollo - Atmospheres &amp;amp; Soundtracks&lt;/i&gt;, Virgin, 2005)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;42:15&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;Luciano Cilio: Terzo Quadro "Della Conoscenza" Da "Dialoghi Del Presente" &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;(album &lt;i&gt;Dell'Universo Assente&lt;/i&gt;, Die Schachtel, 2004)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;44:17&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Roberto Caccipaglia: Sei Note In Logica - First Part&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Sei Note In Logica / Six Notes&lt;/i&gt;, Proper, 2001)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;51:11&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Colin Stetson (w/ Shara Worden &amp;amp; Laurie Anderson): Fear Of The Unknown And The Blazing Sun &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;New History Warfare Vol. II - Judges&lt;/i&gt;, Constellation, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;53:45&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Philip Jeck &amp;amp; Jacob Kirkegaard: Untitled #2&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Soaked&lt;/i&gt;, Touch, 2002)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;57:29&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Balam Acab: Expect &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Wander / Wonder&lt;/i&gt;, Tri Angle, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;61:23&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Jim O'Rourke, Akira Sakata &amp;amp; YOSHIMIO: Mother And Who?&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Hagyou&lt;/i&gt;, B.J.L., 2008)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;69:01&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Karen Dalton: Little Bit Of Rain&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;It's Hard To Tell Who's Going To Love You The Best&lt;/i&gt;, Koch Records, 1997)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;71:28&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Pearl Jam: Indifference&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album&lt;i&gt; Vs&lt;/i&gt;, Epic, 1993)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;76:03&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;Nuno Canavarro: Wolfie&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;(album &lt;i&gt;Plux Quba&lt;/i&gt;, Moikai, 1998)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;77:12&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Theo Parrish: Slowly Surely&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Uget&lt;/i&gt;, Ugly Edits, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;83:38&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Inga Copeland: Trample&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Inga Copeland&lt;/i&gt;, no label / self-released, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;86:35&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Bonnie Prince Billy: Cows&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Wolfroy Goes To Town&lt;/i&gt;, Drag City, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;91:24&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Motion Sickness Of Time Travel: Mental Projection&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Seeping Through The Veil Of The Unconscious&lt;/i&gt;, Digitalis Recordings, 2011)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;95:07&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Angelo Badalamenti: Moving Through Time&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Twin Peaks - Fire Walk With Me&lt;/i&gt;, Warner Bros. Records, 1992)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;101:23&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Timber Timbre: Until The Night Is Over -Live @ KRCW-&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(album &lt;i&gt;Timber Timbre / Live KCRW Session&lt;/i&gt;, Full Time Hobby, 2010)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;106:40&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;Luciano Cilio: Della Conoscenza -Originale Versione-&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;(album &lt;i&gt;Dell'Universo Assente&lt;/i&gt;, Die Schachtel, 2004)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;enregistré en direct le 7 et le 13 janvier 2012 par Jouni Lojamo &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: &amp;quot;Helvetica&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;et collées ensemble (avec gentillesse) par Katia Madaule.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-4409315322728998536?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/4409315322728998536/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=4409315322728998536' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4409315322728998536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4409315322728998536'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2012_02_01_archive.html#4409315322728998536' title='Autour de Babel #195 - Jouni Lojamo'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-4803879029469986479</id><published>2012-01-27T16:38:00.000+01:00</published><updated>2012-01-27T16:38:15.912+01:00</updated><title type='text'>Autour de Babel #193 - Christine Gyselings</title><content type='html'>&lt;strong&gt;Witold LUTOSLAWSKI&lt;/strong&gt; - &lt;i&gt;Variations sur un thème de Paganini, pour piano solo et orchestre&lt;/i&gt;. Louis Lortie&lt;br /&gt;, BBC Symphony Orchestra&lt;br /&gt;, Dir. Edward Gardner. Chandos. &lt;strong&gt;Bohuslav MARTINU&lt;/strong&gt; - &lt;i&gt;Extr. du Quatuor à clavier n°1&lt;/i&gt;. Ensemble de Chambre du Festival Australien 1994 de musique de chambre. Naxos. &lt;br /&gt;&lt;strong&gt;Pierre-Alain JAFFRENNOU&lt;/strong&gt; - &lt;i&gt;For Three, pour violoncelle, trombone, percussions et dispositif électronique&lt;/i&gt;. Benjamin Carat&lt;br /&gt;, Ivo Nilsson&lt;br /&gt;, Jonny Axelsson&lt;br /&gt;, Aeon. &lt;br /&gt;&lt;strong&gt;Mauricio CARRILHO&lt;/strong&gt; - &lt;i&gt;Moarcirsantosiana n°11 et 10&lt;/i&gt;. Trio de guitares Alki. GHA . &lt;br /&gt;&lt;strong&gt;Ozark HENRY&lt;/strong&gt; - &lt;i&gt;Indian Summer&lt;/i&gt;. netia. &lt;br /&gt;&lt;strong&gt;Chiel MEIJERING&lt;/strong&gt; - &lt;i&gt;Caixa de Doços&lt;/i&gt;. Matangi Quartet. You tube. &lt;br /&gt;&lt;strong&gt; TRAD. DU VENEZUELA&lt;/strong&gt; - &lt;i&gt;Caballo viejo&lt;/i&gt;. L'Arpeggiata. Virgin. &lt;br /&gt;&lt;strong&gt;George ANTHEIL&lt;/strong&gt; - &lt;i&gt;Sérénade pour orchestre à cordes n°1&lt;/i&gt;. Philadelphia Virtuosi Chamber Orchestra&lt;br /&gt;, Daniel Spalding. Naxos. &lt;br /&gt;&lt;strong&gt;Pancho CABRAL&lt;/strong&gt; - &lt;i&gt;Ay! este azul&lt;/i&gt;. Philippe Jaroussky, Christina Pluhar&lt;br /&gt;, L'Arpeggiata. Virgin. &lt;br /&gt;&lt;strong&gt;Michel LYSIGHT&lt;/strong&gt; - &lt;i&gt;Cosmographic Mystery&lt;/i&gt;. Pascal Moreau, cor. Qtz. &lt;br /&gt;&lt;strong&gt;Alexander ARUTUNIAN&lt;/strong&gt; - &lt;i&gt;Concerto pour trompette&lt;/i&gt;. Alison Balsom&lt;br /&gt;, BBC Scottich Symphony Orchestra&lt;br /&gt;, Dir. Lawrence Renes. EMI. &lt;br /&gt;&lt;strong&gt;Richard STRAUSS&lt;/strong&gt; - &lt;i&gt;Wiegenlied, op.41 n°1&lt;/i&gt;. Tine Thing Helseth&lt;br /&gt;, Royal Liverpool Philharmonic Orchestra&lt;br /&gt;, Dir. Einvind Aadland. EMI. &lt;br /&gt;&lt;strong&gt;Gabriel FAURE&lt;/strong&gt; - &lt;i&gt;Sonate pour violoncelle n°1 en ré mineur, op.109&lt;/i&gt;. Alban Gerhardt&lt;br /&gt;, Cécile Licad&lt;br /&gt;, Hyperion. &lt;br /&gt;Production : Christine GYSELINGS&lt;br /&gt;Réalisation : Alexandra DEBROUX&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-4803879029469986479?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/4803879029469986479/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=4803879029469986479' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4803879029469986479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4803879029469986479'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2012_01_01_archive.html#4803879029469986479' title='Autour de Babel #193 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6856123211850872795</id><published>2012-01-20T16:07:00.000+01:00</published><updated>2012-01-20T16:07:15.060+01:00</updated><title type='text'>bis repetita</title><content type='html'>rediffusion du &lt;a href="http://autourdebabel.blogspot.com/2007_10_01_archive.html#6866046382129833730"&gt;n° 27&lt;/a&gt;, signé Christine Gyselings&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6856123211850872795?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6856123211850872795/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6856123211850872795' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6856123211850872795'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6856123211850872795'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2012_01_01_archive.html#6856123211850872795' title='bis repetita'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7440903218288878512</id><published>2012-01-13T16:33:00.010+01:00</published><updated>2012-01-20T16:08:28.663+01:00</updated><title type='text'>Autour de Babel n°192 'tempus fugit' - Vincent Moens</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-WKDW4OmlbHg/Tw2sGafNPDI/AAAAAAAACqY/xyeOUKUAQOM/s1600/dali-salvador-la-persistance-de-la-memoire.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="151" src="http://4.bp.blogspot.com/-WKDW4OmlbHg/Tw2sGafNPDI/AAAAAAAACqY/xyeOUKUAQOM/s200/dali-salvador-la-persistance-de-la-memoire.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Salador Dali : La persistance de la mémoire&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;Wax Tailor : Once Upon a Past   - Wax Tailor - Atmosphériques &lt;br /&gt;múm : I'm 9 Today - Mùm - Morr   Music &lt;br /&gt;Giovanni Allevi : Monolocale   7.30 a.m. - Giovanni Allevi - Soleluna &lt;br /&gt;Ben Cooper : Welcome Home -   Radical Face - Morr Music &lt;br /&gt;Jon Hopkins, Kenny Anderson :   First Watch - King Creosote &amp;amp; Jon Hopkins - Domino Recording Company   Ltd.&lt;br /&gt;&amp;nbsp;Jon Hopkins, Kenny Anderson :   John Taylor's Month Away - King Creosote &amp;amp; Jon Hopkins - Domino Recording   Company Ltd. &lt;br /&gt;Rémi Panossian : Life Is A   Movie - Rémi Panossian Trio - Plus Loin Music &lt;br /&gt;Amon Adonai Santos de Araújo   Tobin : Always - Amon Tobin - Ninja Tune &lt;br /&gt;Chihei Hatakeyama : A Temple   in the Past - Chihei Hatakeyama - Hibernate &lt;br /&gt;John Lennon &amp;amp; Paul   McCartney : Ob-la-di, Ob-la-da - Victor Spinetti - The Beatles Complete On   Ukulele &lt;br /&gt;Nathalie Loriers : Moments   d'Eternité - Nathalie Loriers With Bert Joris &amp;amp; String Quartet -   W.E.R.F. &lt;br /&gt;Giovanni Allevi : L'Orologio   Degli Dei - Giovanni Allevi - Sony BMG Music Entertainment (Italy)&lt;br /&gt;William Ernest Henley :   Invictus - Richard King - Richard King&lt;br /&gt;Elliott, Potier, Arguelles :   The Kubler-Ross Model - Matt Elliott - Ici D'Ailleurs&lt;br /&gt;Boris Vian : Juste le temps de   vivre - Philippe Clay - Philips Minigroove&lt;br /&gt;Svo Hljott - Sigur Ros - EMI&lt;br /&gt;Hervé Borbé : The Dawn Of The   365th Day - Hervé Borbé - MOONZOO&lt;br /&gt;John Murphy : In The House -   In A Heartbeat - John Murphy - XL Recordings&lt;br /&gt;Giovanni Allevi : New   Renaissance - Giovanni Allevi - Sony BMG Music Entertainment (Italy)&lt;br /&gt;James Anderson, Lucia   Micarelli : Grandfather Clock - Lucia Micarelli - Hole Records&lt;br /&gt;Jacques Prévert : Il Faut   Passer Le Temps - Brigitte Fossey - Polydor&lt;br /&gt;Nick Drake : Time Has Told Me   - Nick Drake -&amp;nbsp; Island Records&lt;br /&gt;Vincent Gallo : Sixteen   Seconds Happy - Vincent Gallo - Warp Records&lt;br /&gt;Orlandus Lassus : Suzanne Ung   Jour - Arianna Savall - Aeolus&lt;br /&gt;Willie Johnson : Sweeter As   The Years Roll By - Blind Willie Johnson - Columbia&lt;br /&gt;The Story - Zee Avi - Brushfire   Records &lt;br /&gt;&lt;br /&gt;Programmation : Vincent Moens&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7440903218288878512?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7440903218288878512/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7440903218288878512' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7440903218288878512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7440903218288878512'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2012_01_01_archive.html#7440903218288878512' title='Autour de Babel n°192 &apos;tempus fugit&apos; - Vincent Moens'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-WKDW4OmlbHg/Tw2sGafNPDI/AAAAAAAACqY/xyeOUKUAQOM/s72-c/dali-salvador-la-persistance-de-la-memoire.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7730753899199779071</id><published>2011-12-25T00:01:00.002+01:00</published><updated>2011-12-25T00:01:02.700+01:00</updated><title type='text'>Congé de Noël 2011</title><content type='html'>Nous rediffusons les numéros &lt;a href="http://autourdebabel.blogspot.com/2007_09_01_archive.html#2980219766873462037"&gt;25&lt;/a&gt; (30/12/2011) et &lt;a href="http://autourdebabel.blogspot.com/2007_10_01_archive.html#2335772473290468639"&gt;26&lt;/a&gt;&amp;nbsp;(6/1/2012)&lt;br /&gt;Très bonnes fêtes à toutes et tous, et à bientôt pour de nouvelles explorations musico-babeliennes !&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7730753899199779071?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7730753899199779071/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7730753899199779071' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7730753899199779071'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7730753899199779071'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_12_01_archive.html#7730753899199779071' title='Congé de Noël 2011'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7731281228275132895</id><published>2011-12-23T12:06:00.000+01:00</published><updated>2011-12-23T12:06:22.787+01:00</updated><title type='text'>Autour de Babel n°191 - Anne Mattheeuws</title><content type='html'>&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 00 - David Shea &amp;amp; Robert Hampson, «&amp;nbsp;Quantum 051: untiteld 2&amp;nbsp;». &lt;/span&gt;Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 04 - Gabriel Fauré, «&amp;nbsp;Nocturne&amp;nbsp;». Isabelle Druet - Johanne Ralambondrainy. Aparte&lt;b&gt; &lt;/b&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 07 - Uri Caine, «&amp;nbsp;Caprice 4&amp;nbsp;». Uri Caine - Arditti String Quartet. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Winter &amp;amp; Winter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;min 10 - John Zorn, «&amp;nbsp;Cycles du Nord&amp;nbsp;». &lt;/span&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;John Zorn - William Winant - Lou Reed. Tzadik &lt;/span&gt;&lt;span style="mso-bidi-font-weight: bold;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 11 - Barbara Heller, «&amp;nbsp;Gelbe Quinten&amp;nbsp;». Deborah Richards. Wergo &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 12 - Guillaume de Machaut, «&amp;nbsp;De bon Espoir&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Musica Nova. Aeon &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 15 - Julia Hülsmann, «&amp;nbsp;A Light Left On&amp;nbsp;». Julia Hülsmann - Marc Muellbauer - Heinrich Köbberling. ECM. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 21 - Lindsay Cooper, «&amp;nbsp;Nightmare&amp;nbsp;». Phil Minton - Lindsay Cooper - Dean Brodrick - Thomas Bloch - Gérard Siracusa - Brian Abrahams. L’Empreinte digitale &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 27 - J.S. Bach / het Collectief, «&amp;nbsp;Ein Musikalisches ‘revisited’&amp;nbsp;». Het Collectief. Fuga Libera &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 30 - &lt;span style="mso-bidi-font-weight: bold;"&gt;John Zorn, «&amp;nbsp;Dreamers of Dreams&amp;nbsp;». Marc Ribot - Erik Freidlander - Greg Cohen. Tzadik (4'20)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 35 - Conlon Nancarrow, «&amp;nbsp;Study for Player Piano n° 41b&amp;nbsp;». &lt;/span&gt;MDG &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 38 - Peter Ablinger, «&amp;nbsp;Guillaume Apollinaire&amp;nbsp;». Nicolas Hodges. Kairos &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 41 - Claude Debussy, «&amp;nbsp;La Chevelure&amp;nbsp;». Véronique Gens - Roger Vignoles. Virgin &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 44 - Bernard Vitet / Jean-Jacques Birgé / Michèle Buirette, «&amp;nbsp;Hôtel de l'Europe&amp;nbsp;». Bernard Vitet - Jean-Jacques Birgé - Michèle Buirette. L’Empreinte digitale &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 45 - J.S. Bach / het Collectief, «&amp;nbsp;Ein Musikalisches ‘revisited’&amp;nbsp;». &lt;/span&gt;Het Collectief. Fuga Libera &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 47 - Kate &amp;amp; Mike Westbrook, «&amp;nbsp;Un aveugle chante pour sa ville&amp;nbsp;». Kate &amp;amp; Mike Westbrook - Chris Biscoe &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 54 - David Shea &amp;amp; Robert Hampson, «&amp;nbsp;Quantum 051: untiteld 2&amp;nbsp;». Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 59 - Guillaume de Machaut, «&amp;nbsp;Ad te suspiramus gementes et flentes&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Musica Nova. Aeon &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 63 - Julia Hülsmann, «&amp;nbsp;Juni&amp;nbsp;». Julia Hülsmann - Marc Muellbauer - Heinrich Köbberling. ECM. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 66 - Marc Ribot, «&amp;nbsp;Shokuhachi&amp;nbsp;». Ned Rothenberg. Tzadik&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 67 - anonyme, «&amp;nbsp;Gaïta francesa&amp;nbsp;». Jean Tubéry - la Fenice. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Ricercar &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 70 - Conlon Nancarrow, «&amp;nbsp;Study for Player Piano n° 40a&amp;nbsp;». &lt;/span&gt;MDG &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 72 - Louis Sclavis, «&amp;nbsp;Ceux qui veillent la nuit&amp;nbsp;». Louis Sclavis - Bruno Chevillon. L'Empreinte digitale &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 78 - Phill Niblock, «&amp;nbsp;A Y U, aka 'as yet untiteld&amp;nbsp;». Thomas Buckner &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 82 - Rosy Parlane, «&amp;nbsp;Atlantis&amp;nbsp;». &lt;/span&gt;Touch&lt;b&gt; &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 86 - anonyme, «&amp;nbsp;Gaïta spanola&amp;nbsp;». - Arianna Savall - Jean Tubéry - la Fenice. Ricercar &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 91 - Philippe Leroux, «&amp;nbsp;AAA&amp;nbsp;». Ensemble Court-circuit - Pierre-André Valade &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 93 - Bruno Angelini, «&amp;nbsp;Grey&amp;nbsp;». Gérard Lesne - Bruno Angelini - Jean-Philippe Viret - Ramon Lopez. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;ZZT. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 98 - Julia Hülsmann, «&amp;nbsp;Rond point&amp;nbsp;». Julia Hülsmann - Marc Muellbauer - Heinrich Köbberling. &lt;/span&gt;ECM. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 102 - &lt;span style="mso-bidi-font-weight: bold;"&gt;John Zorn, «&amp;nbsp;Fils des étoiles&amp;nbsp;». Anthony Coleman - Cyro Baptista. &lt;/span&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-weight: bold;"&gt;Tzadik&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 104 - Philip Jeck, «&amp;nbsp;Hindquarters&amp;nbsp;». Touch &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 110 - Hans Zender / Franz Schubert, «&amp;nbsp;Der Leiermann&amp;nbsp;». Kairos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 112 - Johannes Brahms / Franz Schubert, «&amp;nbsp;Einförmig ist der Liebe Gram&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;The Monteverdi Choir - John Eliot Gardiner. SDG &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 114 - John Zorn, «&amp;nbsp;Sooki's Lullaby&amp;nbsp;». Anthony Coleman. &lt;span style="mso-bidi-font-weight: bold;"&gt;Tzadik&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7731281228275132895?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7731281228275132895/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7731281228275132895' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7731281228275132895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7731281228275132895'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_12_01_archive.html#7731281228275132895' title='Autour de Babel n°191 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7747383283549370866</id><published>2011-12-16T22:00:00.001+01:00</published><updated>2011-12-23T12:15:14.546+01:00</updated><title type='text'>Autour de Babel n°190 - Dominique Mussche</title><content type='html'>Réalisation : Katia Madaule&lt;br /&gt;&lt;br /&gt;Grethe AGATZ&lt;br /&gt;- &lt;em&gt;Ekkoleg&lt;/em&gt;. Grethe Agatz. Barclay. &lt;br /&gt;03.29   Areski BELKACEM&lt;br /&gt;Brigitte Fontaine  - &lt;em&gt;La citrouille&lt;/em&gt;. Brigitte Fontaine et Areski. Saravah. &lt;br /&gt;07.30   Tuur   FLORIZOONE&lt;br /&gt;- &lt;em&gt;Je m'en fous&lt;/em&gt;. Tuur Florizoone. De Werf. &lt;br /&gt;13.15   Denis POUSSEUR&lt;br /&gt;- &lt;em&gt;The walrus and the carpenter&lt;/em&gt;. Marianne Pousseur et Simone Moesen. Igloo. &lt;br /&gt;18.36   Maurice RAVEL&lt;br /&gt;- &lt;em&gt;L'enfant et les sortilèges&lt;/em&gt;. Orchestre de la Suisse Romande, Armin Jordan. Erato. &lt;br /&gt;29.00   André CAPLET&lt;br /&gt;- &lt;em&gt;Conte fantastique&lt;/em&gt;. Oxalys. Fuga Libera. &lt;br /&gt;32.30   Kaija SAARIAHO&lt;br /&gt;- &lt;em&gt;L'aile du songe&lt;/em&gt;. Camilla Hoitenga, flûte, Orchestre Symph Radio Finlandaise, Jukka-Pekka Saraste. Naïve. &lt;br /&gt;36.40   Mieczyslaw WEINBERG&lt;br /&gt;- &lt;em&gt;Quatuor à cordes n° 10&lt;/em&gt;. Quatuor danel. CPO. &lt;br /&gt;42.05   Traditionnel suédois &lt;br /&gt;- &lt;em&gt;Staffansvisa&lt;/em&gt;. Anne-Sofie von Otter. DG. &lt;br /&gt;45.30   Iannis XENAKIS&lt;br /&gt;- &lt;em&gt;Dhipli Zyia&lt;/em&gt;. Wibert Aerts, violon, Arne Deforce, violoncelle. Aeon. &lt;br /&gt;49.57   Antony HEGARTY&lt;br /&gt;- &lt;em&gt;The spirit was gone&lt;/em&gt;. Antony et Björk. Rough Trade. &lt;br /&gt;54.12   Jean-Christophe RENAULT&lt;br /&gt;- &lt;em&gt;Valse blanche&lt;/em&gt;. Jean-Christophe renault et Didier Laloy. Home records. &lt;br /&gt;59.06   Arvo PÄRT&lt;br /&gt;- &lt;em&gt;Berceuse de Noël&lt;/em&gt;. Montserrat Figueras, Hespérion XXI, Jordi Savall. AliaVox. &lt;br /&gt;64.20   Frank CHURCHILL&lt;br /&gt;- &lt;em&gt;One day my prince will come&lt;/em&gt;. Cool Trance Quartet. RTBF. &lt;br /&gt;69.52   Tom WAITS&lt;br /&gt;Kathleen Brennan  - &lt;em&gt;Alice&lt;/em&gt;. Tom Waits. ANTI. &lt;br /&gt;74.13   Bram VANPARYS&lt;br /&gt;- &lt;em&gt;Across the river&lt;/em&gt;. The Bony King of nowhere. PIAS. &lt;br /&gt;77.10   Emily LOIZEAU&lt;br /&gt;- &lt;em&gt;L'autre bout du monde&lt;/em&gt;. Emily Loizeau. Fargo. &lt;br /&gt;80.14   Leos JANACEK&lt;br /&gt;- &lt;em&gt;Sonate1.X.1905 (Le pressentiment)&lt;/em&gt;. Mihhaïl Rudy. EMI. &lt;br /&gt;85.45   Richard WAGNER&lt;br /&gt;- &lt;em&gt;Wesendonck-Lieder : Im Treibhaus&lt;/em&gt;. Felicity Lott, Quatuor Schumann. Aeon. &lt;br /&gt;90.45   Henri DUTILLEUX&lt;br /&gt;- &lt;em&gt;Symphonie n°2 Le double&lt;/em&gt;. Orchestre de Paris, Daniel Barenboim. Erato. &lt;br /&gt;97.37  Denis POUSSEUR&lt;br /&gt;- &lt;em&gt;The walrus and the carpenter&lt;/em&gt;. Marianne Pousseur et Simone Moesen. Igloo. &lt;br /&gt;98.30   Geir JENSSEN&lt;br /&gt;- &lt;em&gt;Kobresia&lt;/em&gt;. Biosphère. Touch. &lt;br /&gt;103.14   John GREAVES&lt;br /&gt;Christophe Glockner  - &lt;em&gt;Limbo&lt;/em&gt;. Elise Caron. Le Chant du Monde. &lt;br /&gt;105.35   Maurice RAVEL&lt;br /&gt;- &lt;em&gt;Ma mère l'oye : Laideronnette impératrice des pagodes&lt;/em&gt;. Katia et Marielle Labèque. KML. &lt;br /&gt;109.04  Engelbert HUMPERDINCK&lt;br /&gt;- &lt;em&gt;Hansel &amp;amp; Gretel&lt;/em&gt;. Gürzenich Orchestra, John Pritchard. CBS&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7747383283549370866?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7747383283549370866/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7747383283549370866' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7747383283549370866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7747383283549370866'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_12_01_archive.html#7747383283549370866' title='Autour de Babel n°190 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6735248977710800027</id><published>2011-12-09T22:00:00.001+01:00</published><updated>2011-12-23T12:20:54.343+01:00</updated><title type='text'>Autour de Babel n°189 - Christine Gyselings</title><content type='html'>Réalisation : Katia Madaule&lt;br /&gt;&lt;br /&gt;Grethe AGATZ&lt;br /&gt;- &lt;em&gt;Ekkoleg&lt;/em&gt;. Grethe Agatz. Barclay. &lt;br /&gt;03.29   Areski BELKACEM&lt;br /&gt;Brigitte Fontaine  - &lt;em&gt;La citrouille&lt;/em&gt;. Brigitte Fontaine et Areski. Saravah. &lt;br /&gt;07.30   Tuur   FLORIZOONE&lt;br /&gt;- &lt;em&gt;Je m'en fous&lt;/em&gt;. Tuur Florizoone. De Werf. &lt;br /&gt;13.15   Denis POUSSEUR&lt;br /&gt;- &lt;em&gt;The walrus and the carpenter&lt;/em&gt;. Marianne Pousseur et Simone Moesen. Igloo. &lt;br /&gt;18.36   Maurice RAVEL&lt;br /&gt;- &lt;em&gt;L'enfant et les sortilèges&lt;/em&gt;. Orchestre de la Suisse Romande, Armin Jordan. Erato. &lt;br /&gt;29.00   André CAPLET&lt;br /&gt;- &lt;em&gt;Conte fantastique&lt;/em&gt;. Oxalys. Fuga Libera. &lt;br /&gt;32.30   Kaija SAARIAHO&lt;br /&gt;- &lt;em&gt;L'aile du songe&lt;/em&gt;. Camilla Hoitenga, flûte, O S Radio Finlandaise, Jukka-Pekka Saraste. Naïve. &lt;br /&gt;36.40   Mieczyslaw WEINBERG&lt;br /&gt;- &lt;em&gt;Quatuor à cordes n° 10&lt;/em&gt;. Quatuor danel. CPO. &lt;br /&gt;42.05   Traditionnel suédois &lt;br /&gt;- &lt;em&gt;Staffansvisa&lt;/em&gt;. Anne-Sofie von Otter. DG. &lt;br /&gt;45.30   Iannis XENAKIS&lt;br /&gt;- &lt;em&gt;Dhipli Zyia&lt;/em&gt;. Wibert Aerts, violon, Arne Deforce, violoncelle. Aeon. &lt;br /&gt;49.57   Antony HEGARTY&lt;br /&gt;- &lt;em&gt;The spirit was gone&lt;/em&gt;. Antony et Björk. Rough Trade. &lt;br /&gt;54.12   Jean-Christophe RENAULT&lt;br /&gt;- &lt;em&gt;Valse blanche&lt;/em&gt;. Jean-Christophe renault et Didier Laloy. Home records. &lt;br /&gt;59.06   Arvo PÄRT&lt;br /&gt;- &lt;em&gt;Berceuse de Noël&lt;/em&gt;. Montserrat Figueras, Hespérion XXI, Jordi Savall. AliaVox. &lt;br /&gt;64.20   Frank CHURCHILL&lt;br /&gt;- &lt;em&gt;One day my prince will come&lt;/em&gt;. Cool Trance Quartet. RTBF. &lt;br /&gt;69.52   Tom WAITS&lt;br /&gt;Kathleen Brennan  - &lt;em&gt;Alice&lt;/em&gt;. Tom Waits. ANTI. &lt;br /&gt;74.13   Bram VANPARYS&lt;br /&gt;- &lt;em&gt;Across the river&lt;/em&gt;. The Bony King of nowhere. PIAS. &lt;br /&gt;77.10   Emily LOIZEAU&lt;br /&gt;- &lt;em&gt;L'autre bout du monde&lt;/em&gt;. Emily Loizeau. Fargo. &lt;br /&gt;80.14   Leos JANACEK&lt;br /&gt;- &lt;em&gt;Sonate1.X.1905 (Le pressentiment)&lt;/em&gt;. Mihhaïl Rudy. EMI. &lt;br /&gt;85.45   Richard WAGNER&lt;br /&gt;- &lt;em&gt;Wesendonck-Lieder : Im Treibhaus&lt;/em&gt;. Felicity Lott, Quatuor Schumann. Aeon. &lt;br /&gt;90.45   Henri DUTILLEUX&lt;br /&gt;- &lt;em&gt;Symphonie n°2 Le double&lt;/em&gt;. Orchestre de Paris, Daniel Barenboim. Erato. &lt;br /&gt;97.37  Denis POUSSEUR&lt;br /&gt;- &lt;em&gt;The walrus and the carpenter&lt;/em&gt;. Marianne Pousseur et Simone Moesen. Igloo. &lt;br /&gt;98.30   Geir JENSSEN&lt;br /&gt;- &lt;em&gt;Kobresia&lt;/em&gt;. Biosphère. Touch. &lt;br /&gt;103.14   John GREAVES&lt;br /&gt;Christophe Glockner  - &lt;em&gt;Limbo&lt;/em&gt;. Elise Caron. Le Chant du Monde. &lt;br /&gt;105.35   Maurice RAVEL&lt;br /&gt;- &lt;em&gt;Ma mère l'oye : Laideronnette impératrice des pagodes&lt;/em&gt;. Katia et Marielle Labèque. KML. &lt;br /&gt;109.04  Engelbert HUMPERDINCK&lt;br /&gt;- &lt;em&gt;Hansel &amp;amp; Gretel&lt;/em&gt;. Gürzenich Orchestra, John Pritchard. CBS&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6735248977710800027?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6735248977710800027/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6735248977710800027' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6735248977710800027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6735248977710800027'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_12_01_archive.html#6735248977710800027' title='Autour de Babel n°189 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6150509615925016680</id><published>2011-12-02T22:00:00.001+01:00</published><updated>2011-12-23T12:17:19.977+01:00</updated><title type='text'>Autour de Babel n°188 - André Defossez</title><content type='html'>min 00 - Sinead Lohan / Nickel Creek arr. Lawson : Out Of The Woods - The King’s singers {signum classics 117}&lt;br /&gt;min 04 - M. Crispi : Carrittera - Mario Crispi, duduk {Talia AZ 1016}&lt;br /&gt;min 07 - Steve Houben : Winter Flags - Houben Steve, sax, Vodenitcharov Boyan, piano {Igloo IGL 225}&lt;br /&gt;min 12 - Sophie Thibaud : The Lamb - minsurar&lt;br /&gt;min 17 - Daniel Schell : Birth of the curves - Daniel Schell (Tiptar), Sandip Banerjee (Tabla) {Clic Music (2008)}&lt;br /&gt;min  20 - Arie Shapira : Sacrifice - part 3 Gideon Kleins Marterstrasse -  Ensemble Meitar, dir.Karin Ben-Josef {Oryan Edition (2011)}&lt;br /&gt;min 24 - Erik Satie : Gnossienne No. 3 - Vienna Art Orchestra {hatOLOGY 671}&lt;br /&gt;min  27 - Béla Bartók arrgt. Taraf de Haïdoucks : Danses folkloriques  roumaines, op.BB76 - Taraf de Haïdoucks {Crammed Discs Craw 40}&lt;br /&gt;min 34 - Thierry De Mey : Elastique - (album “Pièces électroniques”) {Sub Rosa SR193}&lt;br /&gt;min  36 - Frédéric Chopin arr. Robert Prizeman : The fountain d’après le  prélude en do mineur - Libera, dir. Robert Prizeman (solo: Ralph Skan)  {EMI 6.26478.2}&lt;br /&gt;min 40 - Claudio Monteverdi : Amor dov’è la fe’ - The Dowland Project (John Potter &amp;amp; al.) {ECM 1803 476.052}&lt;br /&gt;min  48 - Erik Satie / Wolfgang Pusching : Vexations 2105 - Wolfgang  Pusching, clarinette basse, Woody Schabata, vibraphone. {hatOLOGY 671}&lt;br /&gt;min 70 - Thierry De Mey : Silver - (album “Pièces électroniques”) {Sub Rosa SR193}&lt;br /&gt;min  85 - Lifescape : The Farewell Song - Lifescape (Olivier Régin: voix,  Renaud De Lacvivier: clav., Pierre-Yves Le Jeune: cb, cello, Arnaud  Girard, perc. {Out Note OTN 008}&lt;br /&gt;min 93 - Antonin Dvorák : Quatuor à  cordes n°12 op.96 ‘Américain’ B.179 en fa majeur II. Lento - Jerusalem  Quartet {Harmonia Mundi HMC 901899}&lt;br /&gt;min 100 - John Adams : Christina  Zeal and Activity (extrait) - San Francisco Symphony, dir. Edo de Waart  {Elektra Nonesuch 7559-79144}&lt;br /&gt;min 106 - Gilles Gobeil : Vol de rêve - musique acousmatique {empreintes DIGITALes IMED 0892}&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6150509615925016680?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6150509615925016680/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6150509615925016680' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6150509615925016680'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6150509615925016680'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_12_01_archive.html#6150509615925016680' title='Autour de Babel n°188 - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2365005352822892244</id><published>2011-11-25T16:56:00.007+01:00</published><updated>2011-11-25T17:03:10.805+01:00</updated><title type='text'>Autour de Babel n°187 - Anne Mattheeuws</title><content type='html'>&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 00 – Bernd Friedmann, &lt;span style="mso-bidi-font-weight: bold;"&gt;«&amp;nbsp;Leisure Zones&amp;nbsp;».&lt;b&gt; &lt;/b&gt;&lt;/span&gt;Ash International&amp;nbsp;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 02 - Jean Sibelius, «&amp;nbsp;Scene with Cranes&amp;nbsp;». Kremerata Baltica. Nonesuch&lt;b&gt; &lt;/b&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 03 - John Cage, «&amp;nbsp;The Wonderful Widow of Eighteen Springs&amp;nbsp;». &lt;/span&gt;Marianne Pousseur - Maxime Echardour. Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 06 - Pierre Jodlowski, «&amp;nbsp;Dialog/No Dialog&amp;nbsp;». Sophie Cherrier - Ensemble Intercontemporain Susanna Mälkki - Ircam. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Kairos &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 08 - Liza Lehmann, «&amp;nbsp;Will you walk a little faster?&amp;nbsp;». Janice Watson - Catherine Wyn-Rogers - Toby Spencer - Neal Davies - Steuart Bedford. Naxos &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 10 - Dr Misfit Hoyt, «&amp;nbsp;Poemfone Anthem&amp;nbsp;». Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 11 - Nicole Blackman, «&amp;nbsp;Caroline&amp;nbsp;». Nicole Blackman - Space Needle. Tomato&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 15 - Piotr Ilyitch Tchaikovski, «&amp;nbsp;Casse-noisette&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Kirov Orchestra - Valery Gergiev. Philips&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 16 - John S. Hall, «&amp;nbsp;Love is&amp;nbsp;». John S. Hall. Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 17 - Josep Maria Balanya, «&amp;nbsp;Daytime Stroll&amp;nbsp;». Josep Maria Balanya. Laika &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 19 - Hanns Eisler, «&amp;nbsp;An den kleinen radio apparat / Hotelzimmer&amp;nbsp;». Theo Beckmann - Fumio Yasuda - Todd Reynolds - Wendy Sutter. Winter &amp;amp; Winter &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 23 - Wanda Phipps, «&amp;nbsp;Heaven &amp;amp; Earth». Wanda Phipps - Christian X. Hunter. Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 27 - Marvin Gaye / James Nyx, «&amp;nbsp;Inner City Blues (Make Me Wanna Holler)&amp;nbsp;». Laetitia Sériff - Brad Jones - Han Bennink. Winter &amp;amp; Winter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 33 - Ariel Guzik / Kronos Quartet, «&amp;nbsp;Plasmaht&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Nonesuch &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 34 - Boyan Vodenitcharov, «&amp;nbsp;Valse sentimentale&amp;nbsp;». Boyan Vodenitcharov - Steve Houben &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 43 - John S. Hall, «&amp;nbsp;Give Me A Dollar&amp;nbsp;». John S. Hall. Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 43 - Arvo Pärt, «&amp;nbsp;Passacaglia&amp;nbsp;». Kremerata Baltica. Nonesuch&lt;b&gt; &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 46 - Théodore Botrel, «&amp;nbsp;Lustukru&amp;nbsp;». &lt;/span&gt;Marianne Pousseur - Maxime Echardour. Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 49 - Josep Maria Balanya, «&amp;nbsp;Ritual of Silence&amp;nbsp;». Josep Maria Balanya. Laika&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 53 - Guy Klucevsek, «&amp;nbsp;An Air of gathering Pipers&amp;nbsp;». &lt;/span&gt;Guy Klucevsek. CRI&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 60 - Clinton A. Carpenter / Gustav Mahler, «&amp;nbsp;Purgatorio&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Tonhalle Orchester Zurich - David Zinman. RCA&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 64 - Edwin Torres, «&amp;nbsp;Forever Ballad&amp;nbsp;». Edwin Torres - John Knoll - Kendall Pigg. Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 68 - Giaches de Wert, «&amp;nbsp;Voi volete ch’io muoia&amp;nbsp;». The Consort of Musicke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 72 - Johannes Brahms, «&amp;nbsp;Schiksalslied&amp;nbsp;». Collegium Vocale Gent - Orchestre des Champs Elysées - Philippe Herreweghe. Phi&lt;b&gt; &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 79 - John S. Hall, «&amp;nbsp;The Love Poem&amp;nbsp;». John S. Hall. Tomato &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 80 - Olivier Poumay, «&amp;nbsp;Derrière la façade&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Sheng Trio. Auteur &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 85 – AER, &lt;span style="mso-bidi-font-weight: bold;"&gt;«&amp;nbsp;Projector&amp;nbsp;» / Evan Parker vs Disinformation, «&amp;nbsp;London overthrow&amp;nbsp;». &lt;/span&gt;Ash International - Allen Ginsberg, «&amp;nbsp;Poemfone Message: 11:28 PM 17 Syllables from. East 12th Street&amp;nbsp;». Tomato (0’30)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 90 - Ariel Guzik / Kronos Quartet, «&amp;nbsp;Plasmaht&amp;nbsp;». Nonesuch &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 92 - Hanns Eisler, «&amp;nbsp;Von der Freudlichkeit der Welt ». &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;Marianne Pousseur - Maxime Echardour. Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 94 - Sphota, «&amp;nbsp;Cellule de crise&amp;nbsp;». Benjamin Dupé - Benjamin de la Fuente - Samuel Sighicelli. Signature &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 102 - Dirk Veulemans, «&amp;nbsp;Algoritme&amp;nbsp;». FMC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 102 - Thierry de Mey, «&amp;nbsp;Ice&amp;nbsp;». George Alexander Van Dam - Jean-Paul Dessy. Sub Rosa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 103 - Thierry de Mey, «&amp;nbsp;Poses&amp;nbsp;». Ensemble dirigé par Georges-Elie Octors. Sub Rosa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 107 - Maurice Ravel, «&amp;nbsp;Le Réveil de la Mariée&amp;nbsp;». Bernarda Fink - Deutsches Sinfonie Orchester Berlin - Kent Nagano. Harmonia Mundi &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 110 - Thierry de Mey, «&amp;nbsp;Poses&amp;nbsp;». Ensemble dirigé par Georges-Elie Octors. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Sub Rosa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 111 - Josep Maria Balanya, «&amp;nbsp;They rip out your Entrails&amp;nbsp;». Josep Maria Balanya. Laika &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 115 - Johannes Brahms, «&amp;nbsp;Schiksalslied&amp;nbsp;». &lt;/span&gt;Orchestre des Champs Elysées - Philippe Herreweghe. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Phi&lt;b&gt; &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 117 - Bernd Friedmann, &lt;span style="mso-bidi-font-weight: bold;"&gt;«&amp;nbsp;Leisure Zones&amp;nbsp;».&lt;b&gt; &lt;/b&gt;&lt;/span&gt;Ash International &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2365005352822892244?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2365005352822892244/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2365005352822892244' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2365005352822892244'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2365005352822892244'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_11_01_archive.html#2365005352822892244' title='Autour de Babel n°187 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-151961647298016792</id><published>2011-11-18T22:00:00.002+01:00</published><updated>2011-11-25T17:01:23.716+01:00</updated><title type='text'>Autour de Babel n°186 - Dominique Mussche</title><content type='html'>Philippe BOESMANS&lt;br /&gt;- &lt;em&gt;Chambres d'à côté (Chambre 4)&lt;/em&gt;. Musiquse Nouvelles, Jean-Paul Dessy. Cyprès. &lt;br /&gt;&lt;br /&gt;01.58   Antonio Carlos JOBIM&lt;br /&gt;Chico Buarque  - &lt;em&gt;Sabia&lt;/em&gt;. Morelenbaum/Sakamoto. Sony. &lt;br /&gt;&lt;br /&gt;05.35   Elli MEDEIROS&lt;br /&gt;- &lt;em&gt;Toi mon toit&lt;/em&gt;. Les Cris de Paris. Alpha. &lt;br /&gt;&lt;br /&gt;09.02   Iannis XENAKIS&lt;br /&gt;- &lt;em&gt;Dhiphli Zyia&lt;/em&gt;. Arne Deforce, violoncelle, Wilbert Aerts, violon. Aeon. &lt;br /&gt;&lt;br /&gt;13.30   Georges ENESCO&lt;br /&gt;- &lt;em&gt;Prélude&lt;/em&gt;. Quatuor Galatea. Sony. &lt;br /&gt;&lt;br /&gt;17.10   Tord GUSTAVSEN&lt;br /&gt;- &lt;em&gt;Restored, returned&lt;/em&gt;. Tod Gustavsen Ensemble. ECM. &lt;br /&gt;&lt;br /&gt;22.57   Philippe  BOESMANS&lt;br /&gt;- &lt;em&gt;Chambres d'à côté (Chambre 2)&lt;/em&gt;. Musiques Nouvelles, Jean-Paul Dessy. Cyprès. &lt;br /&gt;&lt;br /&gt;25.10   Nana VASCONCELOS&lt;br /&gt;- &lt;em&gt;Fui Fuio&lt;/em&gt;. Nana Vasconcelos. EMI. &lt;br /&gt;&lt;br /&gt;29.10   Jun MIYAKE&lt;br /&gt;- &lt;em&gt;The here and after&lt;/em&gt;. Lisa Papineau. Wenders Music. &lt;br /&gt;&lt;br /&gt;34.17   Uri CAINE&lt;br /&gt;- &lt;em&gt;Raquel&lt;/em&gt;. Uri Caine. Winter &amp;amp; Winter. &lt;br /&gt;&lt;br /&gt;39.38   Steve REICH&lt;br /&gt;- &lt;em&gt;The Desert Music &lt;/em&gt;. Tonkünstler Orchester Niederösterreich, Kristjan Järvi. Chandos. &lt;br /&gt;&lt;br /&gt;47.00   Stephan MICUS&lt;br /&gt;- &lt;em&gt;Desert poem&lt;/em&gt;. Stephan Micus. ECM. &lt;br /&gt;&lt;br /&gt;50.32   Georges ENESCO&lt;br /&gt;- &lt;em&gt;Quatuor avec piano n°1 en ré majeur (Allegretto moderato)&lt;/em&gt;. Ensemble Schubert. Chandos. &lt;br /&gt;&lt;br /&gt;59.17   Philippe  BOESMANS&lt;br /&gt;- &lt;em&gt;Chambres d'à côté (Chambre 6)&lt;/em&gt;. Musiques Nouvelles, Jean-Paul Dessy. Cyprès. &lt;br /&gt;&lt;br /&gt;62.37   Antonio Carlos JOBIM&lt;br /&gt;- &lt;em&gt;As praias desertas&lt;/em&gt;. Morenlenbaum/Sakamoto. Sony. &lt;br /&gt;&lt;br /&gt;66.18   Julia HÜLSMANN&lt;br /&gt;- &lt;em&gt;A light left on&lt;/em&gt;. Julia Hülsman Trio. ECM. &lt;br /&gt;&lt;br /&gt;71.53   Antonio Carlos JOBIM&lt;br /&gt;- &lt;em&gt;The girl from Ipanema&lt;/em&gt;. Joao et Astrud Gilberto. Verve. &lt;br /&gt;&lt;br /&gt;77.00   Baden POWELL&lt;br /&gt;- &lt;em&gt;Berimbau Consolacao&lt;/em&gt;. Toquinho. Wagram. &lt;br /&gt;&lt;br /&gt;79.46   Tom THEUNS&lt;br /&gt;- &lt;em&gt;Lucretia&lt;/em&gt;. Tom Theuns. Homerecords. &lt;br /&gt;&lt;br /&gt;83.45   Wouter VANDENABEELE&lt;br /&gt;- &lt;em&gt;Rêve d'une vie&lt;/em&gt;. Wouter Vandenabeel. Homerecords. &lt;br /&gt;&lt;br /&gt;88.25   Philippe BOESMANS&lt;br /&gt;- &lt;em&gt;Chambres d'amis (Chambre 3)&lt;/em&gt;. Musiques Nouvelles, Jean-Paul Dessy. Cyprès. &lt;br /&gt;&lt;br /&gt;89.50   Stephan MICUS&lt;br /&gt;- &lt;em&gt;Thirteen Eagles&lt;/em&gt;. Stephan Micus. ECM. &lt;br /&gt;&lt;br /&gt;95.12    Pierre  MOULU&lt;br /&gt;- &lt;em&gt;Fiere attropos mauldicte&lt;/em&gt;. Doulce Mémoire, Denis Raisin Dadre. Zig-Zag Territoires. &lt;br /&gt;&lt;br /&gt;99.34   Johann JOHANNSSON&lt;br /&gt;- &lt;em&gt;The rocket builder&lt;/em&gt;. Johann Johannsson. 4AD. &lt;br /&gt;&lt;br /&gt;105.30   Lhasa de  SELA&lt;br /&gt;- &lt;em&gt;A fish on land&lt;/em&gt;. Lhasa. Warner. &lt;br /&gt;&lt;br /&gt;109.55   Anouar BRAHEM&lt;br /&gt;- &lt;em&gt;The Lover of Beirut&lt;/em&gt;. Anouar Brahem. ECM. &lt;br /&gt;&lt;br /&gt;116.46   Traditionnel &lt;br /&gt;- &lt;em&gt;Dodo, l'enfant do&lt;/em&gt;. Boîte à musiques. Wagram. &lt;br /&gt;&lt;br /&gt;Programmation : Dominique MUSSCHE&lt;br /&gt;Réalisation : François DEMUTH&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-151961647298016792?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/151961647298016792/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=151961647298016792' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/151961647298016792'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/151961647298016792'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_11_01_archive.html#151961647298016792' title='Autour de Babel n°186 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2997837747182884587</id><published>2011-11-11T22:00:00.001+01:00</published><updated>2011-11-25T16:55:36.406+01:00</updated><title type='text'>Autour de Babel n°185 - Christine Gyselings</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2997837747182884587?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2997837747182884587/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2997837747182884587' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2997837747182884587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2997837747182884587'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_11_01_archive.html#2997837747182884587' title='Autour de Babel n°185 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5336015273138164142</id><published>2011-11-04T15:19:00.001+01:00</published><updated>2011-11-04T15:20:55.825+01:00</updated><title type='text'>Rediffusion</title><content type='html'>Ce vendredi 4 novembre, c'est la &lt;a href="http://autourdebabel.blogspot.com/2007_09_01_archive.html#5823679179428037980"&gt;rediffusion du n°24 du 21/9/2007&lt;/a&gt;, signé Anne Mattheeuws.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5336015273138164142?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5336015273138164142/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5336015273138164142' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5336015273138164142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5336015273138164142'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_11_01_archive.html#5336015273138164142' title='Rediffusion'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-1368491779447459534</id><published>2011-10-27T10:00:00.001+02:00</published><updated>2011-10-27T11:11:44.173+02:00</updated><title type='text'>Autour de Babel n°184 - Sophie van der Stegen</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:DocumentProperties&gt;   &lt;o:Version&gt;12.00&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;FR-BE&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"  DefSemiHidden="true" DefQFormat="false" DefPriority="99"  LatentStyleCount="267"&gt;   &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;   &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;   &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;   &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;   &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;   &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;   &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"   UnhideWhenUsed="false" Name="Table Grid"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;   &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;   &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;   &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 00 - Arvo Pärt : Fratres for seven early instruments &amp;amp; percussion (original version) - Gil Shaham - DG &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 10 - L. V. Beethoven : Violin Sonata No.5 in F Op.24 'Spring' -II- Adagio molto espressivo - Maria Joao Pires, Augustin Dumay - DG &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 16 - J. Brahms : 3 Duette, Op. 20 - Die Meere - Brigitte Fassbaender, Edith Mathis - DG &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;min 19 - A. Dvorák&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;: Cypresses, B.152 ii Allegro ma non troppo - Prager Streichquartett - DG &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 21 - W.A.Mozart : "Ach ich fühl's", Air de Pamina in Die Zauberflöte - Marlis Petersen, dir. René Jacobs - Harmonia Mundi &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 24 - A. Schnittke : Concerto Grosso nr.1, Rondo Agitato - Gidon Kremer, Tatiana Grindeno, Yuri Smirnov, The Chamber Orchestra of Europe, Heinrich Schiff - DG &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 31 - Zbigniew Preisner : Requiem For My Friend - 1 Requiem - Lux aeterna - Sinfonia Varsovia, Varsov Chamber Choir dir Jacek Kaspszyk - Warner Classics Int.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 33 - L. V. Beethoven : Archiduke - 3. Andante cantabile - Jos van Immerseel, Vera Beths, &amp;amp; Anner Bylsma - Sony &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 43 - De Melo, Eduardo &amp;amp; Machado, Jorge : Os Meus Olhos - Germano Rocha - Wenders Music – DG001CD, &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;min 46 - Saint-Saëns : Le Carnaval des Animaux - The Swan - Mischa Maisky - DG &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 50 - S. Prokofiev : Piano Concerto No.1 in D flat major, Op.10 - I. Allegro briozso - Vladimir Ashkenazy&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;- DECCA &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 56 - R. Strauss : "Mir ist die Ehre widerfahren", Der Rosenkavalier&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;- Nat. Dessay, A. Kirschlager, dir. Antonio Pappano - Virgin Classics &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 61 - F Schubert : Allegro giusto - Piano Quintet in A major, D.667 "Trout Quintet" - Wanderer Trio, Christophe Gaugue, Stephane Logerot - Virgin Classics &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;min 69 - Reynaldo Hahn&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;: L'heure Exquise - Christian-Pierre La Marca, Amandine Savary - Sony &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 71 - D. Chostakovitch : Piano trio nr.1 in C minor, op 8 - J. Rachlin, M. Maisky, I. Golan - ONYX classics &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;min 82 - Franz Lehar : La Veuve Joyeuse, duo "Lippe Schweigen" - Wiener Philharmoniker, dir. J E Gardiner - DG &lt;/div&gt;&lt;div class="MsoNormal"&gt;min 85 - J. Sibelius : Adagio di molto - Concerto pour violon en ré mineur, op. 47,&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;- N. Znaider - Cyprès &lt;/div&gt;&lt;div class="MsoNormal"&gt;min 96 - G. Puccini : "O Soave Fanciulla" La Boheme&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;- Björling / de los Angeles / RCA Victor Orchestra / dir. Beecham - EMI &lt;/div&gt;&lt;div class="MsoNormal"&gt;min 98 - Arvo Pärt : Für Alina - Alexander Malter, piano - ECM &lt;/div&gt;&lt;div class="MsoNormal"&gt;min 106 - A. Dvorák&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;: Piano Trio "Dumky" en mi mineur,op. 90&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;- Guarneri Trio - Supraphon &lt;/div&gt;&lt;div class="MsoNormal"&gt;min 113 - F. Poulenc : Les Chemins de l'amour, valse - Veronique Gens, Roger Vignoles - Virgin classics&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-1368491779447459534?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/1368491779447459534/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=1368491779447459534' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/1368491779447459534'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/1368491779447459534'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_10_01_archive.html#1368491779447459534' title='Autour de Babel n°184 - Sophie van der Stegen'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2996933314401695996</id><published>2011-10-21T10:00:00.005+02:00</published><updated>2011-10-21T10:00:04.954+02:00</updated><title type='text'>Autour de Babel n°183 - Pierre de Mûelenaere</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JzNeCqUiB48/TpwuEzYGFEI/AAAAAAAACcI/XLFZaT1JpkI/s1600/bozareleclogo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="302" src="http://1.bp.blogspot.com/-JzNeCqUiB48/TpwuEzYGFEI/AAAAAAAACcI/XLFZaT1JpkI/s320/bozareleclogo.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;Balmorhea - Night in the draw - Jacaszek remix - Western vinyl&lt;br /&gt;&lt;div class="MsoNormal"&gt;Nils FRahm - Unter - Machinefabriek remix - Brian Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Nils Frahm - Familiar - Erased Tapes Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Kaboom Karavan - Wlzer - Miasmah Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Radiohead - Lotus Flower - Jacques Greene Remix - Ticker Tape&lt;/div&gt;&lt;div class="MsoNormal"&gt;Dark Sky - Be myself - 50weapons&lt;/div&gt;&lt;div class="MsoNormal"&gt;Eskmo - Cloudlight - Warp Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Concert debout - Imperial - Spank Me More Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Clubroot - Low pressure zone - Lo Dubs&lt;/div&gt;&lt;div class="MsoNormal"&gt;Dem Hunger - Squint Fucker (INTRO) - Vlek Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Elan - Alligator snaps - Cosmin TRG remix - Monkeytown Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Plaid - Unbank - Warp Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Eleven Tigers - Open mirror - Soul Motive&lt;/div&gt;&lt;div class="MsoNormal"&gt;Clubroot - Cherubs cry - Lo dubs&lt;/div&gt;&lt;div class="MsoNormal"&gt;Modeselektor - Blue Clouds - Monkeytown Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Plaid - Missing - Warp Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Balmorhea - Remembrance - Western Vinyl&lt;/div&gt;&lt;div class="MsoNormal"&gt;Balmorhea - Harm and boon - Rafael anton irisarri remix - Western Vinyl&lt;/div&gt;&lt;div class="MsoNormal"&gt;Ssaliva - moth to the flame - Leaving Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;ELan - Benson Bridges - Monkeytown Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Concert Debout - Sacré John - Spank Me More Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Zomby - Spliff Dub - Rustie Remix - Hyperdub&lt;/div&gt;&lt;div class="MsoNormal"&gt;Hyetal - Phoenix - Black Acre&lt;/div&gt;&lt;div class="MsoNormal"&gt;Kelis - Brave (INTRO) - Dark Sky Remix&lt;/div&gt;&lt;div class="MsoNormal"&gt;Dark Sky - Leave - Ninja Tune&lt;/div&gt;&lt;div class="MsoNormal"&gt;Siriusmo - Signal - Monkeytown Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Sagat - OND rendalen - unreleased&lt;/div&gt;&lt;div class="MsoNormal"&gt;Squeaky Lobster - Turkish delight unicorn - Vlek Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Squeaky Lobster - Arnivalkea (INTRO) - Vlek Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Modeselektor - Pretentious friends (feat Busdriver) - Monkeytown Records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Siriusmo - Wow - Exploited&lt;/div&gt;&lt;div class="MsoNormal"&gt;Jacques Greene - Tell me - Lucky Me&lt;/div&gt;&lt;div class="MsoNormal"&gt;Rustie - All Nite - Warp&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grasscut - The door in the wall - Ninja Tune&lt;/div&gt;&lt;div class="MsoNormal"&gt;Amon Tobin - Ruthless reprise - Eskmo Remix&lt;/div&gt;&lt;div class="MsoNormal"&gt;Sagat - Avance 5 edit (INTRO)&lt;/div&gt;&lt;div class="MsoNormal"&gt;Clubroot - Closure - Lo Dubs&lt;/div&gt;&lt;div class="MsoNormal"&gt;Cupp cave - Mind bones - Vlek records&lt;/div&gt;&lt;div class="MsoNormal"&gt;Stellar OM source - Grace 1 - Aguirre&lt;/div&gt;&lt;div class="MsoNormal"&gt;Kaboom Karavan - Desenchanson - Miasmah&lt;/div&gt;&lt;div class="MsoNormal"&gt;Lucky Dragons - what Layer - Marriage/Upset the Rhythm&lt;/div&gt;&lt;div class="MsoNormal"&gt;Lucky Dragons - Wander birds - Marriage/Upset the Rhythm&lt;/div&gt;&lt;div class="MsoNormal"&gt;1847 - earth - Stellar OM source remix&lt;/div&gt;&lt;div class="MsoNormal"&gt;Bonobo - The Keeper - Grasscut Bitter peace remix&lt;/div&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Codes in the clouds - The distance between us - Nils Frahm Rework - Erased Tapes&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Bozar Electronic Weekend 2011&lt;br /&gt;28-29/10/2011 @ Bozar&lt;br /&gt;http://www.bozar.be&lt;br /&gt;&lt;br /&gt;For more informations about Bozar Electronic...&lt;br /&gt;http://www.facebook.com/bozarelectronic&lt;br /&gt;http://www.twitter.com/bozarelectronic &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2996933314401695996?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2996933314401695996/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2996933314401695996' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2996933314401695996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2996933314401695996'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_10_01_archive.html#2996933314401695996' title='Autour de Babel n°183 - Pierre de Mûelenaere'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-JzNeCqUiB48/TpwuEzYGFEI/AAAAAAAACcI/XLFZaT1JpkI/s72-c/bozareleclogo.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5794928480405231884</id><published>2011-10-14T00:00:00.004+02:00</published><updated>2011-10-14T22:11:54.425+02:00</updated><title type='text'>Autour de Babel n°182 - Vincent Moens - Méditations physiques</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-W_2jm9RHGvk/To3LuDaNOJI/AAAAAAAACcE/gVafl6AJvo8/s1600/oreille_Vincent_Moens.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-W_2jm9RHGvk/To3LuDaNOJI/AAAAAAAACcE/gVafl6AJvo8/s320/oreille_Vincent_Moens.jpg" width="182" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-US"&gt;Merci à&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-US"&gt; Vincent Moens&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"&gt; de nous avoir proposé ce superbe mix !&lt;/span&gt;&lt;/span&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 00 -&lt;i style="mso-bidi-font-style: normal;"&gt; It's Because... We've Got Hair &lt;/i&gt;- Tunng - Talitres Records (Comments Of The Inner Chorus)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-US"&gt;min 02 -&lt;i style="mso-bidi-font-style: normal;"&gt; Three Gold hairs&lt;/i&gt; - Emily Portman - Furrow Records (&lt;/span&gt;&lt;span lang="EN-US"&gt;The Glamoury)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-US"&gt;min 05 -&lt;i style="mso-bidi-font-style: normal;"&gt; First Brain &lt;/i&gt;– Kaki King - Velour Records (&lt;/span&gt;&lt;span lang="EN-US"&gt;...Until We Felt Red&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-US"&gt;min 09 -&lt;i style="mso-bidi-font-style: normal;"&gt; My Brain&lt;/i&gt; - Mose Allison - Anti/Epitaph (&lt;/span&gt;&lt;span lang="EN-US"&gt;The Way Of The World&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 11 -&lt;i style="mso-bidi-font-style: normal;"&gt; The Astounding Eyes Of Rita&lt;/i&gt; - Anouar Brahem - ECM Records&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-US"&gt;min 20 -&lt;i style="mso-bidi-font-style: normal;"&gt; Human Eyeballs On Toast&lt;/i&gt; - Peter Broderick - HUSH (&lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;, &amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;How They Are&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Helvetica&amp;quot;, &amp;quot;sans-serif&amp;quot;; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 25 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;erlend øye : &lt;i style="mso-bidi-font-style: normal;"&gt;All Ears&lt;/i&gt; - The Whitest Boy Alive - ASound (Dreams)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 28 -&lt;i style="mso-bidi-font-style: normal;"&gt; The Only Bones That Show&lt;/i&gt; - Baby Dee - Drag City (Safe Inside The Day)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 33 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Fernando Barboza : &lt;i style="mso-bidi-font-style: normal;"&gt;Andando Pela Africa&lt;/i&gt; - Barbatuques - Milan Records (Corpo do Som)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 33 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Albert Camus : &lt;i style="mso-bidi-font-style: normal;"&gt;Caligula-1-13 Acte II - Scène 11 &amp;amp; 12 &amp;amp; 13 &amp;amp; 14 (extrait)&lt;/i&gt; - Albert Camus - Fremeaux&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;min 37 -&lt;i style="mso-bidi-font-style: normal;"&gt; Des Visages Des Figures&lt;/i&gt; - Noir Désir - Barclay Records&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;min 43 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Albert Camus : &lt;i style="mso-bidi-font-style: normal;"&gt;Caligula - Acte II - Scène 3 &amp;amp; 4 &amp;amp; 5&lt;/i&gt; - Albert Camus - Fremeaux&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 43 -&lt;i style="mso-bidi-font-style: normal;"&gt; Una Faccia In Prestito&lt;/i&gt; - Paolo Conte - CGD&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;min 46 -&lt;i style="mso-bidi-font-style: normal;"&gt; La Tête Du Client&lt;/i&gt; - Turdus Philomelos - APPEL REKORDS (Turdus Philomelos)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 55 -&lt;i style="mso-bidi-font-style: normal;"&gt; His Hands&lt;/i&gt; - Anthony Joseph &amp;amp; The Spasm Band - Naïve/Heavenly Sweetness (Bird And Son)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 61 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Dave HOLLAND, Pepe HABICHUELA : &lt;i style="mso-bidi-font-style: normal;"&gt;Hands (Fandango de Huelva)&lt;/i&gt; - Dave Holland - DARE 2 RECORDS&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 66 -&lt;i style="mso-bidi-font-style: normal;"&gt; Blowing Lungs like Bubbles&lt;/i&gt; - Efterklang - THE LEAF LABEL (Parades)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 69 -&lt;i style="mso-bidi-font-style: normal;"&gt; Two Worlds, One Heart&lt;/i&gt; - Gustavo Santaolalla - Concord Records (B.O. ‘Babel’)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;min 71 -&lt;i style="mso-bidi-font-style: normal;"&gt; Niente Come La Pelle&lt;/i&gt; - Bachi Da Pietra - Wallace Records (Quarzo)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 79 -&lt;i style="mso-bidi-font-style: normal;"&gt; Take Me Into Your Skin&lt;/i&gt; – Anders Trentemøller - High Note Records (The Last Resort)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: white;"&gt;min 79 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Jacques Prévert : &lt;i style="mso-bidi-font-style: normal;"&gt;Chanson Dans Le Sang&lt;/i&gt; - Mary Marquet - EPM (Intempéries (Féeries))&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 86 -&lt;i style="mso-bidi-font-style: normal;"&gt; Bad Kidneys&lt;/i&gt; - Baby Dee - Drag City (Safe Inside The Day)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 91 -&lt;i style="mso-bidi-font-style: normal;"&gt; Cassius Castrato The She-Male Of The Mens Prison&lt;/i&gt; - Jay Munly &amp;amp; The Lee Lewis Harlots - Alternative Tentacles&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 96 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Philip Glass : &lt;i style="mso-bidi-font-style: normal;"&gt;Einstein On The Beach - Knee Play 3&lt;/i&gt; - Michael Riesman, Philip Glass Ensemble - Sony BMG&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 102 -&lt;i style="mso-bidi-font-style: normal;"&gt; &lt;/i&gt;Menga Waku : &lt;i style="mso-bidi-font-style: normal;"&gt;Thin Legs&lt;/i&gt; - Konono Nº1 - Crammed Discs (Assume Crash Position)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 104 -&lt;i style="mso-bidi-font-style: normal;"&gt; Feet Of Courage&lt;/i&gt; - Nancy Elizabeth – Leaf (Wrought Iron)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 107 – &lt;i style="mso-bidi-font-style: normal;"&gt;My Tired Feet&lt;/i&gt; – Alela Diane - Fargo Records (The Pirate's Gospel)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 109 – Vinko Globorak : &lt;i style="mso-bidi-font-style: normal;"&gt;Corporel&lt;/i&gt; - Matthias Kaul – wergo (Globokar : Toucher)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US" style="color: white;"&gt;min 116 - &lt;i style="mso-bidi-font-style: normal;"&gt;Epilepsy Is Dancing&lt;/i&gt; - Antony &amp;amp; The Johnsons – Secretely Canadian (The Crying Light)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5794928480405231884?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5794928480405231884/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5794928480405231884' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5794928480405231884'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5794928480405231884'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_10_01_archive.html#5794928480405231884' title='Autour de Babel n°182 - Vincent Moens - Méditations physiques'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-W_2jm9RHGvk/To3LuDaNOJI/AAAAAAAACcE/gVafl6AJvo8/s72-c/oreille_Vincent_Moens.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2139681537399974359</id><published>2011-10-07T22:00:00.000+02:00</published><updated>2011-10-14T22:10:31.296+02:00</updated><title type='text'>Autour de Babel n°181 - André Defossez - Sakamoto et autres (japo)niaiseries</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-wp8-mK75WLE/To3KFzGkhnI/AAAAAAAACcA/YQrtyPdQNqE/s1600/ryuichisakamoto.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="182" src="http://4.bp.blogspot.com/-wp8-mK75WLE/To3KFzGkhnI/AAAAAAAACcA/YQrtyPdQNqE/s320/ryuichisakamoto.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;min 00 Pekka Jalkanen : Preludi - Mari Mäntylä, décacorde {Alba 261}&lt;br /&gt;min 06 Ryuichi Sakamoto : Nostalgia (album “Out of noise”) - {DECCA 2717098}&lt;br /&gt;min 10 Giacomo Puccini arr. Palmer : Madame Butterfly: Air 'Un bel di, vedremo' - Academy of St Martin in the fields, dir Neville Mariner, Cynthia Millar, Ondes Martenot. {EMI RED Line 572996}&lt;br /&gt;min 16 Ohayoo Ohio (album ‘Splendor in the grass’) - Pink Martini et membres du ’Harvey Rosencrantz Orchestra’ {naïve }&lt;br /&gt;min 21 Ryuichi Sakamoto : Ice (album “Out of noise”) - {DECCA 2717098}&lt;br /&gt;min 24 Anonyme anglais : Johney Cock thy Beavor - La Pastorella, Frédéric De Roos direction et flûte à bec {Ricercar RIC 220}&lt;br /&gt;min 26 Antony Clare : Scawfell - Sarah Watts, clarinette basse, Antony Clare, piano {Clarinet Classics 0056}&lt;br /&gt;min 38 Christophe Ruetsch : S.L.O.T. - (musique électronique) {D’autres cordes 2011}&lt;br /&gt;min 46 John Dowland : Lachrimae Pavan - Mari Mäntylä, décacorde {Alba 261}&lt;br /&gt;min 52 Xavier Fassion et Marcus Gammel : Wachsgesänge - Chants de cire - {Deutschlandradio Kultur }&lt;br /&gt;min 72 Ryuichi Sakamoto : In the red (album “Out of noise”) - {DECCA 2717098}&lt;br /&gt;min 78 Denise Garcia : Trem-Passaro - pièce d’audio-art {rioartedigital RD003}&lt;br /&gt;min 85 Gustavo Santaolalla : De Ushuaia A La Quiaca (B.O. “Diarios de motocicleta”) - {Edge 002894775019}&lt;br /&gt;min 88 trad. Japon : Yobikaeshi-shika no tône (Appels lointains des cerfs) - Teruhisa Fukuda flûte shakuhachi (école kinko) {OCORA C560184}&lt;br /&gt;min 96 Ryuichi Sakamoto : Glacier (album “Out of noise”) - {DECCA 2717098}&lt;br /&gt;min 104 Georg Philipp Telemann : Adagio (extr transcrit du Quintette pour trompette, cordes et clavecin) - Fabio Morzenti, clarinette piccolo, Donato Giupponi, orgue {DuoDuFay DO440FA}&lt;br /&gt;min 107 Elisabeth Schimana : Spaces #1 - part1: Den Zwischenraum Bauen Und Eine Kruste Bilden Vom Fließenden - Cordula Bösze, flûtes, E. Schimana, électronique {ORF SACD3068}&lt;br /&gt;min 110 Ryuichi Sakamoto : Tama (album “Out of noise”) - {DECCA 2717098}&lt;br /&gt;min 114 Anne Wolf : Moon at noon - Anne Wolf Trio {mogno j042}&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2139681537399974359?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2139681537399974359/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2139681537399974359' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2139681537399974359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2139681537399974359'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_10_01_archive.html#2139681537399974359' title='Autour de Babel n°181 - André Defossez - Sakamoto et autres (japo)niaiseries'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-wp8-mK75WLE/To3KFzGkhnI/AAAAAAAACcA/YQrtyPdQNqE/s72-c/ryuichisakamoto.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-916645317038121147</id><published>2011-09-30T22:00:00.000+02:00</published><updated>2011-10-06T17:17:56.656+02:00</updated><title type='text'>Autour de babel n°180 - Dominique Mussche "Adieu à CORA VAUCAIRE"</title><content type='html'>&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;- Réalisation : Laurent GRAULUS&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;00.00 Georges DELERUE&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt; - &lt;i&gt;Trois petites notes de musique&lt;/i&gt;. Cora Vaucaire. Auvidis. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;04.32 Charles TRENET - &lt;i&gt;Je chante&lt;/i&gt;. Charles Trenet. EMI. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;06.42 Leo FERRÉ. Louis Aragon - &lt;i&gt;Je chante pour passer le temps&lt;/i&gt;. Leo Ferré. Barclay. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;09.25 Bernard LAVILLIERS - &lt;i&gt;Elle chante&lt;/i&gt;. Bernard Lavilliers et Cesaria Evora. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Universal. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;13.13 Osvaldo HERNANDEZ NAPOLES - &lt;i&gt;Indo pra Mata Norte&lt;/i&gt;. Osvaldo Hernandez Napoles. Home. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;17.49 Baden POWEL, Claude Nougaro - &lt;i&gt;Bidonville&lt;/i&gt;. Claude Nougaro. Podis. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;20.56 Dick ANNEGARN - &lt;i&gt;La transformation&lt;/i&gt;. Dick Annegarn. Polydor. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;24.30 Benjamin BIOLAY, Keren Ann Zeidel - &lt;i&gt;Jardin d'hiver&lt;/i&gt;. &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Henri Salvador. Virgin. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;27.15 Tom JOBIM, Juliette Nourredine - &lt;i&gt;Bon débarras&lt;/i&gt;. Juliette. Universal. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;29.57 Carlos d'ALESSIO, Marguerite Duras - &lt;i&gt;Rumba des îles&lt;/i&gt;. Jeanne Moreau et Marguerite Duras. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Polydor. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;32.55 Anouar BRAHEM - &lt;i&gt;Le voyage de Sahar&lt;/i&gt;. Anouar Brahem. ECM. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;39.40 Django REINHARDT - &lt;i&gt;Echoes of Spain&lt;/i&gt;. Django Reinhardt. TIM. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;42.35 Stéphane SANSEVERINO - &lt;i&gt;La cigarette tue&lt;/i&gt;. Sanseverino. Saint Georges. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;46.10 Thomas DUTRONC - &lt;i&gt;J'aime plus Paris&lt;/i&gt;. Thomas Dutronc. Universal. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;49.07 Jacques DUTRONC, Jacques Lanzman - &lt;i&gt;Il est cinq heures Paris s'éveille&lt;/i&gt;. Jacques Dutronc. Vogue. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;52.00 Michel LEGRAND - &lt;i&gt;La chanson des jumelles&lt;/i&gt;. Charles Loos Trio. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Lyrae. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;55.54 Pascal MOHY - &lt;i&gt;Missing Oslo&lt;/i&gt;. Grégory Houben. Igloo. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;59.38 Jimmy WALTER Boris Vian. - &lt;i&gt;J'suis snob&lt;/i&gt;. &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Boris Vian. Polygram. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;62.24 Camille DALMAIS - &lt;i&gt;Vous&lt;/i&gt;. Camille. Virgin. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;63.46 Jacques HIGELIN - &lt;i&gt;Tiens, j'ai dit tiens&lt;/i&gt;. Jacques Higelin. Saravah. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;68.08 Areski BELKACEM Brigitte Fontaine. - &lt;i&gt;Comme à la radio&lt;/i&gt;. Brigitte Fontaine. Saravah. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;75.57 Lester BOWIE - &lt;i&gt;Thème de l'amour Universel&lt;/i&gt;. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Art Ensemble of Chicago. EMI. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;78.26 Arthur H - &lt;i&gt;Marouchka&lt;/i&gt;. Arthur H. Polydor. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;83.30 Serge GAINSBOURG - &lt;i&gt;La javanaise&lt;/i&gt;. Madeleine Peyroux. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Rounder. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;87.40 Barbara - &lt;i&gt;Marienbad&lt;/i&gt;. Barbara. Philips. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;92.13 MIREILLE, Jean Nohain - &lt;i&gt;Puisque vous partez en voyage&lt;/i&gt;. Françoise Hardy et Jacques Dutronc. Virgin. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;95.48 Michel JONASZ, Pierre Groz - &lt;i&gt;Les vacances au bord de la mer&lt;/i&gt;. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Stacy Kent. Blue Note. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;99.08 Miles DAVIS - &lt;i&gt;Blue in green&lt;/i&gt;. Miles Davis. &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Sony. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;94.35 Johann Sebastian BACH - &lt;i&gt;Concerto italien en fa majeur&lt;/i&gt;. Alexandre Tharaud. Harmonia Mundi. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;99.30 Joseph KOSMA, Jacques Prévert - &lt;i&gt;Déjeuner du matin&lt;/i&gt;. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Marlène Dietrich. INA. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;112.09 George MOUSTAKI - &lt;i&gt;Sarah&lt;/i&gt;. &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;Arno. Delabel. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;116.00 Alain BASHUNG Joseph d'Anvers. - &lt;i&gt;Tant de nuits&lt;/i&gt;. Alain Bashung. Universal. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;"&gt;120.00 Jacques BREL - &lt;i&gt;Ne me quitte pas&lt;/i&gt;. Nina simone. Diamond. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-916645317038121147?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/916645317038121147/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=916645317038121147' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/916645317038121147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/916645317038121147'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_09_01_archive.html#916645317038121147' title='Autour de babel n°180 - Dominique Mussche &quot;Adieu à CORA VAUCAIRE&quot;'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3846630761736898754</id><published>2011-09-23T22:00:00.000+02:00</published><updated>2011-09-26T14:29:16.164+02:00</updated><title type='text'>Autour de babel n°179 - Anne Mattheeuws</title><content type='html'>00:00:35 // Rolf Wallin, «&amp;nbsp;Phonotope, part III, DÉBUT&amp;nbsp;». Arditti Quartet.  Aurora&lt;br /&gt;00:00:45 // Bernard Parmegiani, «&amp;nbsp;Du pop à l’âne&amp;nbsp;». Fractal records &lt;br /&gt;00:00:55 // Bernard Parmegiani, «&amp;nbsp;Des mots et des sons&amp;nbsp;». INA GRM &lt;br /&gt;00:01:05 // Blixa Bargeld / Andrew Chudy / Alex Hacke, «&amp;nbsp;The Garden&amp;nbsp;».  Einstürzende Neubauten. Mute records&lt;br /&gt;00:02:45 // Rolf Wallin, «&amp;nbsp;Phonotope, part III, DÉBUT&amp;nbsp;». Arditti Quartet.  Aurora. &lt;br /&gt;00:05:35 // Hans Appelqvist, «&amp;nbsp;Sinfantin och mörkret: Freckenoges Spa&amp;nbsp;».  Häpna&lt;br /&gt;00:08:10 // Astor Piazzolla / Horacio Ferrer, “Chiquilin de Bachin”. &amp;nbsp;Bobo  Stenson Trio. ECM &lt;br /&gt;00:16:00 // Luc Ferrari, «&amp;nbsp;Programme commun pour clavecin et bande&amp;nbsp;».  Elisabeth Chojnacka. Adda (17’15)&lt;br /&gt;00:32:25 // Marie-Joseph Canteloube de Malaret, «&amp;nbsp;Chants d’Auvergne&amp;nbsp;: Oi  Ayai&amp;nbsp;». Kiri te Kanawa - English Chamber Orchestra - Jeffrey Tate. Decca&lt;br /&gt;00:39:05 // Marc Moulin, «&amp;nbsp;I am You&amp;nbsp;». Marc Moulin - Christa Jérôme - Bert  Joris - Fabrice Alleman - Alain Debaisieux. EMI &lt;br /&gt;00:43:45 // Blixa Bargeld / Andrew Chudy / Alex Hacke, «&amp;nbsp;Beauty&amp;nbsp;».  Einstürzende Neubauten. Mute records&lt;br /&gt;00:45:40 // CPE Bach, Sonate en sol mineur H 47. Danny Driver. Hyperion&lt;br /&gt;00:51:35 // Fabien Lévy, «&amp;nbsp;Durch&amp;nbsp;». Sonic.art Saxophone Quartet. Genuin &lt;br /&gt;00:53:50 // Avishaï Cohen, «&amp;nbsp;Gently disturbed&amp;nbsp;». Avishaï Cohen Trio.  Razdaz&lt;br /&gt;00:57:45 // Bernard Parmegiani, «&amp;nbsp;Du pop à l’âne&amp;nbsp;». Fractal records &lt;br /&gt;00:58:15 // Eduardo Egüez / Gabriel Rivano, «&amp;nbsp;Sinfonia&amp;nbsp;». La Chimera. M.A  &lt;br /&gt;00:01:05 // Herman Hupfeld, «&amp;nbsp;As Time goes by&amp;nbsp;». Doodley Wilson. Nocturne  &lt;br /&gt;01:02:40 // Avishaï Cohen, «&amp;nbsp;Seattle&amp;nbsp;». Avishaï Cohen Trio. Razdaz&lt;br /&gt;01:05:20 // Ishiro Nodaira, «&amp;nbsp;En plein air: la marche&amp;nbsp;». Nobuko Imai. Pan  Classics&lt;br /&gt;01:05:35 // Rolf Wallin, «&amp;nbsp;Phonotope, part III, DÉBUT&amp;nbsp;». Arditti Quartet.  Aurora&lt;br /&gt;01:08:25 // Hans Appelqvist, «&amp;nbsp;Sinfantin och mörkret: Tilli Talli Tulli&amp;nbsp;».  Häpna &lt;br /&gt;01:09:35 // Avishaï Cohen, «&amp;nbsp;Ever Evolving Etude&amp;nbsp;». Avishaï Cohen Trio.  Razdaz&lt;br /&gt;01:15:25 // Paul Madeira / Jimmy Dorsey, «&amp;nbsp;I’m glad there is you&amp;nbsp;» Julie  London - Barney Kessel - Ray Leatherwood. Nocturne&lt;br /&gt;01:17:45 // Marie-Joseph Canteloube de Malaret, «&amp;nbsp;Chants d’Auvergne&amp;nbsp;: Uno  jionto postouro&amp;nbsp;». Kiri te Kanawa - English Chamber Orchestra - Jeffrey Tate.  Decca&lt;br /&gt;01:22:20 // Petr Eben, “Song of Ruth, var.”.&amp;nbsp; Bobo Stenson Trio. ECM &lt;br /&gt;01:28:55 // Jacob ter Veldhuis, «&amp;nbsp;Heartbreakers&amp;nbsp;». David Dramm - David  Kweksilber - Lavinia Meijer - Naomi Sato - Ivo Janssen - Janneke Groesz -  Aurelia Saxophone Quartet. RNW&lt;br /&gt;01:36:35 // Claudio Monteverdi, «&amp;nbsp;Si dolce è il tormento&amp;nbsp;». Georg Nigl - Luca  Pianca. Passacaille&lt;br /&gt;01:38:35 // Richard Rodgers / Oscar Hammerstein II, «&amp;nbsp;My Favorite Things&amp;nbsp;».  Youn Sun Nah. Act &lt;br /&gt;01:41:50 // Frederic Rzewski, «&amp;nbsp;Hungry Child ». Marianne Pousseur. Sub  Rosa&lt;br /&gt;01:45:00 // Franz Schubert, «&amp;nbsp;moment musical d780/4&amp;nbsp;». Radu Lupu. Decca&lt;br /&gt;01:50:05 // Gabriel Prokofiev, «&amp;nbsp;Quatuor&amp;nbsp; n° 2&amp;nbsp;: Strange Arp&amp;nbsp;». Ruysdael  Quartet. Cobra &lt;br /&gt;01:52:20 // Hector Blomberg / Enrique Maciel, «&amp;nbsp;La Pulpera de Santa Lucia&amp;nbsp;».  Anibal Arias, Ignacio Lopez. Winter&amp;amp;Winter &lt;br /&gt;01:55:05 // Hans Appelqvist, album «&amp;nbsp;Sinfantin och mörkret&amp;nbsp;: Tank Off Himlens  Alla Stjarnor». Häpna&lt;br /&gt;réalisation: Anne Mattheeuws&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3846630761736898754?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3846630761736898754/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3846630761736898754' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3846630761736898754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3846630761736898754'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_09_01_archive.html#3846630761736898754' title='Autour de babel n°179 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-506662338518833714</id><published>2011-09-16T22:00:00.000+02:00</published><updated>2011-09-20T17:48:11.618+02:00</updated><title type='text'>Autour de babel n°178 - Sylviane Hazard</title><content type='html'>&lt;h3&gt;El sueño de una noche en Buenos Aires, Lisboa, La Habana, Montevideo,  Lima.....&lt;/h3&gt;&lt;div class="printable order-51 illuBox"&gt;&lt;img src="http://ds4.ds.static.rtbf.be/epg/program/1315814621.jpg" width="144" /&gt;&lt;br /&gt;&lt;b&gt;&lt;/b&gt; - &lt;i&gt;Temas De La Ciudad&lt;/i&gt;. La Típica, Juan  Cedron, DYM.  &amp;nbsp;- &lt;i&gt;Quejas De Bandoneon&lt;/i&gt;. Sera una noche. MARECORDINGS. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;Underground Tango&lt;/i&gt;. Goran Bregovic. MECURY. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;Corcovado&lt;/i&gt;. Stacey Kent et le Quatuor Ebène - album: Fiction. HM.  &lt;br /&gt;Octavio BRUNETTI - &lt;i&gt;extr de la BOF "Tetro", film de F.F Coppola&lt;/i&gt;. DG.  &lt;br /&gt;C. GARDEL - &lt;i&gt;Volver&lt;/i&gt;. Estrella Morente - BOF de "Volver", film de  Pedro Almodovar. EMI. &lt;br /&gt;Carlos GARDEL - &lt;i&gt;Volver&lt;/i&gt;. Hugo Diaz, harmonica. IRIS. &lt;br /&gt;Manu CHAO - &lt;i&gt;Infinita Tristeza (album: Esperanza)&lt;/i&gt;. Manu Chao.  Virgin. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;ambiance de l'avenida 9 de Julio à Buenos Aires&lt;/i&gt;. surl l'album  "Escenas de la ciudad" d'Anibal arias. Winter&amp;amp;Winter. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;Quedemonos Aqui&lt;/i&gt;. Sera una noche. MARECORDS. &lt;br /&gt;GOTAN PROJECT - &lt;i&gt;Mi confesion&lt;/i&gt;. GotanProject avec Koxmoz (album  Lunatico). YA BASTA!. &lt;br /&gt;Boa FONTE - &lt;i&gt;Selva (album Caminho Para O Amazonas)&lt;/i&gt;. Boa Fonte. IRIS.  &lt;br /&gt;Ariel RAMIREZ - &lt;i&gt;Missa Criolla, extrait&lt;/i&gt;. Juan Diego Florez + Bologna  Teatro Comunale Chorus, Bologna, Teatro Comunale Orchestra. DECCA. &lt;br /&gt;Chango SPASIUK - &lt;i&gt;Scenes of Life on the Edge (album: Charm of  Chamamé)&lt;/i&gt;. Chango Spasiuk. Weltwunder Records. &lt;br /&gt;. - &lt;i&gt;I've seen that face before&lt;/i&gt;. Grace Jones. ISLAND. &lt;br /&gt;. - &lt;i&gt;El sueno del nino negro&lt;/i&gt;. Juan Cedron et La Tipica. GOTAN. &lt;br /&gt;Astor PIAZZOLLA - &lt;i&gt;Fugo y misterio&lt;/i&gt;. Astor Piazzolla (concert à  Buenos Aires en 1973). MILAN. &lt;br /&gt;. - &lt;i&gt;La Boca - Extr de la BOF "Tetro"&lt;/i&gt;. DG. &lt;br /&gt;Doris Fisher / Allan Roberts . - &lt;i&gt;Amado Mio&lt;/i&gt;. Luz Casal et le Quatuor  Ebène. VIRGIN. &lt;br /&gt;Charlie HADEN - &lt;i&gt;Cancion a Paola (album: La tierra del sol)&lt;/i&gt;. Charlie  Haden. VERVE. &lt;br /&gt;VISAGE - &lt;i&gt;Fade to grey&lt;/i&gt;. Nouvelle Vague. PEACEFROG. &lt;br /&gt;Boa FONTE - &lt;i&gt;A danca del Uirapuru (album Caminho Para O Amazonas)&lt;/i&gt;.  Boa Fonte. IRIS. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;Soltarlo&lt;/i&gt;. Claudia Gomez (album: Music from the coffee lands).  PUTUMAYO. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;La punalada (album: Altiplano)&lt;/i&gt;. Magik Malik, Minino Garay, Jaime  Torres. ACCORDS CROISES. &lt;br /&gt;Roberto FONSECA - &lt;i&gt;El niejo&lt;/i&gt;. Roberto Fonseca (album: Zamazu). ENJA.  &lt;br /&gt;Le Griser . - &lt;i&gt;Fusion a distancia&lt;/i&gt;. Le Griser (album: Fusion A  distancia). MUSIC BROKERS. &lt;br /&gt;&amp;nbsp;- &lt;i&gt;Cançao de Amor e piedade (album: fado tango)&lt;/i&gt;. Cristina Branco.  UNIVERAL. &lt;br /&gt;Tord GUSTAVSEN - &lt;i&gt;Where Breathing Starts&lt;/i&gt;. Tord gustavsen trio. ECM.  &lt;br /&gt;Alberto GINASTERA - &lt;i&gt;Cancion del arbol del olvido&lt;/i&gt;. Bernarda Fink et  Roger vignoles. HYPERION. &lt;br /&gt;Umberto PETRIN - &lt;i&gt;Ritratto di A.P - Primo apparir (album: Vaghissimo  Ritratto)&lt;/i&gt;. Umberto Petrin. ECM. &lt;br /&gt;GOTAN PROJECT - &lt;i&gt;Triptico (album: La Revancha del tango)&lt;/i&gt;. Gotan  Project. BARCLAY &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-506662338518833714?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/506662338518833714/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=506662338518833714' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/506662338518833714'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/506662338518833714'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_09_01_archive.html#506662338518833714' title='Autour de babel n°178 - Sylviane Hazard'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-9156137731767379255</id><published>2011-09-09T23:25:00.006+02:00</published><updated>2011-09-10T00:30:11.118+02:00</updated><title type='text'>Autour de Babel n°177 - André Defossez : "mognobabybel"</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Dans un format "baby" de 60 minutes (vu l'heure tardive), à l'occasion de la sortie de 5 nouveaux albums du label mogno (fusion, jazz et x-plore)&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min 00 &lt;b&gt;Marc-Henri CYKIERT&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Shalom-Salaam, var II&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Weber Iago, piano. mogno X 004.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min 03 &lt;b&gt;Charles LOOS&lt;/b&gt; - &lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Eau pétillante&lt;/span&gt;&lt;/i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Charles Loos &amp;amp; friends. mogno j045. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;10 &lt;b&gt;Serge GAINSBOURG&lt;/b&gt; arr C. Prayez. - &lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Le Poinçonneur&lt;/span&gt;&lt;/i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Binome (Christian Prayez, alto, Benoît Caudron, piano). mogno X 003. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;18 &lt;b&gt;Charles LOOS&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;In C minor Again&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. &lt;/span&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Charles Loos &amp;amp; friends. mogno j045. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;25 &lt;b&gt;Marie-Sophie TALBOT&lt;/b&gt; - &lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Thérèse est un ange&lt;/span&gt;&lt;/i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Tangram Jazz Trio. mogno j044. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;31 &lt;b&gt;Marc-Henri CYKIERT&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Shalom-Salaam, var V&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Weber Iago, piano. mogno X 004. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;34 &lt;b&gt;Tulough O'CAROLAN&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Eleanor Plunkett&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Kieran Fahy, fiddle, Jacques Pirotton, guitare. mogno f013. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;38 &lt;b&gt;Benoît CAUDRON&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Tira&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Binome (Christian Prayez, alto, Benoît Caudron, piano). mogno X 003. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;45 &lt;b&gt;Marie-Sophie TALBOT&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Shakespeare (Sonnet #18)&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Tangram Jazz Trio. mogno j044. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min 51 &lt;b&gt;Trad.&lt;/b&gt; - &lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Archibald McDonald of Keppoch&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. &lt;/span&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Kieran Fahy, fiddle, Jacques Pirotton, guitare. mogno f013. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;min&amp;nbsp;55 &lt;b&gt;Horace SILVER&lt;/b&gt; - &lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Safari&lt;/span&gt;&lt;/i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;. Tangram Jazz Trio. mogno j044.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;span lang="FR" style="color: #444444; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;Production et réalisation : André DEFOSSEZ&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"&gt;&lt;i&gt;&lt;span lang="FR" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt;"&gt;P.S. expérimentalement,&amp;nbsp;c'est un mix 'virtuel' qui est programmé et se fera automatiquement pendant la diffusion. Le fichier entier pour le podcast ne pourra être généré qu'à partir de lundi...&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-9156137731767379255?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/9156137731767379255/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=9156137731767379255' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/9156137731767379255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/9156137731767379255'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_09_01_archive.html#9156137731767379255' title='Autour de Babel n°177 - André Defossez : &quot;mognobabybel&quot;'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-352610934063902342</id><published>2011-09-02T22:05:00.001+02:00</published><updated>2011-09-05T00:35:33.592+02:00</updated><title type='text'>Autour de Babel n°176 - Christine Gyselings</title><content type='html'>&lt;div class="printable order-51 illuBox"&gt;   		&lt;strong style="font-weight: normal;"&gt;Frederic CHOPIN&lt;/strong&gt;. - &lt;em&gt;Nocturne en si majeur op 62n°1&lt;/em&gt;. Milos Popovic, piano. Musiq'3.  Heinrich SCHÜTZ. - &lt;em&gt;Extr. de Musikalische Exequien&lt;/em&gt;. Vox Luminis. RIC. &lt;br /&gt;Emmanuel LAGARRIGUE. - &lt;em&gt;Tu protèges&lt;/em&gt;. City Sonic. &lt;br /&gt;Joseph HAYDN. - &lt;em&gt;Cantabile, extr. du Trio en ré majeur, Hob.XI:42&lt;/em&gt;. Guido Balestracci, baryton, Alessandro Tampieri, alto, Bruno Cocset, violoncelle. RIC. &lt;br /&gt;Emmanuel LAGARRIGUE. - &lt;em&gt;Les choses&lt;/em&gt;. City sonic. &lt;br /&gt;Benjamin BRITTEN. - &lt;em&gt;The foggy, foggy dew (La vaporeuse rosée)&lt;/em&gt;. Christopher Maltman, baryton, Julius Drake, piano. Virgin. &lt;br /&gt;Karl JENKINS. - &lt;em&gt;Extr. du Stabat Mater&lt;/em&gt;. Choeur et Orchestre Royal de Liverpool. EMI. &lt;br /&gt;Louis COUPERIN. - &lt;em&gt;Prélude de la suite enn fa majeur&lt;/em&gt;. Christophe Rousseta. Apparté. &lt;br /&gt;J.S BACH. - &lt;em&gt;Der Geist hilft unser Schwachheit auf, motet pour double choeur BWV 226&lt;/em&gt;. Collegium Vocale Gent, Philippe Herreweghe. Outhere. &lt;br /&gt;Britta BYSTRÖM. - &lt;em&gt;Symphonie en jaune&lt;/em&gt;. KN. &lt;br /&gt;Johannes BRAHMS. Ludwig Tieck. - &lt;em&gt;La Belle Maguelonne&lt;/em&gt;. Christoph Prégardien, ténor, Andréas Staier, pianoforte, Sami Frey, narrateur. Teldec. &lt;br /&gt;Production : Christine GYSELINGS&lt;br /&gt;Réalisation : Katia MADAULE&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-352610934063902342?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/352610934063902342/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=352610934063902342' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/352610934063902342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/352610934063902342'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_09_01_archive.html#352610934063902342' title='Autour de Babel n°176 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2738227552468870358</id><published>2011-07-15T22:00:00.003+02:00</published><updated>2011-07-18T13:11:54.475+02:00</updated><title type='text'>Rediffusions d'été</title><content type='html'>Chaque vendredi du 15/7 au 26/8, nous rediffusons, dans l'ordre chronologique de leur première diffusion en 2007, les numéros &lt;a href="http://autourdebabel.blogspot.com/2007_05_01_archive.html#398481433968471421"&gt;17&lt;/a&gt; à &lt;a href="http://autourdebabel.blogspot.com/2007_09_01_archive.html#5452418992317166113"&gt;23&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2738227552468870358?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2738227552468870358/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2738227552468870358' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2738227552468870358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2738227552468870358'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_07_01_archive.html#2738227552468870358' title='Rediffusions d&apos;été'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3359462822615237023</id><published>2011-07-08T22:00:00.001+02:00</published><updated>2011-07-12T14:07:07.798+02:00</updated><title type='text'>Autour de Babel n°175 - François Demuth</title><content type='html'>Jonsi &amp;amp; Alex : Boy 1904 &lt;br /&gt;Lamb : She Walks &lt;br /&gt;Jun Miyake : The Here and After &lt;br /&gt;Erik Truffaz feat. Sophie Hunger : Let me go &lt;br /&gt;Jozef Dumoulin &amp;amp; Lidlboj : Eihwaz, Pt.2 &lt;br /&gt;E.S.T : Elevation Of Love &lt;br /&gt;Manu Katché : Number One &lt;br /&gt;Erik Truffaz : Bukowsky-Chapter 1 &lt;br /&gt;The Ramsey Lewis Trio : Julia &lt;br /&gt;Quincy Jones : If I ever loose this Heaven&amp;nbsp;&amp;nbsp; &lt;br /&gt;Donald Byrd : Think Twice&amp;nbsp; &lt;br /&gt;Gary Bartz : Music is my Sanctuary &lt;br /&gt;Gil Scott-Heron &amp;amp; Brian Jackson : Madison Avenue &lt;br /&gt;Herbie Hancock : Gentle Thoughts &lt;br /&gt;Marcus Miller : Silver Rain &lt;br /&gt;Tony Allen : Get Together &lt;br /&gt;Jimi Tenor &amp;amp; Tony Allen : Selfish Gene &lt;br /&gt;Trentemoller : The Forest &lt;br /&gt;Robert Babicz : Losing Memories &lt;br /&gt;Flying Lotus : Tea Leaf Dancers &lt;br /&gt;Radiohead : Lotus Flower &lt;br /&gt;Burial : Archangel &lt;br /&gt;Recoil : Want &lt;br /&gt;Bat For Lashes : Pearl's Dream &lt;br /&gt;UNKLE : Heaven&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3359462822615237023?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3359462822615237023/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3359462822615237023' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3359462822615237023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3359462822615237023'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_07_01_archive.html#3359462822615237023' title='Autour de Babel n°175 - François Demuth'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-4954670279201780809</id><published>2011-06-24T22:00:00.001+02:00</published><updated>2011-07-12T14:09:02.153+02:00</updated><title type='text'>Autour de Babel n°174 - Sonic Cathedral #2</title><content type='html'>&lt;strong&gt;Musiques Nouvelles&lt;/strong&gt;, direction &lt;strong&gt;Jean-Paul Dessy&lt;/strong&gt; avec : &lt;strong&gt;Alyth McCormack&lt;/strong&gt; (Ecosse) - chant gaélique &lt;strong&gt;Chœur Psallentes &lt;/strong&gt;(Belgique) - chant grégorien &lt;strong&gt;Danyèl Waro &lt;/strong&gt;(Île de la Réunion) - chant et musique de la Réunion &lt;strong&gt;Dhruba Ghosh &lt;/strong&gt;(Inde) - sarangi et tampura &lt;strong&gt;Stephan Mathieu &lt;/strong&gt;(Allemagne) - électronique &lt;strong&gt;Xavier Deprez &lt;/strong&gt;(Belgique) - orgue.&lt;br /&gt;Concert sanctuaire, &lt;i&gt;Sonic Cathedral &lt;/i&gt;crée, en un lieu sacré ouvert&amp;nbsp;au public, un sentiment puissant et chaleureux de fraternité à travers des traditions musicales extrêmement différentes. Multiple et incantatoire, une voix musicale s'élève, édifiant un espace hors du temps.&amp;nbsp;&amp;nbsp;Concert liturgie, &lt;i&gt;Sonic Cathedral &lt;/i&gt;est une œuvre à part entière au souffle continu.&lt;br /&gt;&lt;strong&gt;Programme :&lt;/strong&gt;&lt;br /&gt;&lt;b&gt;Dhruba Ghosh&lt;/b&gt; , &lt;i&gt;Journey in Megh &lt;/i&gt;· &lt;b&gt;Jean-Paul Dessy&lt;/b&gt;, &lt;i&gt;Ode au Fado&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Danyèl Waro&lt;/b&gt;, &lt;i&gt;Naile&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Arvo Pärt&lt;/b&gt;, &lt;i&gt;Für Lennart In Memoriam&lt;/i&gt;, &lt;b&gt;création belge&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Dietrich Buxtehude&lt;/b&gt; (1637-1707), &lt;i&gt;Toccata en ré mineur BuxVW 155&lt;/i&gt;, par &lt;b&gt;Xavier Deprez&lt;/b&gt; &lt;br /&gt;&lt;b&gt;Étienne de Liège&lt;/b&gt; (c.850-920), &lt;i&gt;Office de Saint Lambert&lt;/i&gt;, par &lt;b&gt;Psallentes&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Dimitri Chostakovitch&lt;/b&gt; (1906-1975), &lt;i&gt;Quatuor n° 8&lt;/i&gt;, arrangement pour orchestre à cordes de &lt;b&gt;Rudolf Barshaï&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Stephan Mathieu&lt;/b&gt;, &lt;i&gt;Wandering Star &lt;/i&gt;/ &lt;b&gt;Jean-Sébastien Bach&lt;/b&gt; (1685-1750), &lt;i&gt;Herr Got, dich loben alle wir&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Danyèl Waro&lt;/b&gt;, &lt;i&gt;Po mwin maloya&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Jean-Paul Dessy&lt;/b&gt;, &lt;i&gt;Vertiges&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Alyth McCormack&lt;/b&gt;, Psaumes gaéliques&lt;br /&gt;&lt;b&gt;Stephan Mathieu&lt;/b&gt;, &lt;i&gt;Hidden Name&lt;/i&gt;&lt;br /&gt;&lt;u&gt;Introduction ajoutée pour la diffusion antenne uniquement&lt;/u&gt; (hors podcast):&lt;br /&gt;&lt;strong&gt;John Cage&lt;/strong&gt;, &lt;em&gt;Story&lt;/em&gt; (texte de Gertrude Stein) - Theatre of voice Paul Hillier&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-4954670279201780809?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/4954670279201780809/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=4954670279201780809' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4954670279201780809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4954670279201780809'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_06_01_archive.html#4954670279201780809' title='Autour de Babel n°174 - Sonic Cathedral #2'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-8785209518468687790</id><published>2011-06-17T22:00:00.003+02:00</published><updated>2011-06-17T12:59:03.261+02:00</updated><title type='text'>Autour de Babel n°173 - Alexandre Wajnberg</title><content type='html'>&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;a href="http://4.bp.blogspot.com/-Ddpzwc2dGks/Tfnjdo2nhgI/AAAAAAAACR4/GsFMwElCY-Y/s1600/steppeMaroc.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-Ddpzwc2dGks/Tfnjdo2nhgI/AAAAAAAACR4/GsFMwElCY-Y/s1600/steppeMaroc.jpg" t8="true" /&gt;&lt;/a&gt;Mixage :&amp;nbsp;Isis Gunzburger.&lt;/div&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;em&gt;" Alpages et Steppes "&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;00’0”&amp;nbsp;&amp;nbsp; Todor TODOROFF&amp;nbsp;: &lt;em&gt;Voices Part 1&lt;/em&gt;&amp;nbsp; (5’11") - CD:&amp;nbsp; &lt;em&gt;Presence II, CEC &lt;/em&gt;(Canada, 2000), PeP 002&lt;em&gt;...mixé avec les cloches de &lt;/em&gt;Alain KREMSKI&amp;nbsp;: &lt;em&gt;Poème de l’exaltation&lt;/em&gt;&amp;nbsp; (10’08") - CD:&amp;nbsp; &lt;em&gt;alain kremski, musiques rituelles pour cloches et gongs, megaliths&lt;/em&gt;&amp;nbsp; (1979-96) Auvidis Tempo, Tempo A 6266&lt;br /&gt;01’39”&amp;nbsp;&amp;nbsp; Thierry LANG&amp;nbsp;: &lt;em&gt;Le Ranz des vaches&lt;/em&gt;&amp;nbsp; (Joseph Bovet)&amp;nbsp; (8’27") - CD:&amp;nbsp; &lt;em&gt;Lyoba&lt;/em&gt;&amp;nbsp; (2007), Musiques suisses, MGB-NV 3 &lt;br /&gt;09’33”&amp;nbsp;&amp;nbsp; Todor TODOROFF&amp;nbsp;: &lt;em&gt;Obsession&lt;/em&gt;&amp;nbsp; (11’13") - CD:&amp;nbsp; &lt;em&gt;Prix International Noroit - Léonce Petitot&lt;/em&gt;, INA-GRM&amp;nbsp; (France,1991), NOR 2&lt;br /&gt;10’46”&amp;nbsp;&amp;nbsp; Namjiliin NOROVBANZAD&amp;nbsp;: &lt;em&gt;Unchin tsagaan botgo&lt;/em&gt;&amp;nbsp; (5’00") - CD:&amp;nbsp; &lt;em&gt;Mongolia Goolingoo&lt;/em&gt;&amp;nbsp; (2004), Norovbanzad Cultural Foundation&lt;br /&gt;15’44”&amp;nbsp;&amp;nbsp; Bobby MCFERRIN&amp;nbsp;: &lt;em&gt;monks / the shefferd&lt;/em&gt;&amp;nbsp; (2’49") - CD:&amp;nbsp; &lt;em&gt;beyond words&lt;/em&gt;&amp;nbsp; (2002), Blue Note Records 7243 5 34201 2 3&lt;br /&gt;18’30”&amp;nbsp;&amp;nbsp; John TAVENER&amp;nbsp;: &lt;em&gt;Round and round the mulberry bush...&amp;nbsp; &lt;/em&gt;(8’15") - 2&lt;sup&gt;e&lt;/sup&gt; mvt de &lt;em&gt;The Myrrh-Bearer - &lt;/em&gt;Liepaja Symphony orchestra, dir. Maris Sirmais, avec Maxim Rysanov (violon). CD:&amp;nbsp; &lt;em&gt;KANCHELI Styx, TAVENER The Myrrh-Bearer &lt;/em&gt;&amp;nbsp;(2006), Onyx 4023&lt;br /&gt;21’03”&amp;nbsp;&amp;nbsp; Roger CAILLOIS&amp;nbsp;: &lt;em&gt;Asie Centrale &lt;/em&gt;&amp;nbsp;(35") - CD:&amp;nbsp; &lt;em&gt;Voix de Poètes III&lt;/em&gt;&amp;nbsp; (1999), 211803 HMCD 65&lt;br /&gt;21’22”&amp;nbsp;&amp;nbsp; Susheela RAMAN&amp;nbsp;: &lt;em&gt;Manasuloni&lt;/em&gt;&amp;nbsp; (4’11") - CD:&amp;nbsp; &lt;em&gt;Love Trap&lt;/em&gt;&amp;nbsp; (2003), Narada 72435-83515-2-1 &lt;br /&gt;25’18”&amp;nbsp;&amp;nbsp; Sylvius Leopold WEISS : &lt;em&gt;Sarabande&amp;nbsp; &lt;/em&gt;(3’19") - extrait de la &lt;em&gt;Partita en ré mineur - &lt;/em&gt;CD:&amp;nbsp; &lt;em&gt;WEISS, Partitas pour luth, Hopkinson SMITH&lt;/em&gt;&amp;nbsp; (1998), Astrée E 8620&lt;br /&gt;28’36”&amp;nbsp;&amp;nbsp; Habib&amp;nbsp;et Hassina GUERROUMI&amp;nbsp;: &lt;em&gt;Mseder Raml&lt;/em&gt;&amp;nbsp; (6’22") - CD:&amp;nbsp; &lt;em&gt;Nouba Al’Dhil, played in C between eleven and one at night&lt;/em&gt;&amp;nbsp; (1999), ZuTa music 1006&lt;br /&gt;34’58”&amp;nbsp;&amp;nbsp; Thomas LINLEY Jr&amp;nbsp;: Chorus&lt;em&gt; «&amp;nbsp;O guardian of that sacred land&amp;nbsp;»&lt;/em&gt;&amp;nbsp; (4’44"), extrait de &lt;em&gt;Ode on the Witches and Fairies of Shakespeare - &lt;/em&gt;CD:&amp;nbsp; &lt;em&gt;A SHAKESPEARE ODE&lt;/em&gt; Musicians of the Globe, Philip Pickett&amp;nbsp; (2008), Philips 446 689-2 digital&lt;br /&gt;«&amp;nbsp;&lt;em&gt;Ô gardienne de cette terre sacrée&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Où s’abandonnent les eaux de l’Avon couronnées de bosquets,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Toi, dont la puissante baguette magique&lt;/em&gt;&lt;br /&gt;&lt;em&gt;obéit à la suite grouillante des idées,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Qui t’élances sur les vives ailes de l’aigle&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Au-delà des bornes ardentes des choses:&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ô Fantaisie, écoute!&amp;nbsp;&lt;/em&gt;»&lt;br /&gt;39’41”&amp;nbsp;&amp;nbsp; Jeanne LEE&amp;nbsp;et Mal WALDRON&amp;nbsp;: &lt;em&gt;Caravan &lt;/em&gt;&amp;nbsp;(7’26") - CD:&amp;nbsp; &lt;em&gt;Jeanne Lee &amp;amp; Mal Waldron After Hours&lt;/em&gt;&amp;nbsp; (1994), OWL 077&amp;nbsp;; 013 426 2 &lt;br /&gt;46’59”&amp;nbsp;&amp;nbsp; Charles IVES&amp;nbsp;:&amp;nbsp;&lt;em&gt;Adagio molto (sostenuto)&lt;/em&gt;&amp;nbsp; (8’29") - Symphony n°1, Dallas Symphony Orchestra, dir. Andrew Litton (2006) - CD:&amp;nbsp;Hyperion CDA67540&lt;br /&gt;55’26”&amp;nbsp;&amp;nbsp; Keith JARRETT&amp;nbsp;: &lt;em&gt;Americana&lt;/em&gt;&amp;nbsp; (7’10") - CD:&amp;nbsp; &lt;em&gt;Dark Intervals&lt;/em&gt;&amp;nbsp; (1988), ECM 1379 837 342-2&lt;br /&gt;62'14”&amp;nbsp;&amp;nbsp; Jean SIBELIUS&amp;nbsp;: &lt;em&gt;Andante festivo&lt;/em&gt;&amp;nbsp; (4’05") - CD:&amp;nbsp; &lt;em&gt;Quartettsatz, Quatuor ALFAMA&lt;/em&gt;&amp;nbsp; (2011), Fuga Libera FUG582&lt;br /&gt;66’17”&amp;nbsp;&amp;nbsp; Pierre Van DORMAEL&amp;nbsp;et Hervé SAMB&amp;nbsp;: &lt;em&gt;Undercover&lt;/em&gt;&amp;nbsp; (5’12") - CD:&amp;nbsp; &lt;em&gt;Pierre Van Dormael &amp;amp; Hervé Samb&amp;nbsp;- duo solo&lt;/em&gt;&amp;nbsp; (2008), Mogno J029&lt;br /&gt;71’20”&amp;nbsp;&amp;nbsp; Natsagiin JANTSANNOROV : &lt;em&gt;White stupa n°2&lt;/em&gt;&amp;nbsp; (3’15") - Morinkhuur Orchestra of Mongolia, dir. N. Jantsannorov - CD:&amp;nbsp; &lt;em&gt;Morinkhuur Orchestra of Mongolia&lt;/em&gt;&amp;nbsp; (1998), Prod. Admon Co., Ltd «&amp;nbsp;&lt;em&gt;Let the Mount Burkhan Khaldun Bless you!&amp;nbsp;»&lt;/em&gt;&lt;br /&gt;74’30”&amp;nbsp;&amp;nbsp; Natsagiin JANTSANNOROV&amp;nbsp;: &lt;em&gt;The Gobi desert deep in my heart&lt;/em&gt;&amp;nbsp; (7’20")&lt;br /&gt;Morinkhuur Orchestra of Mongolia, dir. N. Jantsannorov - CD:&amp;nbsp; &lt;em&gt;Morinkhuur Orchestra of Mongolia&lt;/em&gt;&amp;nbsp; (1998), Prod. Admon Co., Ltd «&amp;nbsp;&lt;em&gt;Let the Mount Burkhan Khaldun Bless you!&amp;nbsp;»&lt;/em&gt;&lt;br /&gt;81’44”&amp;nbsp;&amp;nbsp; Jean-Sébastien BACH&amp;nbsp;: &lt;em&gt;Sarabande&lt;/em&gt;&amp;nbsp; (3’28") - extrait de la &lt;em&gt;Suite anglaise n°4 en fa maj&lt;/em&gt;, BWV 809 - CD:&amp;nbsp; &lt;em&gt;Bach - English suites&amp;nbsp;n° 2, 4, 5 - Murray PERAHIA&lt;/em&gt;&amp;nbsp; (1999), Sony SK 60277&lt;br /&gt;85’09”&amp;nbsp;&amp;nbsp; Jean-Sébastien BACH&amp;nbsp;: Sarabande&amp;nbsp;»&amp;nbsp; (2’36") - extrait de la &lt;em&gt;Suite anglaise n°4 en fa maj&lt;/em&gt;, BWV 809 - CD:&amp;nbsp; &lt;em&gt;Bach - English&amp;nbsp;and French suites - SAFRI DUO&lt;/em&gt;&amp;nbsp; (1995), Chandos CHAN9339&lt;br /&gt;87’43”&amp;nbsp;&amp;nbsp; Todor TODOROFF&amp;nbsp;: &lt;em&gt;Rupture d’équilibre&lt;/em&gt;&amp;nbsp; (10’17") - CD:&amp;nbsp; &lt;em&gt;Musique de concert&lt;/em&gt;&amp;nbsp; (1997), [non publié&amp;nbsp;; sabam] &lt;br /&gt;90’06”&amp;nbsp;&amp;nbsp; Déodat de SÉVERAC&amp;nbsp;: &lt;em&gt;En Tartane (L’arrivée en Cerdagne)&lt;/em&gt;&amp;nbsp; (6’27") &lt;em&gt;Cerdaña&lt;/em&gt;&lt;em&gt; (cinq études pittoresques pour le piano) - &lt;/em&gt;CD:&amp;nbsp; &lt;em&gt;Séverac&amp;nbsp;: œuvres pour piano / Ciccolini&lt;/em&gt;&amp;nbsp; (1981), CDC 7478992&lt;br /&gt;96’17”&amp;nbsp;(texte en cyrillique)&amp;nbsp;(2009&amp;nbsp;?), Prod. B. Tuguldur - [pas d’autre référence;&lt;em&gt; on trouve ce disque au rayon « nouveautés » du State Department Store, Peace av., d’Ulaan Baatar (rez-de-chaussée, au fond à droite)&lt;/em&gt;]&lt;br /&gt;100’33”&amp;nbsp;&amp;nbsp; Larry CORYELL&amp;nbsp;et Philip CATHERINE : &lt;em&gt;Snowshadows&lt;/em&gt;&amp;nbsp; (3’29") - CD:&amp;nbsp; &lt;em&gt;Twin House, Coryell - Catherine &lt;/em&gt;&amp;nbsp;(1992), ACT 9202-2&lt;br /&gt;103’55”&amp;nbsp;&amp;nbsp; Jeff NEVE&amp;nbsp;: &lt;em&gt;Contemplation&lt;/em&gt;&amp;nbsp; (6’36") - CD:&amp;nbsp; &lt;em&gt;Jef Neve Trio&amp;nbsp;- «&amp;nbsp;It’s gone&amp;nbsp;»&lt;/em&gt;&amp;nbsp; (2004), Contour, C.003&lt;br /&gt;108’51”&amp;nbsp;&amp;nbsp; Thierry LANG&amp;nbsp;: &lt;em&gt;L’immortelle de Jean&lt;/em&gt;&amp;nbsp; (Joseph Bovet)&amp;nbsp; (8’47") - CD:&amp;nbsp; &lt;em&gt;Lyoba&lt;/em&gt;&amp;nbsp; (2007), Musiques suisses, MGB-NV 3&lt;br /&gt;117’21”&amp;nbsp;&amp;nbsp; Todor TODOROFF&amp;nbsp;: &lt;em&gt;Lieber R.&lt;/em&gt;&amp;nbsp; (9’22") - [Non publié&amp;nbsp;; sabam] …&lt;em&gt;et merci à Todor!&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-8785209518468687790?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/8785209518468687790/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=8785209518468687790' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8785209518468687790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8785209518468687790'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_06_01_archive.html#8785209518468687790' title='Autour de Babel n°173 - Alexandre Wajnberg'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Ddpzwc2dGks/Tfnjdo2nhgI/AAAAAAAACR4/GsFMwElCY-Y/s72-c/steppeMaroc.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7564208809427032787</id><published>2011-06-10T22:00:00.005+02:00</published><updated>2011-06-16T10:28:04.565+02:00</updated><title type='text'>Autour de Babel n°172 - Dominique Mussche</title><content type='html'>Réalisation : Bastien HIDALGO-RUIZ&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.00 Satoko FUGII&lt;/strong&gt;. - Sora No Naka. Minamo. Tzadik. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;03.14 Domenico SCARLATTI&lt;/strong&gt;. - Sonate en la majeur K 208. Alexandre Tharaud, piano. Virgin. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;07.12 Jocelyn MENNIEL&lt;/strong&gt;. - Baïkal. François Salque, violoncelle, Vincent Peirani, accordéon. Zig Zag Territoires. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;15.04 Anonyme du XIIe Siècle &lt;/strong&gt;. - Cloris sighd and sang and wept. Rebecca Ockenden, soprano, Sofie Vanden Eynde, luth. Ramée. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;20.15 Toshio HOSOKAWA&lt;/strong&gt;. - Voyage I. Asako Urushihara, violon, MusikFabrik, Peter Rundel. Kairos. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;26.23 Jean-Claude ACQUAVIVA&lt;/strong&gt;. - Rex tremendae. Paolo Fresun trompette, Daniele di Bonaventura, bandoneon, A Fileta. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;30.57 John GREAVES&lt;/strong&gt;. Paul Verlaine. - Chanson pour elle. John Greaves. Zig Zag Territoires. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;35.15 Jun MIYAKE&lt;/strong&gt;. Lisa Papineau. - The Here and after. Lisa Papineau, Yellowbird. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;40.16 Aarich JESPERS&lt;/strong&gt;. - Improvisation on Jungle Swing. Zita Swoon Group. Zita Swoon. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;43.00 Rokia TRAORÉ&lt;/strong&gt;. - Déli. Rokia Traoré. Label Bleu. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;48.44 Aram KHATCHATURIAN&lt;/strong&gt;. - Trio pour clarinette, violon et piano. Ensemble Walter Boeykens. Harmonia Mundi. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;55.05 Thomas FERSEN&lt;/strong&gt;. - Dracula. Thoma Fersen. Tôt ou Tard. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;59.03 Bruno MANTOVANI&lt;/strong&gt;. - Time stretch (on Gesualdo). Orchestre Philharmonique de Liège, Pascal Rophé. Aeon. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;69.07 Jan Dismas ZELENKA&lt;/strong&gt;. - Nocturno I. Collegium 1704 et Collegium Vocale 1704. Accent. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;74.20 Floy KROUCHI&lt;/strong&gt;. - Couvre-feux. Floy Krouchi. La Muse en circuit. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;77.47 Areski BELKACEM&lt;/strong&gt;. Brigitte Fontaine. - Prohibition. Brigitte Fontaine. Universal. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;81.30 RADIOHEAD &lt;/strong&gt;. - Give up the ghost. Radiohead. Ticker Tape. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;86.05 Boubacar TRAORÉ&lt;/strong&gt;. - Mali Denhou. Baoubacar Traoré. Lusafrica. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;90.50 John ZORN&lt;/strong&gt;. - Suicide blues. John Zorn. Tzadik. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;94.28 George STONE&lt;/strong&gt;. - Plain gold ring. Nina Simone. CBS. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;98.10 Las Hermanas CARONNI&lt;/strong&gt;. - Milonga campera. Las Hermanas Caronni. Snail. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;102.12 Ketil BJORNSTAD&lt;/strong&gt;. - Schubert said. Ketil Bjornstad, piano, Svante Henryson, violoncelle. ECM.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;106.34 John GREAVES&lt;/strong&gt;. Christophe Glockner. - Limbo. Elise Caron. Le Chant du Monde. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;108.47 John ZORN&lt;/strong&gt;. - Parable of Job. John Zorn. Tzadik. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;112.53 Alexandre LONGO&lt;/strong&gt;. - Meaning. Cascadeur. Universal. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;127.12 Satoko FUGII&lt;/strong&gt;. - Suiheisen. Minamo. Tzadik.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7564208809427032787?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7564208809427032787/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7564208809427032787' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7564208809427032787'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7564208809427032787'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_06_01_archive.html#7564208809427032787' title='Autour de Babel n°172 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-486241976023852135</id><published>2011-06-03T00:01:00.000+02:00</published><updated>2011-05-27T12:23:33.216+02:00</updated><title type='text'>Autour de Babel n°171 - Pierre de Mûelenaere</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;"Blue Mix"&lt;a href="http://2.bp.blogspot.com/-MNpXOobJ8N8/Td59xN7ANnI/AAAAAAAAB70/eMPGhOQFtbY/s1600/pdm-BlueMix2011-05-27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320px" src="http://2.bp.blogspot.com/-MNpXOobJ8N8/Td59xN7ANnI/AAAAAAAAB70/eMPGhOQFtbY/s320/pdm-BlueMix2011-05-27.jpg" t8="true" width="320px" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Clem Leek - London Bridge Wednesday 5 - field rotator remix - Brian Records (unreleased)&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Daniel Bjarnason - Spindrift - Bedroom Community Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Apparat - Ash Black Veil - Mute&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Burial - NYC - Hyperdub&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Julianna Barwick - Envelop - Asthmatic Kitty&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Motion sickness of time travel - mental projection - digitalis&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Grimes - Vanessa - Hippos in Tanks / Arbutus&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Puzzle Muteson - En Garde - Bedroom Community&amp;nbsp;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Kaboom Karavan - Walzer - Miasmah Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Tiago Sousa - Walden pond's monk I - Immune&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Mountains - Sequel - Thrill Jockey&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Tiago Sousa - Walden pond's monk III - Immune&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Radiohead - weird fishes Arpeggi - XL&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Hyetal - Phoenix - Black Acre&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Ford &amp;amp; Lopatin (formerly know as GAMES) - Emergency room - Hippos in tanks&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Visions of trees - No Flag - Moshi Moshi Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;D'eon - Transparency - How to dress well rework&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Laurel Halo - Aquifer - Hippos in tanks&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Ssaliva - Crayola - Leaving records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Darkstar - Deadness - Warp&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Julian Lynch - Ruth My Sister - Olde english spelling bee - Domino&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;King creozote &amp;amp; John Hopkins - John Taylor's month away&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Ensemble Economique - Physical - Not not fun&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Tropic of cancer - Temporal Vessels - Blackest ever black&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Jonny ROgers - Jerusalem - Brian Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Genesis - The fountain of Salmacis - Charisma&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Hype Williams - Unfaithfull - Hippos in Tanks&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Damon Albarn + Dan the Automator + Kid Koala - untitled&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Isaac Hayes - Theme from SHAFT&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Casse Brique - L'autre voyage de Yannick - Spank Me More Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Hoquets - Couque de Dinant - Crammed&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Clem Leek - London Bridge Wednesday 5 - original edit - Brian Records&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;+ Special Thanks to Jimlad from Brian Records for Clem Leeks amazing exclusive tracks.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-486241976023852135?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/486241976023852135/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=486241976023852135' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/486241976023852135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/486241976023852135'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_06_01_archive.html#486241976023852135' title='Autour de Babel n°171 - Pierre de Mûelenaere'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-MNpXOobJ8N8/Td59xN7ANnI/AAAAAAAAB70/eMPGhOQFtbY/s72-c/pdm-BlueMix2011-05-27.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3997862071842432899</id><published>2011-05-27T12:29:00.002+02:00</published><updated>2011-05-27T13:27:02.131+02:00</updated><title type='text'>Autour de Babel n°170 - Moonshine Maverick &amp; Kiddy Kate</title><content type='html'>&lt;div class="MsoNormal" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;a href="http://4.bp.blogspot.com/-vH7BDh84iWs/Td-KTITuEGI/AAAAAAAAB74/wGH665Mteow/s1600/Babel2kmad.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320px" src="http://4.bp.blogspot.com/-vH7BDh84iWs/Td-KTITuEGI/AAAAAAAAB74/wGH665Mteow/s320/Babel2kmad.jpg" t8="true" width="212px" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;0'00'40&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;F. Uwe Laysiepen / Marina Abramovic :&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Bioguarde" (from &lt;i&gt;Live To Air: Artist's Sound Work&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;span style="font-family: 'Helvetica','sans-serif'; font-size: 12pt;"&gt;(Audio Arts Magazine, Volume 5, Nos 3 &amp;amp; 4, 1982) &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'01'31&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;John Adams &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sentimentals'" (from &lt;i&gt;Ensemble Pieces&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Island Records, Obscure #2, 1975)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'04'31&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Ellen Fullman &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Woven Processional" (from &lt;i&gt;The Long String Instrument&lt;/i&gt;) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Het Apollohuis / Apollo Records, 1985) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'06'54&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Marcel Duchamp&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sculpture Musicale" (from &lt;i&gt;Music of Marcel Duchamp&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Edition Block + Paula Cooper Gallery, 1991) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'07'56&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Laurie Anderson (from &lt;i&gt;Airwaves&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(One Ten Records, 1977) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'12'08&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Kenny Graham and his Satellites &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Moondog Suite" (from &lt;i&gt;Moondog and Suncat Suites&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(HMV, 1957) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'18'05&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Hank Linhart and Shelley Hirsch &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Untitled (Excerpt)" (from &lt;i&gt;Tellus #17&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;(Video Arts Music, 1987) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'19'54&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;David Behrman &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sounds for a Film by Robert Watts" (from &lt;i&gt;Wavetrain&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Alga Marghen, 1998)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'21'30&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"?"&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'24'09&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Delia Derbyshire&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sea" (from I&lt;i&gt;nventions For Radio - Dreams&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(1964)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'28'14&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;David Behrman &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sounds for a Film by Robert Watts" (from &lt;i&gt;Wavetrain&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Alga Marghen, 1998)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'29'28&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Dariush Dolat-Shahi&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sama (Tar and Electronic)" (from &lt;i&gt;Electronic Music, Tar and Sehtar&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Folkways Records, 1985)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'36'48&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;David Behrman &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sounds for a Film by Robert Watts" (from &lt;i&gt;Wavetrain&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Alga Marghen, 1998)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'39'09&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Mario Davidovsky &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"In Memoriam Edgar Varèse" (from &lt;i&gt;Aspen Nro. 4&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Aspen Magazine, ?)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'40'41&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"?"&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'41'28&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Merce Cunningham&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Space, Time and Dance" (from &lt;i&gt;Aspen Nro. 5-6&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Aspen Magazine, ?)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'43'43&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Arnold Dreyblatt&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Harmonics" (from &lt;i&gt;Propellers in Love&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Hat Art Records, 1986)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'49'56&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Isabelle Faust&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"String Sextet op. 2"t - I. Allegro non troppo (from &lt;i&gt;Violin Concerto/String Sextet&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Harmonia Mundi, 2011)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'57'39&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Ilkka Volonen&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Kahlaaja ('Wader') (from &lt;i&gt;More Arctic Hysteria/Son of Arctic Hysteria&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Love Records, 2005)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;00'58'18&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Xavier Gautier&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Rachel"&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(2000)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'00'14&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Alvin Curran&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Canti Illuminati I" (from &lt;i&gt;Solo Works: 70s&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(New World Records, 2010)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'04'41&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Colin Stetson&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Judges" (from &lt;i&gt;New World History Warfare Vol. II: Judges&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Constellation, 2011)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'09'43&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Timber Timbre&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Woman" (from &lt;i&gt;Creep On Creepin' On&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Arts &amp;amp; Crafts, 2011)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'13'26&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Jon Brion&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Theme" (from &lt;i&gt;Eternal Sunshine of a Spotless Mind OST&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Hollywood Records, 2004)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'15'36&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Connie Beckley&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"To Faust… A Footnote" (from &lt;i&gt;Air: Artist's Sound Works&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: 'Helvetica','sans-serif'; font-size: 12pt;"&gt;(Audio Arts Magazine, Volume 5, Nos 3 &amp;amp; 4, 1982)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'17'07&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Jan Jelinek&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"There Are Other Worlds (They Have Not Told You Of)" (from &lt;i&gt;Club Transmediale 03 - Festival for Electronic Music&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Wire Magazine, ?)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'21'22&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Iiro Rantala&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Thinking of Misty" (from &lt;i&gt;Lost Heroes&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Act Music, 2011)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'27'30&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Kyle MacLachlan&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Sleep Deprivation Is A One-Way Ticket To Temporary Psychosis..." (from &lt;i&gt;The Twin Peaks Tapes of Agent Cooper&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Simon &amp;amp; Schuster, 1991)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'28'10&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Michael Harrison&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Tone Cloud II (from &lt;i&gt;Harmonic Series: Music in Just Intonation&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Important Records, 2010)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'35'49&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Ilkka Volonen&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Kahlaaja ('Wader') (from &lt;i&gt;More Arctic Hysteria/Son of Arctic Hysteria&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Love Records, 2005)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'41'20&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Sonic Youth&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Shadow of a Doubt" (from&lt;i&gt; EVOL&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Blast First, 1986)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'45'45&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;L'Arpeggiata&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Hor ch'è tempo di dormiere" (from &lt;i&gt;Via Crucis&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(Harmonia Mundi, 2011)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'52'14&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Giuseppe Ielasi&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"1" (from &lt;i&gt;August&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;(12K, 2007)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;01'55'12&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;Vincent Gallo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: 'Helvetica','sans-serif'; font-size: 12pt; mso-ansi-language: EN-US;"&gt;"Yes I'm Lonely" (from&lt;i&gt; When&lt;/i&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: 'Helvetica','sans-serif'; font-size: 12pt;"&gt;(Warp, 2001)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;u&gt;&lt;span style="font-family: 'Helvetica','sans-serif'; font-size: 12pt;"&gt;FIN&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family: 'Helvetica','sans-serif'; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3997862071842432899?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3997862071842432899/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3997862071842432899' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3997862071842432899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3997862071842432899'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_05_01_archive.html#3997862071842432899' title='Autour de Babel n°170 - Moonshine Maverick &amp; Kiddy Kate'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vH7BDh84iWs/Td-KTITuEGI/AAAAAAAAB74/wGH665Mteow/s72-c/Babel2kmad.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6087661404575743793</id><published>2011-05-13T18:36:00.001+02:00</published><updated>2011-05-13T18:48:02.174+02:00</updated><title type='text'>3 Rediffusions</title><content type='html'>Le 6/5/2011 : rediffusion du n°14 du 20/4/2007, signé&amp;nbsp;Dominique Mussche&lt;br /&gt;Le 13/5/2011 :&amp;nbsp;rediffusion du n°15 du 27/4/2007, signé&amp;nbsp;Christine Gyselings&lt;br /&gt;Le 20/5/2011 : rediffusion du n°16 du 4/5/2007, signé Anne De Jaeger&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6087661404575743793?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6087661404575743793/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6087661404575743793' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6087661404575743793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6087661404575743793'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_05_01_archive.html#6087661404575743793' title='3 Rediffusions'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5145188919222591860</id><published>2011-04-29T14:32:00.000+02:00</published><updated>2011-04-29T14:32:49.093+02:00</updated><title type='text'>Autour de Babel n°169 - Jean-Luc Plouvier</title><content type='html'>&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;0:00 : The Very Tought of You - Ray Noble - Cassandra Wilson - Loverly, Blue Note - 5'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;4:56 : When I'm With You - Charles Dodge - Any Resemblance Is Purely Coincidental, New Albion Records - 1'50&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;5:02 : Kadri Alap - Rudresh Mahanthappa - Kinsmen, Pi Recordings - 1'36&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;5:17 : Incidences-Résonances - Bernard Parmegiani - De Natura Sonorum, INA Mémoire Vive - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;5:48 : Le discours aux animaux - Valère Novarina - André Marcon - Le Discours Aux Animaux, Tristram - 50"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;6:38 : Motormouth - Fred Frith - Upbeat, Ambiances Magnétiques - 1'23"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;8:01 : Snake! - Rudresh Mahanthappa - Kinsmen, Pi Recordings - 2'21"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;10:22 : Panther - The Last Poets - Time Has Come, Polygram - 5'04"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;15:27 : En Phase Hors Phase - Bernard Parmegiani -Parmegiani Disc 1, INA/GRM - 1'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;16:26 : Le discours aux animaux - Valère Novarina - André Marcon - Le Discours Aux Animaux, Tristram - 2'30&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;16:37 : Bilbao Song - Kurt weill - HK Gruber &amp;amp; Palast Orchester - Charming Weill, Red Seal Inter - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;18:30 : Erste Begegnung - Robert Schumann - Marlis Petersen/Anke Vondung/Christoph Berner - Spanische Liebeslieder, Harmonia Mundi - 2'10"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;20:40 : Pacifika Rondo VII - Lou Harrison - Oakland Youth Orchestra - The Music Of Lou Harrison, Phoenix USA - 1'56&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;21:36 : Kassandra - François-Bernard Mâche - Ensemble du Nouvel Orchestre Philharmonique - Manuel de Résurrection, INA - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;23:10 : Not Zero - Paul Bley Trio - Not Two Not One, Universal - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;24:04 : Man Sitting in a Cafeteria - Charles Dodge - Any Resemblance Is Purely Coincidental, New Albion Records - 1'06"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;25:22 : Der Jäger und sein Liebchen - Johannes Brahms - Brigitte Fassbaender, D. Fischer-Dieskau - Complete Edition Vol.6, CPO Records - 2'10"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;26:40 : Prae-Senz - Helmut Oehring - Ictus Ensemble - Oehring &amp;amp; ter Schiphorst, Cyprès -2'02"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;27:48 : Ando - Benoît Delbecq - Circles and Calligrams, Songlines - 3'50"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;31:30 : Slide - Panayiotis Kokoras - panayiotiskokoras.com - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;32:52 : Poems - Joan La Barbara - 73 Poems By Kenneth Goldsmith, Lovely Music - 26"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;33:16 : Sonatina - J.S Bach &amp;amp; György Kurtag - György Kurtag &amp;amp; Márta Kurtág - Játékok, Editio Musica Budapest - 2'20"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;35:06 : Been There Done - Vijay Iyer + Mike Ladd - Still Life With Commentator, Savoy Jazz - 5'18"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;40:28 : Prélude sur le nom de Bach - Arthur Honegger - Lucerne Festival Strings - The Art of Fugue, Oehms Classics - 1'23"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;41:41 : Squeller - Autechre - EP7, Warp Records - 1'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;42:36 : Korean Corn - Sébastien Roux &amp;amp; Vincent Epplay - Concatenative Mu, Brocoli - 40"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;43:05 : Shopska Rachenitska - &lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Nedyalko Nedyalkov - The Art of Kaval, Riva Sound - 2'50"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;45:52 : Korean Corn - Sébastien Roux &amp;amp; Vincent Epplay - Concatenative Mu, Brocoli - 20"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;46:12 : N'est Pas Saiges Qui Mi Torne a Folie - Carasaus - Graindelavoix - Poissance d'amours, Glossa - 3'52"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;49:39 : Nature Boy - Eden Ahbez - Mario Biondi - Yes You, Tattica - 2'26"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;52:05 : Combattimento di Tancredi e Clorinda - Claudio Monteverdi - Le Poème Harmonique - Combattimenti!, Alpha - 7'20"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;58:39 : Poison - Laurie Anderson - Bright Red, Warner Bros UK - 3'44"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.02:09 : Conzananze Stravaganti - Claudio Monteverdi - Le Poème Harmonique - Combattimenti!, Alpha - 3'04"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.05:02 : Die Schwestern - Johannes Brahms - Edith Mathis &amp;amp; Brigitte Fassbaender - Complete Edition Vol.6, CPO Records - 1'57"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.06:50 : Requiem - Mauricio Kagel - Stuttgart Vocal Ensemble - Rrrrrrr…, Haenssler CLASSIC - 3'04"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.07:02 : Le discours aux animaux - Valère Novarina - André Marcon - Le Discours Aux Animaux, Tristram - 2'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.09:38 : Comprend Qui Peut - Boby Lapointe - Comprend Qui Peut, Mercury - 1'56"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.11:30 : Búsulni Sohasem Tudtam - Tcha Limberger - Tcha Limberger's Kalotaszeg Trio - A Hajnali Csillag Ragyog, Lejazzetal - 7'10"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.18:22 : Fox 'n' Friends - Vijay Iyer + Mike Ladd - Still Life With Commentator, Savoy Jazz - 22"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.18:24 : The Guitar and Drums Song - Sébastien Roux - Songs, 12k - 1'&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.19:20 : The Color of My Circumference III - Vijay Iyer + Mike Ladd - In What Language?, Pi Recordings - 2'30"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.21:04 : Trio in Drei Sätzen - Mauricio Kagel - Schoenberg Ensemble - Mauricio Kagel, Winter &amp;amp; Winter - 2'14"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.23:14 : Riding On the Intro Graphics to Cable News - Vijay Iyer + Mike Ladd - Still Life With Commentator, Savoy Jazz - 4'09"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.27:22 : Liebesgram - Robert Schumann - Marlis Petersen/Anke Vondung/Christoph Berner - Spanische Liebeslieder, Harmonia Mundi - 2'14"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.29:29 : Highland Balls and Village Halls - Benedict Mason - Alarm Will Sound Ensemble - Arhythmia, Nonesuch - 1'35"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1:31:00 : Mutations - Jean-Claude Risset - Sud, INA/GRM - 50"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1:31:54 : Complainte de Mandrin - Traditionnel - Francoise Prevost - Chansons Popularies Francaises, Global Village - 2'38"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1:34:20: The Harp and Contrabass Song - Sébastien Roux - Songs, 12k - 30"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.34:53 : De Chanter Me Vient Talens - Anonyme du XIIIe siècle - Graindelavoix - Poissance d'amours, Glossa - 1'25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.36:15 : Prae-Senz - Helmut Oehring - Ictus Ensemble - Oehring &amp;amp; ter Schiphorst, Cyprès -4'30"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.40:46 : Study for Player Piano N.5 - Conlon Nancarrow - Studies for Player Piano, Other Minds - 2'43"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.43:21 : Le discours aux animaux - Valère Novarina - André Marcon - Le Discours Aux Animaux, Tristram - 15"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.43:35 : Lonely Child - Claude Vivier - M-D Parent, Serge Garant- Montréal Postmoderne, CMC Records - 7'13"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.50:52 : Le discours aux animaux - Valère Novarina - André Marcon - Le Discours Aux Animaux, Tristram - 1'30"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.50:53 : Spätherbst - Johannes Brahms - Brigitte Fassbaender &amp;amp; Friends - Complete Edition Vol.6, CPO Records - 1'31"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span style="font-family: LucidaGrande; font-size: 13pt; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.52:22 : Pays De Vent - Jérôme Combier - Orch. N. de France, Pascal Rophé - Pays De Vent, Motus - 4'49"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt;"&gt;&lt;span lang="EN-US" style="font-family: LucidaGrande; font-size: 13pt; mso-ansi-language: EN-US; mso-bidi-font-family: LucidaGrande;"&gt;&lt;span style="font-family: Calibri;"&gt;1.57:00 : What a Wonderful World - Bob Thiele, G.D. Weiss - Robert Wyatt - For The Ghosts Within, Domino Records - 2'10"&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5145188919222591860?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5145188919222591860/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5145188919222591860' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5145188919222591860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5145188919222591860'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_04_01_archive.html#5145188919222591860' title='Autour de Babel n°169 - Jean-Luc Plouvier'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5515813040129233612</id><published>2011-04-22T22:00:00.001+02:00</published><updated>2011-04-29T14:30:39.753+02:00</updated><title type='text'>2 rediffusions</title><content type='html'>le 15/4/2011 : Autour de Babel n°13 (André Defossez)&lt;br /&gt;le 22/4/2011 : Autour de Babel n°57 (Ingrid Jossieaux)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5515813040129233612?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5515813040129233612/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5515813040129233612' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5515813040129233612'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5515813040129233612'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_04_01_archive.html#5515813040129233612' title='2 rediffusions'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6224418164075672636</id><published>2011-04-08T10:00:00.000+02:00</published><updated>2011-04-08T11:57:04.847+02:00</updated><title type='text'>Autour de Babel n°168 - Anne Mattheeuws</title><content type='html'>&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 12pt; text-decoration: none; text-indent: 0pt;"&gt;min 00 - Denis Pousseur, « Elsewhere&amp;nbsp;». Auteur&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 04 - Luc Brewaeys, «&amp;nbsp;Speechless Song, being many, seeming one&amp;nbsp;». Laure Delcampe. enr. concert Musiq3&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 09 - Michaël Levinas, «&amp;nbsp;Variations sur une seule note, Etude n°2&amp;nbsp;». Michaël Levinas. Accord&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 11 - Michel Lambert, «&amp;nbsp;Vos Mespris&amp;nbsp;». Céline Scheen - Eduardo Eguez. Flora&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 13 - Denis Pousseur, « Elsewhere&amp;nbsp;». Auteur&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 17 - Sergei Rachmaninov, «&amp;nbsp;Rhapsodie sur un thème de Paganini&amp;nbsp;». Vladimir Ashkenazy - Philharmonia Orchestra - Bernard Haitink. Decca&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 20 - Alexander Scriabin, «&amp;nbsp;étude op. 2/1&amp;nbsp;». Michaël Levinas. Accord.&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 23 - Michaël Levinas, «&amp;nbsp;Contrepoints irréels - Rencontres&amp;nbsp;». Patrice Bocquillon - Xavier Pigeon-Saint-Bonnet - Xavier Aragau - Nicolas Brochot - Augusto Mannis. Accord&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 27 - Jacqueline Fontyn / Charles Trenet, «&amp;nbsp;Il pleut dans la chambre de Charles Trenet&amp;nbsp;». Pierre Bodson - Ensemble Musiques Nouvelles - Jean-Paul Dessy. enr concert Musiq3&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 30 – James Tenney, «&amp;nbsp;Spectral Canon&amp;nbsp;for Conlon Nancarrow ». MDG&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 33 - Mauricio Kagel, «&amp;nbsp;IV. Streichquartett&amp;nbsp;». Lagos Ensemble. Turtle Records&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 45 - Tristan Keuris, «&amp;nbsp;O notte, dolce tempo ( Michelangelo Songs)». Jard van Nes - Gelders Orkest - Lukas Vis - QuattroLive&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 52 - Michaël Levinas, «&amp;nbsp;Etude sur un piano-espace. Michaël Levinas. Accord&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 54 - Stephen Montague, «&amp;nbsp;Phrygian Tucket&amp;nbsp;». Elisabeth Chojnacka&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 61 - EST, «&amp;nbsp;Dolores in a Shoestand&amp;nbsp;». Esbjörn Svensson Trio. ACT&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 70 - Franz Schubert, «&amp;nbsp;Nacht und Träume&amp;nbsp;». Matthias Goerne - Alexander Schmalcz. Harmonia Mundi&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 74 - Marilyn Crispell &amp;amp; David Rotheberg, «&amp;nbsp;Still Life with Woodpeckers&amp;nbsp;». ECM&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 78 - Stephen Montague, «&amp;nbsp;Phrygian Tucket&amp;nbsp;». Elisabeth Chojnacka&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 83 - Trad. Flamand, «&amp;nbsp;Tjanne&amp;nbsp;». Wannes Van de Velde - Claude Flegel Herman Dewit. Ocora&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 87 - Pierluigi Billone, «&amp;nbsp;1+1=1&amp;nbsp;». Petra Stumpf - Heinz-Peter Linshalm. Kairos&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 89 - Hector Berlioz, «&amp;nbsp;D’amour l’ardente flamme (La Damnation de Faust)&amp;nbsp;». Joyce Di Donato – Orchesstre de l’Opéra National de Lyon - Kazuchi Ono. Virgin&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 97 - Michaël Levinas, «&amp;nbsp;Concerto pour un piano-espace n° 2». Michaël Levinas - Ensemble l’Itinéraire - Yves Prin. Accord&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 109 - Denis Pousseur, « Elsewhere&amp;nbsp;». Auteur - James Joyce, «&amp;nbsp;Anna Livia Plurabelle&amp;nbsp;(Finnegans Wake) » James Joyce&lt;/div&gt;&lt;div class="Normal" style="font-family: 'Times New Roman', Arial; font-size: 10pt; margin-bottom: 0pt; margin-top: 0pt; text-decoration: none; text-indent: 0pt;"&gt;min 120 - Luc Brewaeys, «&amp;nbsp;Speechless Song&amp;nbsp;». Laure Delcampe. enr. concert Musiq3&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6224418164075672636?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6224418164075672636/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6224418164075672636' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6224418164075672636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6224418164075672636'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_04_01_archive.html#6224418164075672636' title='Autour de Babel n°168 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-9219255044722335438</id><published>2011-04-01T19:12:00.005+02:00</published><updated>2011-04-08T11:58:18.232+02:00</updated><title type='text'>Autour de Babel n°167 - Dominique Mussche</title><content type='html'>&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;mixage : Laurent Graulus&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: 'Times New Roman';"&gt;&lt;strong&gt;22.05 Steven BROWN&lt;/strong&gt;. - Hurry up and Wait. Tuxedomoon. Crammed discs. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.07 DEAD CAN DANCE &lt;/strong&gt;. - How fortunate the man with none. Dead can Dance. 4AD. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.15 Paul MOTIAN&lt;/strong&gt;. - Psalm. Paul Motian Band. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22;20 Heinz HOLLIGER&lt;/strong&gt;. Robert Walser. - Abend. David Jamess, contreténor. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.24 Bela BARTOK&lt;/strong&gt;. - Mikrokosmos : Journal d'une mouche. Dana Ciocarlie, piano. L'Empreinte Digitale. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.24 Peter EÖTVÖS&lt;/strong&gt;. - Cricketmusic. Peter Eötvös. BMC. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.25 Bruno COULAIS&lt;/strong&gt;. - BOF "Microcosmos" : L'abeille et les fleurs. Bruno coulais. Auvidis. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.28 Astor PIAZZOLLA&lt;/strong&gt;. - Primavera porteña. Les Dissonances, David Grimal. Aparté. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.34 DEAD CAN DANCE &lt;/strong&gt;. - As the bell rings the maypole spins. Dean can Dance. 4AD. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.39 Georges ENESCU&lt;/strong&gt;. - Sonate pour violon et piano n°3. Patricia Kopatchinskaja, violon, Mihaela Ursuleasa, piano. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.47 Jesper BODILSEN&lt;/strong&gt;. - Edith. Stefano Bollani, piano. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;22.55 Peter EÖTVÖS&lt;/strong&gt;. - Atlantis : Part I. WDR Symphony Orchestra, Peter Eötvös. WDR. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.03 Giuseppe MONTEVERDI&lt;/strong&gt;. - Ardo (transcription Sonia Wieder-Atherton). Sonia Wieder-Atherton, Sarah Iancu et Matthieu Lejeune, violoncelles. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.09 Brian ENO&lt;/strong&gt;. - Slow Ice, Old Moon. Brian Eno. OPAL. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.11 Philippe MANOURY&lt;/strong&gt;. - Slova : Ententýky. Accentus, Laurence Equilbey. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.14 Bela BARTOK&lt;/strong&gt;. - Sonate pour deux pianos et percussion . Jean-François Heisser et Marie-Josèphe Jude, piano, Florent Jodelet et Michel Cerutti, percussion. Praga. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.20 DEAD CAN DANCE &lt;/strong&gt;. - The human game. Dead can Dance. 4AD. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.27 Sophia DOMANCICH&lt;/strong&gt;. - In the Box. Himiko Paganotti. Cristal. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.30 Bernard CAVANNA&lt;/strong&gt;. - Shangaï concerto. Orchestre National de Lille. Aeon. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.37 György LIGETI&lt;/strong&gt;. - L'escalier du diable. Jan Michiels, piano. MIM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.41 TRADITIONNEL NORVEGIEN&lt;/strong&gt;. - Gjedines Badnlat. The Norwegian soloists Choir. BIS. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.45 FOOD &lt;/strong&gt;. - Chimaera. Food. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.50 Stephan MICUS&lt;/strong&gt;. - For Yuko. Stephan Micus. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;23.58 Dimitri CHOSTAKOVITCH&lt;/strong&gt;. - Elégie. Quatuor Byron. Aparté.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-9219255044722335438?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/9219255044722335438/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=9219255044722335438' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/9219255044722335438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/9219255044722335438'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_04_01_archive.html#9219255044722335438' title='Autour de Babel n°167 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3740121641387914221</id><published>2011-03-25T11:15:00.005+01:00</published><updated>2011-04-05T14:10:02.162+02:00</updated><title type='text'>Autour de Babel n°166 - André Defossez</title><content type='html'>De Babell à Tokyo&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: ArialMT;"&gt;&lt;span style="font-family: ArialMT;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;- min 00 William Babell : Concerto n°2 in D (Adagio - Allegro - Adagio - Presto) - La Pastorella, Frédéric De Roos direction et flûte à bec Ricercar RIC 220&lt;br /&gt;- min 07 Samuel Sighiselli : L'intelligence pétrolifère (musique électronique) D'autres cordes 2011&lt;br /&gt;- min 12 Thomas Larcher : Still pour alto et orchestre de chambre mvt 2 - Munchener kammerorchester, dir. Dennis Russel Davies, Kim Kashkashian alto ECM 2111 4763651&lt;br /&gt;- min 23 Ed Bennett : Ausland - Brussels Philharmonic Orchestra, dir. Arturo Tamayo Tactus TA0001&lt;br /&gt;- min 32 Philippe Malfeyt : Lila - ens. Luthomania, Steve Houben, sax, Sigrid Vandenbogaerde, violoncelle Papyros mwcd 5011&lt;br /&gt;- min 37 Jean Cras : Concerto pour piano et orchestre mvt 2: Très lent' - Alain Jacquon, piano, orchestre Philharmonique du Luxembourg, dir. Jean-François Antonioli - Timpani 2C2037&lt;br /&gt;- min 46 Jon Hassel : Clairvoyance - Jon Hassel, trumpet, Kheir Eddine M'Kachiche, violin, Jan Bang, sampling. ECM 2077 1792636&lt;br /&gt;- min 47 Oguzcan Umit Yasar Anil Avni : Biraz Kul Biraz Duman - Misia Opendisc 531656&lt;br /&gt;- min 51 Annabelle Playe : Matrice (musique électronique) D'autres cordes 2011&lt;br /&gt;- min 56 "This Bloody Day" (J Hülsmann / M Schiffer) - M Sinan guitare, J Hülsmann piano, Y Kulic voix, L Thies alto, M Muelbauer cb, H Köbberling perc ECM 2076 1773154&lt;br /&gt;- min 60 Leos Janacek : Pohadka (Conte de fées) pour violoncelle et piano - Jiri Barta, violoncelle, Marian Lapsansky, piano Supraphon 063-2.931&lt;br /&gt;- min 63 Vassilis Tsabropoulos : Smoke And Mirrors - Vassilis Tsabropoulos, piano ECM 2081 1773377&lt;br /&gt;- min 69 Matteo Franceschini : Ardus [Chanto III] - Brussels Philharmonic Orchestra, dir. Arturo Tamayo Tactus TA0001&lt;br /&gt;- min 82 Thomas Larcher : Still pour alto et orchestre de chambre mvt 1 - Munchener kammerorchester, dir. Dennis Russel Davies, Kim Kashkashian alto ECM 2111 4763651&lt;br /&gt;- min 90 "Aishuh Hatoba" (Miyuki Ishimoto - Toru Funamura) - Misia Opendisc 531656&lt;br /&gt;- min 94 eRikm : Une canopée aux accidents (musique électronique) D'autres cordes 2011&lt;br /&gt;- min 104 Pekka Jalkanen : Nokturni - Mari Mäntylä, décacorde Alba 261&lt;br /&gt;- min 109 Franz Schubert arr. Franz Liszt : Ständchen D.957/4 - Silke Avenhaus, piano Avi 8553136&lt;br /&gt;- min 114 Pierre Henry : Tokyo 2002 (musique concrète) Philips 464.400-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3740121641387914221?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3740121641387914221/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3740121641387914221' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3740121641387914221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3740121641387914221'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_03_01_archive.html#3740121641387914221' title='Autour de Babel n°166 - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-8245946190288780110</id><published>2011-03-18T22:05:00.002+01:00</published><updated>2011-03-25T10:41:20.305+01:00</updated><title type='text'>Autour de Babel n°165 - Christine Gyselings</title><content type='html'>&lt;strong&gt;Astor PIAZZOLLA&lt;/strong&gt;. - Deciso. Marta Klimasara, Jürgen Spitschka, Farao. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wolfgang RIHM&lt;/strong&gt;. - Mehrere kurze Walzer. Inge Spinette &amp;amp; Jan Michiels. FL. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arnold BAX&lt;/strong&gt;. - Tintagel. London Philharmonic Orchestra, Dir. Osmo Vänskä. LPO. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean-Sabastien BACH&lt;/strong&gt;. - Menuet. Koen Plaetinck, marimba. FL. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Michael PRAETORIUS&lt;/strong&gt;. - Ballet. Les Musiciens de Saint-Julien. Alpha. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean-Sébastien BACH&lt;/strong&gt;. - Komm, süsses Kreuz, extr. de la Passion selon St Matthieu. Harry van der Kamp, Paolo Pandolfo, Markus Hünninger. Glossa. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Camille SAINT SAENS&lt;/strong&gt;. - Introduction et Rondo Capriccioso. Tedi Papavrami, Orchestre Philharmonique de Liège, Dir. François-Xavier Roth. Aeon. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Giovanni Battista PERGOLESI&lt;/strong&gt;. - Stabat Mater . Anna Netrebko, Marianna Pizzolato, Orchestre de l' Académie Ste Cécile, Dir. Antonio Pappano. DGG. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Claudio MONTEVERDI&lt;/strong&gt;. - Extr. Vespro della Beata Vergine. L'Arpeggiata, Christina Pluhar. Virgin. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wolfgang Amadeus MOZART&lt;/strong&gt;. - Extr du Requiem. La Capella Reial de Catalunya, Le Concert des Nations, Dir. Jordi Savall. Aliavox. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hans Leo HASSLER&lt;/strong&gt;. - Sacri Concentus, Augsburg 1612. Currende, Erik Van Nevel. Codaex. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Steve REICH&lt;/strong&gt;. - Marimba Phase. Marta Klimasara, Jürgen Spitschka. Farao. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;George BIZET&lt;/strong&gt;. - Aubade. Werner Van Mechelen, Inge Spinette. Phaedra. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Karol SZYMANOWSKI&lt;/strong&gt;. - Extr. du 1er Quatuor à cordes en ut majeur, op.37. Apollon Musagete Quartet. Echo. &lt;br /&gt;&lt;br /&gt;Réalisation: Alexandra Debroux&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-8245946190288780110?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/8245946190288780110/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=8245946190288780110' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8245946190288780110'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8245946190288780110'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_03_01_archive.html#8245946190288780110' title='Autour de Babel n°165 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-7686821025369944314</id><published>2011-03-11T22:00:00.001+01:00</published><updated>2011-03-11T22:00:02.968+01:00</updated><title type='text'>Rediffusion du n°12 du 30 mars 2007</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-7686821025369944314?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/7686821025369944314/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=7686821025369944314' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7686821025369944314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/7686821025369944314'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_03_01_archive.html#7686821025369944314' title='Rediffusion du n°12 du 30 mars 2007'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3699109884300980669</id><published>2011-03-04T16:21:00.002+01:00</published><updated>2011-03-04T16:21:54.709+01:00</updated><title type='text'>Autour de Babel n°164 - Anne Mattheeuws</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 00 - Straydogs, «&amp;nbsp;Intangible States - Usine éphémère&amp;nbsp;». Auteur&lt;b&gt; &lt;/b&gt;(2‘40) - Leos Janacek, «&amp;nbsp;Dans les Brumes&amp;nbsp;». Leif Ove Andsnes. Virgin (0‘45)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 03 - David Shea, «&amp;nbsp; Tex, pour piano et sampler&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Ictus. VRT (enr. concert) (3’40)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 07 - Hanns Eisler, «&amp;nbsp;An den kleinen Radio Apparat&amp;nbsp;». Mark Pardmore - Ian Burnside. BBC Music (1’18)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 08 - György Ligeti, «&amp;nbsp;Clocks and Clouds&amp;nbsp;». &lt;/span&gt;Asko/Schoenberg Ensemble - Cappella Amsterdam - Reinbert de Leeuw. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Teldec (3‘30) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 11 - Jonathan Harvey, «&amp;nbsp;Songs Offerings I&amp;nbsp;». Penelope Walmsley-Clark - London Sinfonietta - George Benjamin. Nimbus (2‘34)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 14 - Evan Parker, «&amp;nbsp;Sankt Gerold Variation 4&amp;nbsp;». Evan Parker. ECM. (1‘59)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 16 - Leos Janacek, «&amp;nbsp;Dans les Brumes&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Leif Ove Andsnes. Virgin (1’40)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 18 - J.S. Bach, «&amp;nbsp;Die Seele ruht… Cantate bwv 127&amp;nbsp;». Carolyn Samson - Bach Collegium Japan - Masaaki Suzuki. &lt;/span&gt;Bis (7‘48)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 26 - Salvatore Sciarrino, «&amp;nbsp;Canzone de ringraziamento&amp;nbsp;». Roberto Fabricciani. Col Legno (3‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 29 - trad. chinois, «&amp;nbsp;Hautes montagnes et eaux ruisselantes&amp;nbsp;». Liu Fang. Accords Croisés (4‘20)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 33 - Erin Gee, «&amp;nbsp;Mouthpiece IX part 1». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Erin Gee - Radio Symphony Orchestra Vienna. &lt;/span&gt;Auteur (6‘40)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 40 - Straydogs, «&amp;nbsp;Usine éphémère&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Auteur (3‘30) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 44 - Michael Mantler, «&amp;nbsp;No Answer&amp;nbsp;». Jack Bruce - Carla Bley (4‘08)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 47 - György Ligeti, «&amp;nbsp;Clocks and Clouds&amp;nbsp;». &lt;/span&gt;Asko/Schoenberg Ensemble - Cappella Amsterdam - Reinbert de Leeuw. Teldec (2‘20)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 50 - Alexander Scriabin, «&amp;nbsp;Sonate n° 4&amp;nbsp;». Anatol Ugorsky. Avi (3‘20)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 53 - Joan La Barbara, «&amp;nbsp;Cathing&amp;nbsp;». Lovely Music (1‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 54 - Kurt Weill, «&amp;nbsp;Je ne t’aime pas&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Lys Sauty - Orchestre Wal-Berg. &lt;/span&gt;Ades (3‘26)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 57 - Guus Janssen, «&amp;nbsp;Streepjes&amp;nbsp;». DoelenKwartet. Attacca (4’15)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 61 - Baudouin de Jaer, «&amp;nbsp;Tablas / Jamais de l’abîme&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Sub Rosa (2‘15) - Giorgos Seferis, «&amp;nbsp;Nur ein Weniges noch&amp;nbsp;». Bruno Ganz (0‘19)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 63 - Joan La Barbara, «&amp;nbsp;October Music: Star Showers and Extraterrestrials&amp;nbsp;». Lovely Music (6‘30) - Komitas, «&amp;nbsp;Ov zarmanali&amp;nbsp;». Jan Garbarek . ECM (1’20)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 70 - Erin Gee, «&amp;nbsp;Mouthpiece Segment of third Letter». &lt;/span&gt;Erin Gee – Online Ensemble. Auteur (5‘20)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 75 - Franck Angelis, «&amp;nbsp;Boîte à rythmes&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Jean-Marc Fabiano. ZZT (2‘40) - Sofia Gubaidulina, «&amp;nbsp;Sieben Worte&amp;nbsp;». Maria Kliegel - Elsbeth Moser - Camerata Transsylvanica. &lt;/span&gt;Naxos (1‘30) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 78 - Hector Berlioz, «&amp;nbsp;Si je n’étais captive…&amp;nbsp;». Véronique Gens - Orchestre de l’Opéra de Lyon - Louis Langrée. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Virgin (7‘40)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 85 - Francesco Tristano, «&amp;nbsp;Lastdays&amp;nbsp;». Francesco Tristano. Infine (6‘14)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 91 - Benjamin Britten, «&amp;nbsp;Abraham and Isaac, Canticle op. 51/2&amp;nbsp;». Ian Bostridge - David Daniels - Julius Drake. Virgin (2‘00)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 94 - Francesco Tristano, «&amp;nbsp;Hello&amp;nbsp;». Infine (2‘30) - Straydogs, «&amp;nbsp;Usine éphémère&amp;nbsp;». Auteur&lt;b&gt; &lt;/b&gt;(1‘00) - Erik Truffaz, Marcello Giuliani, Marc Erbetta, Benoît Corboz, «&amp;nbsp;The Secret of the dead Sea&amp;nbsp;». Foufino (2’00) - Trentemöller, «&amp;nbsp;Häxan&amp;nbsp;». IMR (1’30) - Francesco Tristano, «&amp;nbsp;Hello&amp;nbsp;». &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 100 - Michael Mantler, «&amp;nbsp;No Answer&amp;nbsp;». &lt;/span&gt;Jack Bruce - Carla Bley (5‘)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 105 - Bernard Lubat, «&amp;nbsp;Mange ta soupe - Tout piti&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Bernard Lubat. Labeluz (2’20)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min. 108 - Paul Bley, Evan Parker, Barre Phillips, «&amp;nbsp;Sankt Gerold Variation 1&amp;nbsp;». ECM (2’45)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 110 - Hans Zender / Franz Schubert, «&amp;nbsp;Coronach D836. Er ist uns geschieden…&amp;nbsp;». Bamberger Symphoniker und Chor - Jonathan Nott. Tudor (4’37)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min. 115 - Salvatore Sciarrino, «&amp;nbsp;Canzone de ringraziamento&amp;nbsp;». Roberto Fabricciani. Col Legno (2‘15)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 118 - Straydogs, «&amp;nbsp;Usine éphémère&amp;nbsp;». Auteur&lt;b&gt; &lt;/b&gt;(2‘40) - Hanns Eisler, «&amp;nbsp;An den kleinen Radio Apparat&amp;nbsp;». Mark Pardmore - Ian Burnside. BBC Music (1’18)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 119 - Francesco Tristano, «&amp;nbsp;Reprise&amp;nbsp;». Infine (3’12)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3699109884300980669?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3699109884300980669/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3699109884300980669' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3699109884300980669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3699109884300980669'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_03_01_archive.html#3699109884300980669' title='Autour de Babel n°164 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-4869703035302235056</id><published>2011-02-25T22:00:00.001+01:00</published><updated>2011-02-28T10:45:48.454+01:00</updated><title type='text'>Autour de Babel n°163 - Dominique Mussche - "Elles"</title><content type='html'>&lt;div class="image"&gt;&lt;/div&gt;&lt;div class="description_generale"&gt;&lt;strong&gt;ELLES - &lt;/strong&gt;Réalisation : Katia MADAULE&lt;/div&gt;&lt;div class="description_generale"&gt;&lt;strong&gt;&lt;/strong&gt;&amp;nbsp;&lt;/div&gt;&lt;!--description_generale--&gt;&lt;div class="resume"&gt;&lt;strong&gt;0.00 Anne NIEPOLD&lt;/strong&gt;. - Bis. Deux accords diront. Home. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.45 Kaija SAARIAHO&lt;/strong&gt;. - L'aile du songe. Camille Hoitenga, flûte, Orche Symphonique de la Radio finlandaise, Jukka-Pekka Saraste. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;07.28 Meredith MONK&lt;/strong&gt;. - Woman at the door. Meredith Monk. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;13.15 Angelique IONATOS&lt;/strong&gt;. Frida Kahlo. - Esperar. Angelique Ionatos. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;16.40 Kaija SAARIAHO&lt;/strong&gt;. - Trois rivières Delta (1). Thierry Miroglio, percussions. INA. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;19.50 Mari BOINE&lt;/strong&gt;. - Suoivva. Mari Boine. Universal. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;25.40 Aurélie DORZÉE&lt;/strong&gt;. - Emportez-moi. Aurélia. Home. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;27.55 Goran BREGOVIC&lt;/strong&gt;. - Ausencia. Cesaria Evora. Polygram. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;31.33 Carlos d' ALESSIO&lt;/strong&gt;. - Rumba des îles. Jeanne Moreau et Marguerite Duras. Canetti. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;34.32 Georges GERSHWIN&lt;/strong&gt;. - The man I love. Billie Holiday. Frémeaux et Associés. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;37.30 Helene KARAINDROU&lt;/strong&gt;. - Musique du film "Voyage à Cythère" : Blues. helene Karaindrou. Milan. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;42.00 Patti SMITH&lt;/strong&gt;. - My madrigal. Patti Smith. BMG. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;46.48 Barbara STROZZI&lt;/strong&gt;. - L'amante modesto. Capella Mediterranea, Leonardo García Alarcón. Ambronay. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;51.35 Thomas FERSEN&lt;/strong&gt;. - Maudie. Thomas Fersen et Catherine Ringer. Tôt ou Tard. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;54.40 Camille DALMAIS&lt;/strong&gt;. - Au port. Camille. Virgin. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;57.32 Kaija SAARIAHO&lt;/strong&gt;. - Maa : Journey. Orchestre, Tapio Tuomela. Ondine. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;61.02 Claude DEBUSSY&lt;/strong&gt;. - Nocturnes : Sirènes. Orchestre Philharmonique de Berli, Membres du Rundfunkchor Berlin,, Claudio Abbado. DG. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;69.30 Maurice RAVEL&lt;/strong&gt;. - Gaspard de la Nuit : Ondine. Jean-Efflam Bavouzet, piano. MDG. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;76.10 Kaija SAARIAHO&lt;/strong&gt;. - Château de l'Ame : Les formules. Orchestre Symphonique de la Radio Suédoise, Membres du choeur de chambre de la Radio Suédoise, Esa-Pekka Salonen. Sony. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;82.05 Meredith MONK&lt;/strong&gt;. - Hocket. Meredith Monk et Robert Een. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;85.00 Edvard GRIEG&lt;/strong&gt;. - Solveig Sang. Karita Mattila, sprano, Orchestre Symphonique de la ville de Birmingham,, Sakari Oramo. Warner. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;89.10 Antony HEGARTY&lt;/strong&gt;. - Fletta. Björk, Antony and the Johsons. Rough Trade. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;93.28 Chan MARSHALL&lt;/strong&gt;. - The Moon. Cat Power. Matador. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;97.00 Meredith MONK&lt;/strong&gt;. - Lullaby. Meredith Monk. Wergo. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;98.35 An PIERLÉ&lt;/strong&gt;. - Leave me there. An Pierlé. WEA. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;102.40 Alma MAHLER&lt;/strong&gt;. Richard Dehmel. - Die stille Stadt. Thomas Hampson, baryton, Wolfram Rieger, piano. Enregistrement Musiq3. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;105.25 Meredith MONK&lt;/strong&gt;. - Chinook. Meredith Monk et Robert Een. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;107.12 Arvo PÄRT&lt;/strong&gt;. - Für Alina. Alexander Malter, piano. ECM. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-4869703035302235056?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/4869703035302235056/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=4869703035302235056' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4869703035302235056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4869703035302235056'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_02_01_archive.html#4869703035302235056' title='Autour de Babel n°163 - Dominique Mussche - &quot;Elles&quot;'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5474915909613553359</id><published>2011-02-18T22:00:00.000+01:00</published><updated>2011-02-21T14:24:10.139+01:00</updated><title type='text'>Autour de Babel n°162 - Camille De Rijck</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;01. Tune V - Philippe Boesmans - David Lively (piano) - Cypres&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;02. Ich Grolle Nicht - Reinbert de Leeuw d'après Robert Schumann &amp;amp; Franz Schubert Im wunderschönen - Monat Mai &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;- Reinbert de Leeuw, Barbara Sukowa - Winter &amp;amp; Winter&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;03. Ich Grolle Nicht - Charles Ives - Gerald Finley (baryton), Julius Drake (piano) - Enregistrement de la BBC d’un concert au Wigmore Hall&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;04. Vipère au sein - Henri Pousseur - Peter Harvey (baryton), OPL, Pierre Bartholomée - Cypres&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;05. Ich Grolle nicht - Robert Schumann - Fritz Wundelrich (tenor), Hubert Giesen (pianiste) - DG&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;06. Rêverie du pauvre - Erik Satie - Aldo Ciccolini - EMI&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;07. Okan Bale - Angélique Kidjo - Sony Columbia&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-family: Cambria;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;08. &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US;"&gt;String Quartet n°1 - Allegretto con moto e con maliconia grotesca&lt;/span&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt; - &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US;"&gt;Erwin Schulhoff&lt;/span&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt; - Tel Aviv Quartett - Naxos&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;09. Breit uber mein haupt - Richard Strauss - Beverly Sills (soprano) - DG&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;10. À mourir pour mourir - Barbara - Mercury&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;11. Intermezzo III (Luci miei traditrici) - Salvatore Sciarrino - Beat Furrer - Kairos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;12. Gnossienne n°1 - Béatrice Ardisson - Naïve&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;13. Sérénade op.31 – Sonnet - Benjamin Britten - Anthony Rolfe Johnson (tenor), Richard Hickox &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;- Chandos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;14. VSPRS – Pulchra est - Fabrizio Cassol - Claron McFadden – The VSPRS orchestra - Cypres&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;15. Nocture n°6 - Gabriel Fauré - David Lively (piano) - Ectetera&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;16. Automn in New-York - George Gershwin - Ella Fitzgerald – Louis Armstrong - Top disc international SACD&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-family: Cambria;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;17. Mignon : Addio Mignon - Ambroise &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US;"&gt;Thomas&lt;/span&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt; - Giuseppe di Stefano - EMI&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;18. Chant funèbre - Albert Huybrechts - Marie Hallynck (violoncelle), David Lively (piano)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;19.Tristesse, op.6 n° 2 - Gabriel Fauré - Geraldine McGreevy (soprano), Graham Johnson (piano) - Hyperion&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;20. Après un rêve, op7 n°1 - Gabriel Fauré - John Mark Ainsley (tenor), Graham Johnson (piano) – Hyperion.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;21. Valse n°10 - Frederic Chopin - Dinu Lipatti - EMI&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;22. Mache dich, mein herze rein - J-S Bach - Dietrich Fischer-Dieskau, Karl Richter - Archiv&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;23. Bleuet - Francis Poulenc - Antony Rolfe Johnson (tenor), Graham Johnson (piano) – Hyperion&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;24. Gavotte - Jean-Philippe Rameau - Robert Casadesus - Philips&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;25. La Juive : Recha, als Gott - Fromenthal Halévy - Joseph Schmidt - Naxos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;26. House of the rising sun - Nina Simone - Union Square Music&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;27. Sonate n°7 : precipitato - Serge Prokofiev - Samson François (piano) - EMI&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="NL-BE" style="font-size: 10pt; mso-ansi-language: NL-BE;"&gt;&lt;span style="font-family: Cambria;"&gt;28. Peter Grimes : Embroidery - Benjamin Britten - Cypres&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5474915909613553359?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5474915909613553359/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5474915909613553359' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5474915909613553359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5474915909613553359'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_02_01_archive.html#5474915909613553359' title='Autour de Babel n°162 - Camille De Rijck'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2254163922607893624</id><published>2011-02-11T18:57:00.000+01:00</published><updated>2011-02-11T18:57:00.230+01:00</updated><title type='text'>Autour de Babel n°161 - André Defossez</title><content type='html'>&lt;div align="left"&gt;&lt;div class="resume"&gt;- min 00 Pierre Henry : Elévation / Ascention extr. Une tour de Babel' - musique concrète {Philips 464.400-2}&lt;br /&gt;&lt;br /&gt;- min 09 Oregon : Beacon - Oregon (Ralph Towner (claviers), Paul McCandless (anches), Collin Walcott(percussions), Glen Moore (basse) {ECM 811711}&lt;br /&gt;&lt;br /&gt;- min 12 Yablecon arr. Ferenc Jarovi : Papirossen suite - Roby Lakatos &amp;amp; Ensemble, avec l'orchestre de chambre Franz Liszt {Avanticlassic 10242}&lt;br /&gt;&lt;br /&gt;- min 17 Nicola Porpora : Alto Giove (air d'Acio de l'opéra Polifemo) - Les Talents Lyriques, dir. Christophe Rousset, voix par croisement de Ewa Mallas-Godlewska (sop) et Derek Lee Ragin (ct-ténor) {Auvidis/Travelling K1005}&lt;br /&gt;&lt;br /&gt;- min 22 Anders Trentemøller : Metamorphis - A Trentemøller {imr 02}&lt;br /&gt;&lt;br /&gt;- min 24 Anders Trentemøller : Past The Beginning Of The End - A Trentemøller + Mikael Simpson, guitare, Dorit Chrysler, theremin {imr 02}&lt;br /&gt;&lt;br /&gt;- min 30 W. A. Mozart arrgt. Hugues de Courson : Al sahm al taéh (d'après soave sia il vento') - Orch. symphonique bulgare, dir. Deyan Pavlov, Ensemble du Caire, dir. Khaled Dagher {Virgin Classics 5.45740}&lt;br /&gt;&lt;br /&gt;- min 35 Georg Friedrich Haendel : Lascia ch'io pianga (air de Almirena de l'opéra Rinaldo) - Les Talents Lyriques, dir. Christophe Rousset, voix par croisement de Ewa Mallas Godlewska (sop) et Derek Lee Ragin (ct-ténor) {Auvidis/Travelling K1005}&lt;br /&gt;&lt;br /&gt;- min 39 Franz Liszt : Sposalizio - Arcadi Volodos (piano) {Sony-BMG 82876873802}&lt;br /&gt;&lt;br /&gt;- min 47 Giacinto Scelsi : Hurqualia part - Orchestre de la Radio-Télévision de Cracovie, dir.Jürg Wyttenbach {ACCORD 201112}&lt;br /&gt;&lt;br /&gt;- min 51 Trad. (Macédoine) : Makedonische Volksweise - Trio d'accordéons Ars Harmonica' {Extraplatte EX 548}&lt;br /&gt;&lt;br /&gt;- min 56 Anders Trentemøller Solveig Sanders : Tide - A Trentemøller + S. Sanders, voix {imr 02}&lt;br /&gt;&lt;br /&gt;- min 64 Franz Liszt : Romance oubliée pour alto et piano - Jacques Dupriez, alto, Judit Gabos, piano {ViaMusica PHA003}&lt;br /&gt;&lt;br /&gt;- min 68 trad Japon : Sagari Ha - Tadashi Tajima, shakuhachi {Music of the world mow 124}&lt;br /&gt;&lt;br /&gt;- min 71 Oregon : Taos - Oregon (Ralph Towner (claviers), Paul McCandless (anches), Collin Walcott(percussions), Glen Moore (basse) {ECM 811711}&lt;br /&gt;&lt;br /&gt;- min 77 Kabir Das arr. R.A. Ramamani : Forgotten past - R.A. Ramamani, voix, et The Karnataka College of percussion {Music of the world mow 145}&lt;br /&gt;&lt;br /&gt;- min 82 Jon Hassel : Abu Gil - Jon Hassel, trumpet, Peter Freeman, bass, Kheir Eddine M'Kachiche, violin, Jan Bang, sampling, Eivind Aarset, guitar, Helge Norbakken drums. {ECM 2077 1792636}&lt;br /&gt;&lt;br /&gt;- min 94 Vassilis Tsabropoulos : The Insider - Vassilis Tsabropoulos, piano {ECM 2081 1773377}&lt;br /&gt;&lt;br /&gt;- min 101 Caesar Portillo de la Luz : Tu mi delirio - Astrud Gilberto, voix, Walter Wanderley, claviers &amp;amp; al. {Verve 557449}&lt;br /&gt;&lt;br /&gt;- min 105 Jean-Paul Dessy &amp;amp; DJ Olive : Walking slowly (extr. album Scories') - Ensemble Musiques Nouvelles, dir. J-P Dessy {Sub Rosa }&lt;br /&gt;&lt;br /&gt;- min 114 Anders Trentemøller J. Philip : ... Even Though You're With Another Girl - A Trentemøller + Josephine Philip, voix {imr 02}&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2254163922607893624?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2254163922607893624/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2254163922607893624' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2254163922607893624'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2254163922607893624'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_02_01_archive.html#2254163922607893624' title='Autour de Babel n°161 - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6607450786032225694</id><published>2011-02-04T22:00:00.005+01:00</published><updated>2011-02-05T22:09:44.519+01:00</updated><title type='text'>Autour de Babel n°160 - Christine Gyselings</title><content type='html'>"Domingo connection"&lt;br /&gt;&lt;br /&gt;Pedro JUNCO JR. - Nosotros- Contigo. Placido Domingo. EMI. &lt;br /&gt;&lt;br /&gt;G ROSSINI. - Extr. d'Otello. Juan Diego Florez, Placido Domingo, Orchestre de Valence, Dir. Daniel Oren. Decca . &lt;br /&gt;&lt;br /&gt;Manuel LOPEZ-QUIROGA Y MIQUEL. - Me embrujaste. Placido Domingo, Orchestre de Madrid, Dir. Miguel Roa. DGG. &lt;br /&gt;&lt;br /&gt;Georges BIZET. - Extr. de Carmen. Placido Domingo, Teresa Berganza, London Symphony Orchestra, Ambrosian Singers, Dir. Claudio Abbado, Dir., DGG. &lt;br /&gt;&lt;br /&gt;Ernesto TAGLIAFERRI. - Nun me sceta. Placido Domingo, Orchestre Philharmonique de Budapest, Dir. Eugene Kohn. DGG. &lt;br /&gt;&lt;br /&gt;Giuseppe VERDI. - I Re! extr. de Giovanna d'Arco. Keith Erwen, Placido Domingo, Ambrosian Opera Chorus, London Symphony Orchestra, Dir. James Levine. EMI. &lt;br /&gt;&lt;br /&gt;G.F. HAENDEL. - Extr. de l'opéra "Jules César en Egypte". Placido Domingo, National Philharmonic Orchestra, Dir. Eugene Kohn. emi. &lt;br /&gt;&lt;br /&gt;Astor PIAZZOLLA. - Deciso extr. de Tango suite. Marta Klimasara, Jürgen Spitschka. Rarao. &lt;br /&gt;&lt;br /&gt;Giacomo PUCCINI. - Extr. de la Bohème. Placido Domingo, Montserrat Caballé, Sherill Milnes, London Philharmonic Orchestra, Dir. Georg Solti. Sony. &lt;br /&gt;&lt;br /&gt;Richard WAGNER. - Extr.de Rienzi. Placido Domingo, National Philharmonic Orchestra, Dir. Eugene Kohn. EMI. &lt;br /&gt;&lt;br /&gt;W.A. MOZART. - Extr. de Don Giovanni &amp;amp; Cosi fan tutte. Placido Domingo, Münchner Rundfunkorchester, Dir. Eugene Kohn. EMI. &lt;br /&gt;&lt;br /&gt;Astor PIAZZOLLA. - Andante Extr. de la Tango suite. Marta Klimasara, Jürgen Spitschka. Farao. &lt;br /&gt;&lt;br /&gt;Franz LEHAR. - Extr. de Paganini. Placido Domingo, English Chamber Orchestra, Dir. Julius Rudel. EMI. &lt;br /&gt;&lt;br /&gt;G. PUCCINI. - Extr. de Tosca. Placido Domingo, Renata Scotto, Philharmonia Orchestra, Dir. James Levine. EMI. &lt;br /&gt;&lt;br /&gt;Pietro MASCAGNI. - Extr. de l'Amico Fritz. Placido Domingo, Veronica Villarroel, Orchestra of the Royal Opera House, Dir. Asher Fisch. EMI. &lt;br /&gt;&lt;br /&gt;Antonio M. DE MORALES. - Manha de carnaval. Placido Domingo, VVC Symphonic Orchestra, Dir. Bebu Silvetti, EMI. &lt;br /&gt;&lt;br /&gt;Franz LISZT. - Extr. de eine Faust Symphonie. Placido Domingo, Chor der Deutschen Staatsoper Berlin, Berliner Philharmoniker, Dir. Daniel Barenboim. Teldec. &lt;br /&gt;&lt;br /&gt;Andrew LLOYD-WEBER. - Extr. du Requiem. Placido Domingo, Emi. &lt;br /&gt;&lt;br /&gt;Astor PIAZZOLA. - Tango. Marta Klimasara, Jürgen Spitschka. Farao.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6607450786032225694?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6607450786032225694/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6607450786032225694' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6607450786032225694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6607450786032225694'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_02_01_archive.html#6607450786032225694' title='Autour de Babel n°160 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-661627796175840232</id><published>2011-01-28T22:00:00.002+01:00</published><updated>2011-01-28T22:00:01.517+01:00</updated><title type='text'>Autour de Babel n°159 - Anne Mattheeuws</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 00 - Hortogonals, «&amp;nbsp;Intraga&amp;nbsp;». Laszlo Hortobagyi - György Kurtag jr. - Miklos Lengyelfi. ECM&lt;b&gt; &lt;/b&gt;(4‘50) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 03 - Enno Poppe/ Marcel Beyer, «&amp;nbsp;Interzone&amp;nbsp;». Omar Ebrahim. Kairos (2‘30)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 05 – Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi, «&amp;nbsp;Catch Wave 97&amp;nbsp;».&lt;/span&gt; Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi&lt;/span&gt;. Super Fuji Discs (1‘15)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 06 - Alec Roth / Vikram Seth, «&amp;nbsp;Thoughts while travelling at Night (Songs in time of War)&amp;nbsp;». &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Mark Padmore - Philippe Honoré - Alison Nicholls. Signum (1‘33) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 08 - Sphota, «&amp;nbsp;Conciliabule (Zemlia/La Terre)&amp;nbsp;». Benjamin Dupé - Benjamin de la Fuente - Samuel Sighicelli. Signature (4‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 12 - Erik Satie / Johannes Schöllhorn, «&amp;nbsp;Sur un Vaisseau (Descriptions automatiques)&amp;nbsp;». &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;Caroline Gautier – MusikFabrik - &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;James Avery. Accord. (2‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 14 - Hans Eisler, «&amp;nbsp;Die Verhaftung (Auf den Tod eines Genossen)&amp;nbsp;». Marjanne Kweksilber. Ebony Band - Werner Herberts. BVHaast (0‘46)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 15 - Kurt Weill, «&amp;nbsp;Wie lange nog?&amp;nbsp;». Lotte Lenya - Kurt Weill. Capriccio (3‘17)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 18 - George Crumb, «&amp;nbsp;Me he perdido muchas veces por el mar (Ancient Voices of Children)&amp;nbsp;». &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Marie Louise Bourbeau - Ensemble New Art - Fuat Kent. Col Legno (2‘27)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 20 - Georg Kröll, «&amp;nbsp;Was vermeid ich denn die Wege (Omaggio)&amp;nbsp;». Ravinia Trio. Telos (5‘16)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 25 - Peter Eötvös, «&amp;nbsp;Paris-Dakar». Laszlo Göz - Budapest Jazz Orchestra - Gergely Vajda. BMC (7‘13)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 32 – Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi, «&amp;nbsp;Catch Wave 97&amp;nbsp;».&lt;/span&gt; Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi&lt;/span&gt;. Super Fuji Discs (10‘) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 41 - Olivier Greif, «&amp;nbsp;Genesis (Durch Adams Falls)&amp;nbsp;». &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Henri De Marquette - Orchestre National de France - Jean-Claude Casadesus. Accord (6‘21)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 47 - Stefano Scodanibbio, «&amp;nbsp;Marche bancale (La fine del pensiero)&amp;nbsp;». Stefano Scodanibbio. Col Legno (5‘50)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 53 - Sphota, «&amp;nbsp;Extérieur nuit (Zemlia/La Terre)&amp;nbsp;». Benjamin Dupé - Benjamin de la Fuente - Samuel Sighicelli. &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;Signature (9‘28)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 61 - Peter Eötvös, «&amp;nbsp;Snatches of a conversation&amp;nbsp;». Marco Blaauw - Omar Brahim MusikFabrik - Peter Eötvös. &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;BMC (10‘46)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 72 - Stefano Scodanibbio, «&amp;nbsp;Marche bancale (La fine del pensiero)&amp;nbsp;». &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;Stefano Scodanibbio. Col Legno(5’20)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 75 – Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi, «&amp;nbsp;Catch Wave 97&amp;nbsp;».&lt;/span&gt; Takehisa &lt;span style="mso-bidi-font-weight: bold;"&gt;Kosugi&lt;/span&gt;. Super Fuji Discs (2‘)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 76 - George Crumb, «&amp;nbsp;El &lt;span style="mso-bidi-font-weight: bold;"&gt;niño&lt;b&gt; &lt;/b&gt;&lt;/span&gt;buta su voz&lt;b&gt; &lt;/b&gt;(Ancient Voices of Children)&amp;nbsp;». &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Marie Louise Bourbeau - Veronika Schaaf - Ensemble New Art - Fuat Kent. &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;Col Legno (4‘12)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 79 - Hans Zender / Robert Schumann, «&amp;nbsp;Sternennacht (Schumann-Phantasie)&amp;nbsp;». SWR Sinfonieorchester Baden-Baden und Freiburg – Sylvain Cambreling. (13‘32)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 92 - Haco, «&amp;nbsp;High/Low&amp;nbsp;». Haco. Improvised Music from Japan (3‘32)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 96 - Bernard Lubat, «&amp;nbsp;Tu mens Lady‘s». &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Bernard Lubat - Thierry Farrugia - Fancis Lassus - Patrick Auzier - Pierre Scheidt - Gilles Hourcade. Chant du Monde (3‘38)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 100 - Mitsuru Nasuno, «&amp;nbsp;Motai&amp;nbsp;». Mitsuru Nasuno - Samm Bennett. Improvised Music from Japan (7‘30) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 107 - George Crumb, «&amp;nbsp;Todas las tardes en Granada, todas las tardes se muere un niño&lt;b&gt; &lt;/b&gt;(Ancient Voices of Children)&amp;nbsp;». Fuat Kent. Col Legno (0‘30)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 108 - Alec Roth / Vikram Seth, «&amp;nbsp;The Tarrying Garden (Chinese Gardens)&amp;nbsp;». Mark Padmore - Morgan Szymanski. Signum (3‘03)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;min 111 - Hortogonals, «&amp;nbsp;Necroga&amp;nbsp;». Laszlo Hortobagyi - György Kurtag jr. - Miklos Lengyelfi. &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;ECM&lt;b&gt; &lt;/b&gt;(4‘06)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 114 - Eric Whitacre, «&amp;nbsp;Sleep&amp;nbsp;». Polyphony - Stephen Layton. Hyperion (5‘33)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 12pt;"&gt;min 119 - Sphota, «&amp;nbsp;Extension nuit (Zemlia/La Terre)&amp;nbsp;». Benjamin Dupé - Benjamin de la Fuente - Samuel Sighicelli. &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"&gt;Signature (2‘)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-661627796175840232?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/661627796175840232/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=661627796175840232' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/661627796175840232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/661627796175840232'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_01_01_archive.html#661627796175840232' title='Autour de Babel n°159 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3794125688100626364</id><published>2011-01-21T22:00:00.001+01:00</published><updated>2011-01-26T21:32:44.666+01:00</updated><title type='text'>Autour de Babel n°158 - Dominique Mussche</title><content type='html'>&lt;div class="description_generale" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 20px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Réalisation&amp;nbsp;: Francis WILLEM&lt;/div&gt;&lt;div class="description_generale" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 20px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="resume" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 20px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 00&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;Bruno COULAIS&lt;/strong&gt;. - BO du film "Microcosmos". Bruno Coulais. Auvidis.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min &lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;06 György LIGETI&lt;/strong&gt;. - Quatuor à cordes "Métamorphoses nocturnes". Quatuor Casals. Harmonia Mundi.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 09&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&amp;nbsp;Dominique ANÉ&lt;/strong&gt;. - L'horizon. Dominique A. Olympic.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min &lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;13 Isabella LEONARDA&lt;/strong&gt;. - Sonata VII a tre. Concerto Soave, jean-Marc Aymes. Ambronay.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;18 György LIGETI&lt;/strong&gt;. - Quatuor à cordes "Métamorphoses nocturnes". Quatuor Casals. Harmonia Mundi.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;20 Brigitte FONTAINE&lt;/strong&gt;. - Comme à la radio. Brigitte Fontaine et Areski Belkacem. Saravah.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;28 Baba SISSOKO&lt;/strong&gt;. - Aka Mali Foli. Aka Moon, Baba Sissoko &amp;amp; Black Machine. Cyprès.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;34 Hindi ZAHRA&lt;/strong&gt;. - Kiss and Thrills. Hindi Zahra. Blue Note.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;38 Yann TIERSEN&lt;/strong&gt;. - Chapter 19. Yann Tiersen. Mute.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;42 Martin MATALON&lt;/strong&gt;. - Traces V. Ensemble Sillages. Sismal.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;50 Marilyn CRISPELL&lt;/strong&gt;. - Owl Moon. Marilyn Crispell et David Rothenberg. ECM.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;57 Leo FERRÉ&lt;/strong&gt;. - Je chante pour passer le temps. Philippe Léotard. Columbia.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;60 Petr EBEN&lt;/strong&gt;. - Trio pour piano. Trio Florestan. Hyperion.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 64 György LIGETI&lt;/strong&gt;. - Quatuor à cordes "Métamorphoses nocturnes". Quatuor Casals. Harmonia Mundi.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 66 Jan KUYKEN&lt;/strong&gt;. - La Nuit des Tritons. Jan Kuyken. Carbon 7.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 7&lt;/strong&gt;&lt;/span&gt;1 Stromae&amp;nbsp;&lt;/strong&gt;. - Cheese. Stromae. Vertigo.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 7&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;4 DIGITONAL&amp;nbsp;&lt;/strong&gt;. - Come and play. digitonal. Just Music.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 8&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;0 TIMBER TIMBRE&amp;nbsp;&lt;/strong&gt;. - Demon host. Timber timbre. Arts and Crafts.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 8&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;4 Anouar BRAHEM&lt;/strong&gt;. - Galilée mon amour. Anouar Brahem. ECM.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 9&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;1 ANONYME&amp;nbsp;&lt;/strong&gt;. - Calextone, qui fut dame d'Arouse. Ensemble De Caelis. Aeon.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 9&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;4 Marilyn CRISPELL&lt;/strong&gt;. - Tsering. Marilyn crispell et David Rothenberg. ECM.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 9&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;9 Lhasa DE SELA&lt;/strong&gt;. - I'm going in. Lhasa. Warner.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 10&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;5 Gordon JENKINS&lt;/strong&gt;. - Goodbye. Keith Jarrett et Charlie Haden. ECM.&amp;nbsp;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;min 11&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;3 Benjamin BRITTEN&lt;/strong&gt;. Johann Wolfgang von Goethe. - Um Mitternacht. Gerald Finley, baryton, Julius drake, piano, Hyperion.&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3794125688100626364?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3794125688100626364/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3794125688100626364' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3794125688100626364'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3794125688100626364'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_01_01_archive.html#3794125688100626364' title='Autour de Babel n°158 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-5860305336221934764</id><published>2011-01-14T22:00:00.005+01:00</published><updated>2011-01-14T22:00:01.165+01:00</updated><title type='text'>Autour de Babel n°157 - André Defossez</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 00 Jon Hassel : Aurora - Jon Hassel, trumpet, Peter Freeman, bass, Jan Bang, sampling, Rick Cox, guitar, Jamie Mohoberac, keyboard {ECM 2077 1792636}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 05 Vassilis Tsabropoulos : The Other - Vassilis Tsabropoulos, piano {ECM 2081 1773377}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 10 Benjamin de la Fuente : Known by a number - Benjamin de la Fuente, violon (et transformations éléctroacoustiques) {AEON 0980}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 15 Michael Nyman : Piano Concerto - The Release - Kathryn Stott, piano; Royal Liverpool Philharmonic Orchestra, dir. Michael Nyman {DECCA }&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 20 Karl Komzak : Perpetuum Mobile - Quintetto Bislacco {Stradivarius 57909}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 22 Benjamin de la Fuente : Give something - Benjamin de la Fuente, violon (et transformations éléctroacoustiques) {AEON 0980}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 27 Daniel Denis et Michel Berckmans : The Invisible Light - Univers Zéro {No Format OC 123891}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 30 Robert Johnson : Have You Seen The Bright Lily Grow? - The Dowland Project (John Potter &amp;amp; al.) {ECM 1803 476.052}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 33 Arvo Pärt arr. Sarah Watts : Spiegel Im Spiegel - Sarah Watts, clarinette basse, Antony Clare, piano {Clarinet Classics 0056}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 42 André Laporte : C-Isme Per Violoncello Solo - Katrina Crichton, violoncelle {Fenix KC 108}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 47 Jon Hassel : Last Night The Moon Came - J Hassel, trumpet, Kheir Eddine M’Kachiche, violin, Peter Freeman, bass, Jan Bang, sampling, Rick Cox, guitar, Thomas Newman, strings, Jamie Mohoberac, keyboard {ECM 2077 1792636}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 57 Vassilis Tsabropoulos : The Other (var I) - Vassilis Tsabropoulos, piano {ECM 2081 1773377}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 61 Anne Wolf : Babu, Buba &amp;amp; Seedy - Anne Wolf Trio, Ben Ngabo, Mizzy et Christa Jérôme, voix {mogno j042}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 68 Franticek V Krommer-Kramar : Concerto n°2 pour clarinette et orchestre en mi bémol majeur, op.91 3e mvt: Rondo alla Pollaca - {Supraphon 063-2.931}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 74 Mario Gonçalves Arlindo Duarte de Carvalho : Que Fazes Ai Lisboa - Misia {Opendisc 531656}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 77 Jon Hassel : Courtrais - J Hassel, trumpet, Peter Freeman, bass, Jan Bang + Dino J A Deane, live sampling, Steve shehan, percussion. {ECM 2077 1792636}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 83 Robert Johnson : As I walked forth - The Dowland Project (John Potter &amp;amp; al.) &lt;/span&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;{ECM 1803 476.052}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 89 Joseph Suk : Pohadka (Conte de fées) op.16 - Josef Suk, violon, Prague Symphony Orchestra, dir. &lt;/span&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;Jiri Belohlavek {Supraphon 063-2.931}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 94 Dezmona : Passage to the Sun (album ‘Hilfe kommt’) - Dezmona &amp;amp; al. {Bang ! music nn}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span lang="EN-US" style="font-family: 'Arial','sans-serif'; mso-ansi-language: EN-US;"&gt;min 99 Dino Saluzzi : Esquina - Dino Saluzzi, bandoneon, Anja Lechner, violoncelle (album ‘Ojos negros’) {ECM 1991 170.9757}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-layout-grid-align: none;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 108 Duke Ellington : Caravan - Anne Wolf Trio {mogno j042}&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-family: 'Arial','sans-serif';"&gt;min 115 Vassilis Tsabropoulos : The Other (var II) - Vassilis Tsabropoulos, piano {ECM 2081 1773377}&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-5860305336221934764?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/5860305336221934764/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=5860305336221934764' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5860305336221934764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/5860305336221934764'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2011_01_01_archive.html#5860305336221934764' title='Autour de Babel n°157 - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-535386048953929203</id><published>2010-12-17T22:00:00.003+01:00</published><updated>2010-12-20T17:10:10.281+01:00</updated><title type='text'>Autour de Babel n°156 - Christine Gyselings</title><content type='html'>&lt;div class="description_generale"&gt;&lt;div class="image"&gt;&lt;/div&gt;Un voyage spatio-temporel &lt;strong&gt;Autour du Requiem&lt;/strong&gt; signé Christine GYSELINGS et Bertrand VANVAREMBERGH&lt;/div&gt;&lt;!--description_generale--&gt;&lt;div class="resume"&gt;&lt;strong&gt;Tomas Luis de VICTORIA&lt;/strong&gt;. - Nigra sum, extr. du Requiem 1605. The Sixteen, Harry Christophers. Coro. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;André CAMPRA&lt;/strong&gt;. - Graduel. La Chapelle Royale, Dir. Philippe Herreweghe. HM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANONYME&lt;/strong&gt;. - Nos esprits libres et contents. le Poème Harmonique, Vincent Dumestre. Alpha. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John TAVENER&lt;/strong&gt;. - Eternal memory, pour violoncelle et cordes. Josephine Knight, Membres de l'Orchestre Philharmonique de Liverpool. EMI. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gabriel FAURE&lt;/strong&gt;. - Agnus dei. La Chapelle Royale, Ensemble Musique Oblique, Dir. Philippe Herreweghe. HM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Joonas KOKKONEN&lt;/strong&gt;. - Requiem Aeternam. Academic Choral Society, Helsinki Philharmonic Orchestra, Dir. Ulf Söderblom. Finlandia. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ferdinand SCHUBERT&lt;/strong&gt;. - Extr. du Requiem, op.9. Choeur de chambre de Maastricht, Dir. Louis Devos. Erato. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Johannes BRAHMS&lt;/strong&gt;. - Extr. de Ein Deutsches Requiem. Ensemble Accentus, Laurence Equilbey. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heinrich Ignaz Franz von BIBER&lt;/strong&gt;. - Marche funèbre. Capella Reial de Catalunya, Jordi Savall. Aliavox. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Juan de ANCHIETA (?)&lt;/strong&gt;. - Lamentation sur la mort d'Alexandre Agricola. Graindelavoix. Glossa. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ANONYME&lt;/strong&gt;. - Romance de la muerte del muy esclarecido rey don Felipe. Graindelavoix, Björn Schmelzer. Glossa. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anton BRUCKNER&lt;/strong&gt;. - Extr. du Requiem (Kyrie,...). Laudantes Consort. Cypres. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Franz LISZT&lt;/strong&gt;. - Chorus mysticus, extr. de la Faust Symphonie. Placido Domingo, Choeur du Deutschen Staatsoper Berlin, Berliner Philharmoniker, Dir. Daniel Barenboim. Teldec. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Karl JENKINS&lt;/strong&gt;. - Virgo virginum. Choeur et Orchestre Philharmonique de Liverpool, Dir. Karl Jenkins. emi. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Giuseppe VERDI&lt;/strong&gt;. - Extr. du Requiem. Choeur et Orchestre de l'Opéra de Hongrie, Dir. Pier Giorgio Morandi. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maurice DURUFLE&lt;/strong&gt;. - Extr. du Requiem &amp;amp; méditation à l'orgue. The Choir of Magdalen College, Oxford, English Sinfonia, Bill Ives. HM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Johann Adolf HASSE&lt;/strong&gt;. - Agnus Dei. Il Fondamento, Paul Dombrecht. Naïve. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Serge RACHMANINOV&lt;/strong&gt;. - L'Ile des morts. Orchestre Phiharmonique de St Péterbourg, Dir. Mariss Jansons. EMI. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;W.A. MOZART&lt;/strong&gt;. - Extr. du Requiem. Nederlands Kamerchor, Orchestre du XVIIIème siècle, Dir. Frans Brüggen. Glossa.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-535386048953929203?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/535386048953929203/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=535386048953929203' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/535386048953929203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/535386048953929203'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_12_01_archive.html#535386048953929203' title='Autour de Babel n°156 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-3598724830656691905</id><published>2010-12-10T22:00:00.002+01:00</published><updated>2010-12-10T22:00:02.577+01:00</updated><title type='text'>Autour de Babel n°155 - Anne Mattheeuws</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 00 - Todor Todoroff, «&amp;nbsp;Dédales&amp;nbsp;». Auteur (1‘00) / Luciano Berio, «&amp;nbsp;Laborintus 2&amp;nbsp;». Musique Vivante - Luciano Berio. Harmonia Mundi (0’50) / Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ‘Nocturne’&amp;nbsp;». Arcanto Quartett. Harmonia Mundi. (0‘55)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 02 - Jesus Rueda, «&amp;nbsp;Pocket Paradise&amp;nbsp;». Drumming - Miquel Bernat. Anemos (1‘35)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 03 - Michel Portal, «&amp;nbsp;Turbulence&amp;nbsp;». Bernard Lubat, synthétiseur - Jannick Top, guitare basse - André Cecarelli, batterie - Claude Barthélémy, guitare - Mino Cinelu, percussions - Michel Portal, sax ténor. Chant du Monde (2‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 05 - Leo Delibes, «&amp;nbsp;Lakmé: ‘Viens Mallika’&amp;nbsp;». Natalie Dessay, Lakmé &amp;amp; Delphine Haydan, Mallika - Orchestre du Capitole de Toulouse - Michel Plasson. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;EMI (3‘30) &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 09 - Ralph Vaughan Williams, «&amp;nbsp;It was a lover and his lass&amp;nbsp;». Anthony Rolfe Johnson, ténor &amp;amp; Simon Keenlyside, baryton - Graham Johnson, piano. &lt;/span&gt;Collins (1‘47)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 11 - Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ’temps suspendu’&amp;nbsp;». Arcanto Quartett. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Harmonia Mundi. (2‘18)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 13 - Antonin Reicha, «&amp;nbsp;Fugue op. 36/32&amp;nbsp;». Milan Langer, piano. Panton (4‘10)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 17 - John Adams, «&amp;nbsp;The Wound-Dresser&amp;nbsp;». Sanford Sylvan, baryton -&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Naoko Tanaka violon, Chris Gekker, trompette - Orchestra of St. Luke’s - John Adams. Nonesuch (19‘06)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 34 - Ludwig Van Beethoven, «&amp;nbsp;Quatuor op. 132: ‘Heiliger Dankgesang eines Genesenen an die Gottheit…’&amp;nbsp;&lt;/span&gt;». Alban Berg Quartett. EMI (12‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 41 - Todor Todoroff, «&amp;nbsp;Dédales&amp;nbsp;». Auteur (9‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 50 - Jimi Hendrix, «&amp;nbsp;Purple Haze». Kronos Quartet. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Nonesuch (3‘00)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 53 - Luciano Berio, «&amp;nbsp;Laborintus 2&amp;nbsp;». &lt;/span&gt;Musique Vivante - Luciano Berio. Harmonia Mundi (0’50) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 53 - Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ‘Nocturne’&amp;nbsp;». Arcanto Quartett. Harmonia Mundi. (2‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 56 - Jesus Rueda, «&amp;nbsp;Pocket Paradise&amp;nbsp;». Drumming - Miquel Bernat. Anemos (1‘40)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 57 - Tarquinio Merula, «&amp;nbsp;Hoe ch’è tempo di dormire&amp;nbsp;». Nuria Rial, soprano - L‘Arpeggione Christina Pluhar. Virgin (7‘44)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 63 - Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ‘Nocturne’&amp;nbsp;». &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;Arcanto Quartett. Harmonia Mundi. (1’30)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 64 - Antonin Reicha, «&amp;nbsp;Fugue op. 36/9, thème de Domenico Scarlatti&amp;nbsp;». Milan Langer, piano. Panton (2‘03)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 66 - Neal Hefti/ Bobby Troup, «&amp;nbsp;Dansez sur moi&amp;nbsp;». Claude Nougaro &amp;amp; David Linx - Eric Legnini, piano - Rosario Bonaccorso, contrebasse - André Cecarelli, batterie - Flavio Boltro, trompette. Blue Note (3‘10)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 69 - Michel Portal: «&amp;nbsp;Basta&amp;nbsp;». Richard Galiano, accordéon - Mino Cinelu, percussions - Michel Portal, bandonéon. Chant du Monde (3‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 71 - Jesus Rueda, «&amp;nbsp;Pocket Paradise&amp;nbsp;». Drumming - Miquel Bernat. Anemos (1‘30)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 73 - Jean-Philippe Rameau, «&amp;nbsp;Le rappel des oiseaux&amp;nbsp;». Angela Hewitt, piano. &lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;(2‘37)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;&lt;span style="font-size: x-small;"&gt;min 75 - George Crumb, «&amp;nbsp;Celestial Mechanics: ‘Alpha Centauri’&amp;nbsp;». GrauSchumacher Piano Duo. Neos (3‘31)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US" style="mso-ansi-language: EN-US;"&gt;min 79 - Ralph Vaughan Williams, «&amp;nbsp;The Twilight People». Ian Partridge, ténor. &lt;/span&gt;Etcetera (2‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 81 - Gérard Pesson, «&amp;nbsp;Nebenstück, filtrage de la Ballade op. 10/4 de J. Brahms&amp;nbsp;». Ensemble Recherche. Aeon. (8‘02) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 88 - Philippe Malfeyt, «&amp;nbsp;Bach to L.A.&amp;nbsp;». Luthomania. Papyros (2‘05)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 90 - Luciano Berio, «&amp;nbsp;Laborintus 2&amp;nbsp;». Musique Vivante - Luciano Berio. Harmonia Mundi (1‘40) &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 92 - Antonin Dvorak, «&amp;nbsp;Sérénade pour cordes op. 22: ’Tempo di Valse’&amp;nbsp;». Wiener Philharmoniker - Myung-Whun Chung (2‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 94 - Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ‘Parenthèse 2. Litanies’&amp;nbsp;». Arcanto Quartett. Harmonia Mundi. (2‘56)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 97 - Antonin Reicha, «&amp;nbsp;Fugue op. 36/7, thème de W.A. Mozart&amp;nbsp;». Milan Langer, piano. Panton (3‘25)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 100 - Todor Todoroff, «&amp;nbsp;Matières&amp;nbsp;». Auteur (9‘00)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 100 - Michel Portal, «&amp;nbsp;Mozambic&amp;nbsp;». Mino Cinelu, percussions - Andy Emler, synthétiseur - Jean Schwarz, traitements sonores - Michel Portal, clarinette basse, sax baryton, sax sopranino. Chant du Monde (4‘40)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 105 - Luciano Berio, «&amp;nbsp;Laborintus 2&amp;nbsp;». Musique Vivante - Luciano Berio. Harmonia Mundi (1‘40) / Henri Dutilleux, «&amp;nbsp;Ainsi la nuit: ‘Nocturne’&amp;nbsp;». Arcanto Quartett. Harmonia Mundi. (0‘55)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 107 - J.S. Bach, «&amp;nbsp;Actus Tragicus bwv 106: ‘Gottes Zeit ist die allerbeste Zeit’&amp;nbsp;». György &amp;amp; Marta Kurtag, piano. ECM (2’18)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 109 - min 02 - Jesus Rueda, «&amp;nbsp;Pocket Paradise&amp;nbsp;». Drumming - Miquel Bernat. Anemos (6‘40)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: x-small;"&gt;min 115 - Todor Todoroff, «&amp;nbsp;Matières&amp;nbsp;». Auteur &lt;b&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;(1‘00) &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-3598724830656691905?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/3598724830656691905/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=3598724830656691905' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3598724830656691905'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/3598724830656691905'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_12_01_archive.html#3598724830656691905' title='Autour de Babel n°155 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6381449559507250836</id><published>2010-12-03T22:00:00.000+01:00</published><updated>2010-12-06T16:24:57.948+01:00</updated><title type='text'>Autour de Babel n°154 - André Defossez</title><content type='html'>&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="left"&gt;min 00 Eleni Karaindrou : Le temps perdu (musique du film Dust of time' de Theo Angelopoulos) - Maria Bildea, harpe, Sergiu Nastasa, violon {ECM New Series 2070 4766766}&lt;br /&gt;&lt;br /&gt;min 02 Jonas Simonson : Veckan (La Semaine) - Grupa (nordic folk fusion) {Footprint FRCD 040}&lt;br /&gt;&lt;br /&gt;min 08 Johan Sebastian Bach : Prélude pour clavier transcr. Siloti - Alain Kremski, piano {Discovery nn}&lt;br /&gt;&lt;br /&gt;min 12 Angel Lam : Empty Mountain, Spirit Rain: Rain - The silk road ensemble {world village 468095}&lt;br /&gt;&lt;br /&gt;min 19 Erik Satie / Lauren Newton : Vexations 1611 - Lauren Newton, voix, Woody Schabata, vibraphone. {hatOLOGY 671}&lt;br /&gt;&lt;br /&gt;min 27 Evan Ziporyn : Sulvasutra: Ka - The silk road ensemble {world village 468095}&lt;br /&gt;&lt;br /&gt;min 31 Angel Lam : Empty Mountain, Spirit Rain: Silent Field - The silk road ensemble {world village 468095}&lt;br /&gt;&lt;br /&gt;min 36 Raimundo Penaforte : Hommage à Joaquin - Valerius Ensemble (dir et clarinette : André Kerver) {Aliud records ACD HJ 036}&lt;br /&gt;&lt;br /&gt;min 43 Laszlo Hortobagyi, György Kurtag jr., MiklosLengyelfi Ferenc Haasz : Lux-Abbysum (album Kurtagonals') - {ECM New Series 2097 4763260}&lt;br /&gt;&lt;br /&gt;min 57 Johan Sebastian Bach : Erbarm dich mein, o Herre Gott (BWV 721) - Mika Väyrynen {alba abcd220}&lt;br /&gt;&lt;br /&gt;min 61 Michel Magne arrgt. Jean-Claude Vannier : Rose des vents - Martial Solal &amp;amp; friends (dir. Jean Gitton) {Universal 530.394.5}&lt;br /&gt;&lt;br /&gt;min 67 Raimundo Penaforte : Tango for seven - Valerius Ensemble (dir et clarinette : André Kerver) {Aliud records ACD HJ 036}&lt;br /&gt;&lt;br /&gt;min 78 Camille Saint-Saëns arr. R. Prizeman : Lacrymosa d'apr. Aquarium' du Carnaval des animaux - Libera, dir. Robert Prizeman (solo: Benedict Phillip) {EMI 6.26478.2}&lt;br /&gt;&lt;br /&gt;min 81 Michel Camilo : Just like you (album Triangulo) - Michel Camilo, piano, Horacio El Negro Hernandez, drums {Telarc Jazz Zone 83549}&lt;br /&gt;&lt;br /&gt;min 87 Thomas Larcher : Still pour alto et orch de ch. mvt 2 - Munchener kammerorchester, dir. Dennis Russel Davies, Kim Kashkashian, alto {ECM New Series 2111 4763651}&lt;br /&gt;&lt;br /&gt;min 98 Trad. arr. P K Andersdotter, Mats Edén : Psalm / In memoriam Mats Hellberg - Grupa (nordic folk fusion) {Footprint FRCD 040}&lt;br /&gt;&lt;br /&gt;min 103 Erik Satie / Roman Schwaller : Vexations 1801 - Roman Schwaller, sax ténor, Woody Schabata, vibraphone. {hatOLOGY 671}&lt;br /&gt;&lt;br /&gt;min 112 Elisabeth Schimana : Spaces #1 - part1: Den Zwischenraum Bauen Und Eine Kruste Bilden Vom Fließenden - Cordula Bösze, flûtes, Elisabeth Schimana, électronique {ORF SACD3068}&lt;br /&gt;&lt;br /&gt;min 117 Fab : Intro blues - {Fabsound records }&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6381449559507250836?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6381449559507250836/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6381449559507250836' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6381449559507250836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6381449559507250836'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_12_01_archive.html#6381449559507250836' title='Autour de Babel n°154 - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-4202379170262217352</id><published>2010-11-26T22:00:00.003+01:00</published><updated>2010-11-29T10:28:23.975+01:00</updated><title type='text'>Autour de Babel n°153 - Jean-Luc Plouvier</title><content type='html'>&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;0'00” - Wolfgang Mitterer - &lt;i style="mso-bidi-font-style: normal;"&gt;Am Fenster - &lt;/i&gt;Georg Nigl, Wolfgang Mitterer - 4'07” - Col Legno WWE1CD20278&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;3'49” - Squarepusher - &lt;i style="mso-bidi-font-style: normal;"&gt;Potential Govaner - &lt;/i&gt;Squarepusher - 2'11” - WARPCDD161&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;5'58” - Steve Coleman - &lt;i style="mso-bidi-font-style: normal;"&gt;Hyped - &lt;/i&gt;Steve Coleman &amp;amp; Metrics - 2'49” - BMG 74321 31690 2&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;8'47” - Wolfang Mitterer - &lt;i style="mso-bidi-font-style: normal;"&gt;Radio Fractal&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;(1) - &lt;/i&gt;Wolfgang Mitterer - 0'14” - hatOLOGY 2-606&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;9'01” - Robert Schumann - &lt;i style="mso-bidi-font-style: normal;"&gt;Symphonische Etüden (1) - &lt;/i&gt;Vladimir Ashkenazy - 2'47” - DECCA 473280&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;11'46” - Morton Feldman - &lt;i style="mso-bidi-font-style: normal;"&gt;3 Voices : chords - &lt;/i&gt;Marianne Schuppe - 2'03” - Col Legno WWE1CD20249&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;13'48” - Boby Lapointe - &lt;i style="mso-bidi-font-style: normal;"&gt;Ca va, ça vient - &lt;/i&gt;Boby Lapointe - 2'18” - Polygram 832654-2&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;16'02” - Paul Bley - &lt;i style="mso-bidi-font-style: normal;"&gt;Mondsee Variations I - &lt;/i&gt;Paul Bley, piano - 3'33” - ECM 170 9775&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;19'18” - John Giorno - &lt;i style="mso-bidi-font-style: normal;"&gt;Shit, Piss, Blood, Pus + Brains - &lt;/i&gt;John Giorno, voix - 2'10” - GPS 008-009&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;20'50” - Iannis Xenakis - &lt;i style="mso-bidi-font-style: normal;"&gt;Jonchaies - &lt;/i&gt;Arturo Tamayo, O.Phil.Luxembourg - 1'50” - MFA&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt; &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1C1158&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;22'54” - Gabriel Fauré - &lt;i style="mso-bidi-font-style: normal;"&gt;Le Don Silencieux - &lt;/i&gt;François Le Roux, Jeff Cohen - 2'11” - Hyperion&lt;/span&gt;&lt;span lang="EN-GB" style="font-size: 9pt; mso-bidi-font-size: 12.0pt;"&gt; &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;CDA67335&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;24'54” - Peter Hammill - &lt;i style="mso-bidi-font-style: normal;"&gt;The Sphinx in the Face - &lt;/i&gt;Van der Graaf - 2'42” - CASCD113&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;27'36” - Traditionnel anglais - &lt;i style="mso-bidi-font-style: normal;"&gt;Sir Walter - &lt;/i&gt;Alfred Deller &amp;amp; The Deller Consort - 1'41” - Vanguard Classics MC 193&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;29'17” - Robert Schumann - &lt;i style="mso-bidi-font-style: normal;"&gt;Symphonische Etüden (2) - &lt;/i&gt;Vladimir Ashkenazy - 1'19” - DECCA 473280&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;30'35” - Steve Lehman - &lt;i style="mso-bidi-font-style: normal;"&gt;Dub - &lt;/i&gt;Steve Lehman Octet - 1'50” - Pi Rec., PI 30&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;32'19” - Luciano Berio - &lt;i style="mso-bidi-font-style: normal;"&gt;Voci (extrait) - &lt;/i&gt;Kim Kashkashian (alto), Luciano Berio (dir.) - 3'45” - ECM New Series 1735&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;35'47” - M. Rivgauche, I. Gordon - &lt;i style="mso-bidi-font-style: normal;"&gt;Les Prisons du Roy - &lt;/i&gt;Marianne Faithfull - 4'56” - Island ILSP99574 199C&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;40'40” - Federico Mompou - &lt;i style="mso-bidi-font-style: normal;"&gt;Impresiones Intimas n°1 : Lent - &lt;/i&gt;Martin Jones - 1'19” - Nimbus NI5724-7&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;41'46” - Bernard Heidsieck - &lt;i style="mso-bidi-font-style: normal;"&gt;Vaduz (1) - &lt;/i&gt;Bernard Heidsieck - 2'06” - LKM 01&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;43'52” - Brian Eno - &lt;i style="mso-bidi-font-style: normal;"&gt;Draw One Animal - &lt;/i&gt;Brian Eno - 2'14” - OPALCD03&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;45'16” - John Giorno - &lt;i style="mso-bidi-font-style: normal;"&gt;Suicide Sutra - &lt;/i&gt;John Giorno - 1'03” - GPS 008-009&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;46'19” - Squarepusher - &lt;i style="mso-bidi-font-style: normal;"&gt;Plotinus - &lt;/i&gt;Squarepusher - 2'42” - WARP CD 148&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;48'59” - Robert Schumann - &lt;i style="mso-bidi-font-style: normal;"&gt;Symphonische Etüden (3) - &lt;/i&gt;Vladimir Ashkenazy - 2'40” - DECCA 473280&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;51'17” - Bernard Heidsieck - &lt;i style="mso-bidi-font-style: normal;"&gt;Vaduz (2) - &lt;/i&gt;Bernard Heidsieck - 1'32” - LKM 01&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;52'49” - Brian Eno - &lt;i style="mso-bidi-font-style: normal;"&gt;By This River - &lt;/i&gt;Eno, Roedelius, Moebius - 3'04” - EGCD 32&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;55'33” - Wolfgang Mitterer - &lt;i style="mso-bidi-font-style: normal;"&gt;Radio Fractal (2) - &lt;/i&gt;Wolfgang Mitterer - 2'15” - hatOLOGY 2-606&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;57'39” - Canada Inuit Games and Songs - &lt;i style="mso-bidi-font-style: normal;"&gt;Throat Singing - &lt;/i&gt;1' - MD3132 AUVIDIS UNESCO&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;58'39” - Frank Zappa - &lt;i style="mso-bidi-font-style: normal;"&gt;Cheepnis - &lt;/i&gt;Frank Zappa &amp;amp; The Mothers Of Invention - 3'46” - Rykodisc 10520&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h02'25” - Paul Hindemith - &lt;i style="mso-bidi-font-style: normal;"&gt;Kammermusik 1, Finale : Lebhaft - &lt;/i&gt;Claudio Abbadio, Berlin Philh. - 0'23” - Emi Classics 97711&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h02'48” - Ryoji Ikeda - &lt;i style="mso-bidi-font-style: normal;"&gt;Data.Matrix - &lt;/i&gt;Ryoji Ikeda - 2'50 - R-N 068&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h02'48” - François Sarhan - &lt;i style="mso-bidi-font-style: normal;"&gt;J'ai à vous parler - &lt;/i&gt;François Sarhan - 0'22” - Auteur&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h03'12” - Arthur Rimbaud - &lt;i style="mso-bidi-font-style: normal;"&gt;Les poètes de 7 ans - &lt;/i&gt;André Breton, voix - 2'29” - Domaine public&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h03'26” - Beat Furrer - &lt;i style="mso-bidi-font-style: normal;"&gt;Spur &lt;/i&gt;(extrait) &lt;i style="mso-bidi-font-style: normal;"&gt;- &lt;/i&gt;Kammerensemble Neue Musik Berlin - 1'12” - Kairos, &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 13pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;KAIR 12842&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h05'42” - Beat Furrer - &lt;i style="mso-bidi-font-style: normal;"&gt;Konzert für Klavier &lt;/i&gt;(extrait&lt;i style="mso-bidi-font-style: normal;"&gt;) - &lt;/i&gt;Nicolas Hodges (piano), Peter Rundel (dir.) - 0'58” - Kairos, &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 13pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;KAIR 12842&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h06'37” - Robert Wyatt - &lt;i style="mso-bidi-font-style: normal;"&gt;You You - &lt;/i&gt;Robert Wyatt - 4'23” - Domino WIGCD202&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h10'59” - Robert Schumann - &lt;i style="mso-bidi-font-style: normal;"&gt;Symphonische Etüden (4) - &lt;/i&gt;Vladimir Ashkenazy - 3'03” - DECCA 473280&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h13'01” - Allen Ginsberg / William Blake - &lt;i style="mso-bidi-font-style: normal;"&gt;The Sick Rose - &lt;/i&gt;Allen Ginsberg, voix - 1' - MGM/Verse CTS 3083&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h14'00” - Sébastien Roux - &lt;i style="mso-bidi-font-style: normal;"&gt;Revers Ouest (piste 3) - &lt;/i&gt;Sébastien Roux - 0'25” - Room 40&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; mso-bidi-font-family: 'Times New Roman';"&gt; &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;RM431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h14'25” - Michaël Levinas - &lt;i style="mso-bidi-font-style: normal;"&gt;Les Nègres : Dahomey II - &lt;/i&gt;Wendy Waller, Bernard Kontarsky - 4'02” - Sisyphe 009&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h18'22” - Johan Simon De Haspre - &lt;i style="mso-bidi-font-style: normal;"&gt;Puisque je suy fumeux plains de fumee - &lt;/i&gt;Capilla Flamenca - 4'23” - Eufoda 1360&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h22'45” - Jimi Hendrix arr. Marc Ribot - &lt;i style="mso-bidi-font-style: normal;"&gt;The Wind Cries Mary - &lt;/i&gt;Marc Ribot - 4'19” - &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;Island 422-842 577-2&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h26'53” - Franz Schubert - &lt;i style="mso-bidi-font-style: normal;"&gt;Ständchen (D920) - &lt;/i&gt;Brigitte Fassbaender, &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Lucida Grande';"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;Capella Bavariae - 5'20” - Emi Classics 09022&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h32'03” - Philippe Leroux - &lt;i style="mso-bidi-font-style: normal;"&gt;Ial, pour harpe celtique et guitare - &lt;/i&gt;Caroline Delume, Christophe Saunière - 2'03” - Grave, GRCD 13&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h34'06” - Steve Coleman - &lt;i style="mso-bidi-font-style: normal;"&gt;Dangerous - &lt;/i&gt;Steve Coleman and Five Elements - 4'44” - RCA Novus PD 83092&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h38'52” - Steve Coleman - &lt;i style="mso-bidi-font-style: normal;"&gt;Beyond All We Know - &lt;/i&gt;Cassandra Wilson, Steve Coleman - 4'10” - RCA Novus PD 83119&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h42'55” - Larry Polansky - &lt;i style="mso-bidi-font-style: normal;"&gt;Four-Voice Canon #13, DIY Canon - &lt;/i&gt;Larry Polansky - 3'58” - Pogus 21036-2&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h43'36” - Kongar-ol Ondar - &lt;i style="mso-bidi-font-style: normal;"&gt;Dürgen Chugaa - &lt;/i&gt;Kongar-ol Ondar - 3'17” - TuvaMuch Records&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h46'55” - Gabriel Fauré - &lt;i style="mso-bidi-font-style: normal;"&gt;Préludes opus 103, n°1, ré b maj - &lt;/i&gt;Jean-Claude Pennetier - 4'40' - Mirare MIR 072&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h51'15” - René Lussier - &lt;i style="mso-bidi-font-style: normal;"&gt;Le Trésor de la Langue : C'est ça qu'on va faire - &lt;/i&gt;René Lussier - 1'58” - Amibances Magnétiques AM 015 CD&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h53'13” - Wolfgang Mitterer - &lt;i style="mso-bidi-font-style: normal;"&gt;Ein Bild - &lt;/i&gt;Georg Nigl, Wolfgang Mitterer - 4'38” - Col Legno WWE1CD20278&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h57'28” - Wolfgang Mitterer - &lt;i style="mso-bidi-font-style: normal;"&gt;Radio Fractal (2) - &lt;/i&gt;Wolfgang Mitterer - 2'04” - hatOLOGY 2-606&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;span lang="EN-GB" style="color: white; font-family: 'Arial','sans-serif'; font-size: 9pt; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-size: 12.0pt;"&gt;1h57'49” - Thomas Adès - &lt;i style="mso-bidi-font-style: normal;"&gt;Arcadiana : O Albion! - &lt;/i&gt;Endellion Quartet - 1'53” - EMI 5722712&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-4202379170262217352?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/4202379170262217352/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=4202379170262217352' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4202379170262217352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/4202379170262217352'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_11_01_archive.html#4202379170262217352' title='Autour de Babel n°153 - Jean-Luc Plouvier'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-8940983003859680090</id><published>2010-11-19T22:00:00.002+01:00</published><updated>2010-11-19T22:00:00.605+01:00</updated><title type='text'>Autour de Babel n°152 - Dominique Mussche</title><content type='html'>&lt;div class="resume"&gt;Mixage&amp;nbsp;: Bertrand VANVAREMBERGH&lt;/div&gt;&lt;div class="resume"&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="resume"&gt;&lt;strong&gt;Henri POUSSEUR&lt;/strong&gt;. - Paysages planétaires : Carillon brabançon. Henri Pousseur. Alga Marghen. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.01.42 François COUTURIER&lt;/strong&gt;. - L'aube. François Couturier. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.06.47 Magnus LINDBERG&lt;/strong&gt;. - Related Rocks. Ictus. IRCAM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.17.28 Arvo PART&lt;/strong&gt;. - Berliner Messe. Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tönu Kaljuste. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.21.20 Karol SZYMANOWSKI&lt;/strong&gt;. - Symphonie n°3 "Chant de la nuit". Wiener Philharmoniker, Pierre Boulez. DG. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.29.15 Henri POUSSEUR&lt;/strong&gt;. - Paysages planétaires : Pacific Sandwich. Henri Pousseur. Alga Marghen. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.35.25 Georges ENESCO&lt;/strong&gt;. - Impressions d'enfance : Lever de soleil. Remus Azoitei, violon, Eduard Stan, piano. Hänssler. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.38.50 Claudio MONTEVERDI&lt;/strong&gt;. - Hor che'l Ciel e la Terra. Le Poème Harmonique. Alpha. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.43.50 Stephan MICUS&lt;/strong&gt;. - Nomad song. Stephan Micus. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.52.30 Olafur ARNALDS&lt;/strong&gt;. - Dyad 1909. Olafur Arnalds. Erased Tapes. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;00.55.25 Einojuhani RAUTAVAARA&lt;/strong&gt;. - Concerto pour flûte. Patrick Gallois, flûte, Helsinki Philharmonic Orchestra, Leif Segerstam. Ondine. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;001.02.30 Hector PARRA&lt;/strong&gt;. - Trio pour piano n°1. Ensemble Recherche. Kairos. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.10.00 Marco da GAGLIANO&lt;/strong&gt;. - Cantai un tempo. Ensemble Barcarole. Zig Zag Territoires. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;001.15.45 Henri POUSSEUR&lt;/strong&gt;. - Paysages planétaires : Vietnamibie. Henri Pousseur. Alga Marghen. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.18.35 Johann Sebastian BACH&lt;/strong&gt;. - Passion selon St Jean. Clarisse Mouassi (projet Lambarena). Celluloid. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.23.42 Steve TIBBETS&lt;/strong&gt;. - Attahasa. Steve Tibbets. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.29.25 Frank ZAPPA&lt;/strong&gt;. - A Pig with Wings. Ensemble Modern. RCA. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.33.42 Anouar BRAHEM&lt;/strong&gt;. - Les jardins de Ziryab. Anouar Brahem. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.38.02 John DOWLAND&lt;/strong&gt;. - As I walked forth. John Potter. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.43.36 Claude DEBUSSY&lt;/strong&gt;. - Pagodes. Boyan Vodenitcharov, piano. Explicit. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.47.44 Kaija SAARIAHO&lt;/strong&gt;. - Six japanese gardens : Tenju-an garden of Nanzen-ji Temple. Thierry Miroglio, percussions. INA. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;01.50.30 Georges ENESCO&lt;/strong&gt;. - Suite n°3 en ré majeur "Villageoise". Orchestre Philharmonique de Monte-Carlo, Lawrence Foster. Erato. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;02.00.25 Charles KOECHLIN&lt;/strong&gt;. - Les Heures persanes : La paix du soir, au cimetière. Herbert Henck, clavier. Wergo. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-8940983003859680090?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/8940983003859680090/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=8940983003859680090' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8940983003859680090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8940983003859680090'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_11_01_archive.html#8940983003859680090' title='Autour de Babel n°152 - Dominique Mussche'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-2065769813264244353</id><published>2010-11-12T22:00:00.006+01:00</published><updated>2010-11-19T18:20:46.334+01:00</updated><title type='text'>Autour de Babel n°151 - Christine Gyselings</title><content type='html'>&lt;b&gt;&lt;span style="font-size: x-small;"&gt;Mixage&amp;nbsp;: Benjamin VAN DEN BROUCKE&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="resume"&gt;&lt;strong&gt;À 0'36 Matthew BELLAMY&lt;/strong&gt;. - Ruled by secrecy. Muse. netia. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 5'15 Alexandre SCRIABINE&lt;/strong&gt;. - Extr. de la sonate n°4 en fa dièse majeur, op/30. Andrei Korobeinikov, piano. Mirare. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 8'40 Mikhail GLINKA&lt;/strong&gt;. - Valse-fantaisie. Musica Viva. Fuga Libera. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 16'44 John BARRY&lt;/strong&gt;. - Social swing. Tony Terran, Dick Nash, Ronnie Lang, Jerome Richardson, Artie Kane, Mike Rubin, John Guerin, Israel Baker. Universal. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 20'50 Gustav MAHLER&lt;/strong&gt;. - Extr. de la Symphonie n°10, transcription pour piano. Christopher White. Divine art. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 25'15 Ludwig van BEETHOVEN&lt;/strong&gt;. - Extr. du Quatuor n°12 en mi bémol majeur, op.127. Artemis Quartet. Virgin. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 31'48 Theodore SHAPIRO&lt;/strong&gt;. - The Collectors Club. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 32'34 Alexandre SCRIABINE&lt;/strong&gt;. - Poème op.71 "En rêvant". Andrei Korobeinikov. Mirare. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 34'30 Rob MAZUREK&lt;/strong&gt;. - Spy on the floor. Chicago Underground Duo:, Chad Taylor, Rob Mazurek. Thrill jockey. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 41'07 Arvo PART&lt;/strong&gt;. - Mein Weg, pour 14 cordes et percussion. Tallinn Chamber Orchestra, Dir. Tönu Kaljuste. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 47'20 Alexandre SCRIABINE&lt;/strong&gt;. - Sonate n°8 op.66. Andrei Korobeinikov. Mirare. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 1h01'35 Gustav MAHLER&lt;/strong&gt;. - Extr. de la Symphonie n°1, transcription pour piano quatre mains. Duo de Prague. Praga. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 1h12'50 Alexandre SCRIABINE&lt;/strong&gt;. - Poème" Vers la flamme", op.72. Andrei Korobeinikov. Mirare. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 1h18'45 Ludwig van BEETHOVEN&lt;/strong&gt;. - Quatuor n°6 op.18 en si bémol majeur. Quatuor Alban Berg. Netia. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 1h43'04 Valentin SILVESTROV&lt;/strong&gt;. - Der Bote. Alexei Lubimov. ECM. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;À 1h51' Matthew BELLAMY&lt;/strong&gt;. - United States of Eurasia. Muse. Netia.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-2065769813264244353?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/2065769813264244353/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=2065769813264244353' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2065769813264244353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/2065769813264244353'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_11_01_archive.html#2065769813264244353' title='Autour de Babel n°151 - Christine Gyselings'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-6338429909938863175</id><published>2010-11-05T22:00:00.001+01:00</published><updated>2010-11-05T22:00:03.740+01:00</updated><title type='text'>Autour de Babel n°150 - Anne Mattheeuws</title><content type='html'>min 00 -&amp;nbsp; Walter Marchetti, « Per la sete dell’orecchio ». Anthology Records (3‘25) / John Cage, « Lecture on Nothing ». Frances-Marie Uitti, voix. Etcetera (0‘50) / Peter Ablinger, « Voices and piano: Ilya Prigogine ». Ilya Prigogine, voix - Nicolas Hodges, piano. Kairos (2‘10)&lt;br /&gt;min 04 - Charles Uzor, « Shakespeare’s Sonnet 65: capriccioso e tranquillo ». Carmina Quartett - Esther Uhland / James Aston, voix. Neos (4‘39)&lt;br /&gt;min 08 - Henry Du Mont, « Super fulmina Babylonis ». Ensemble Pierre Robert - Frédéric Desenclos. Alpha (11‘28)&lt;br /&gt;min 20 - Heinrich Kaminski, « Quatuor en Fa: Lento espressivo ». Casalquartett. Telos Music (5‘03) / Dick Higgins, « B.B.’s, you play it ». Anthology Records (1’15)&lt;br /&gt;min 25 - Josse De Pauw / Corrie van Binsbergen, « Over de Bergen ». Josse De Pauw, voix - Claron McFadden, Béatrice &amp;amp; Vera van der Poel, chant. Brokkenrecords (6‘50)&lt;br /&gt;min 32 - Magnus Lindberg, « Action-Situation-Signification. Interlude: Wood ». Toimii ensemble. Finlandia. (0‘53) / John Cage, « Lecture on Nothing ». Frances-Marie Uitti, voix. Etcetera (0’50)&lt;br /&gt;min 33 - La Monte Young., « Dream House ». Anthology Records (3‘45)&lt;br /&gt;min 36 - John Cage, « Six Melodies: Melody I ». Paul Klinck, violon - Daan Vandewalle, piano. PKP (2’10)&lt;br /&gt;min 38 - Peter Ablinger, « Voices and piano: Hanna Schygulla ». Hanna Schygulla, voix - Nicolas Hodges, piano. Kairos (2‘37)&lt;br /&gt;min 41 - Georg Friedrich Haendel, « Utrechter Te Deum: When Thou took’st upon Thee…&amp;nbsp; ». Marjana Lipovsek, alto - Arnold ,Schoenberg-Chor - Concentus Musicus Wien - Nikolaus Harnoncourt. Teldec (2‘45)&lt;br /&gt;min 43 - Guillaume Lekeu, « Chansonnette sans paroles ». Luc Devos, piano. Ricercar (1‘48) / Mia, ghost piano&lt;br /&gt;min 45 - Betty North, Interview with Alessandra Garosi - May Howlett, « Passing the tower of aggrievements Toccata » - Damiano Santini (da ’Zodiac’), « Libra ». Alessandra Garosi, piano. EMA (2‘55)&lt;br /&gt;min 48 - Miles Davis / Gil Evans, « Miles Ahead ». Sony (5‘20)&lt;br /&gt;min 53 - Meredith Monk, « Mercy: Core chant ». Allison Sniffin, Theo Bleckmann, Katie Geissinger, Ching Gonzalez, Meredith Monk, voix. ECM (4‘43)&lt;br /&gt;min 57 - Peter Ablinger, « Voices and piano: Jean-Paul Sartre ». Jean-Paul Sartre, voix - Nicolas Hodges, piano. Kairos (1‘10)&lt;br /&gt;min 59 - Kurt Weill, « Street Scene: Children’s Game ». Charlie Hildebrand, Grace Davis, Joan, Willie Maurrant - Orchestre dirigé par Maurice Abravanel. CBS Records (2‘36)&lt;br /&gt;min 61 - John Cage, « Six Melodies: Melody VI ». Paul Klinck, violon - Daan Vandewalle, piano. PKP&amp;nbsp; (1‘50) / John Cage, « Lecture on Nothing ». Frances-Marie Uitti, voix. Etcetera (1‘25)&lt;br /&gt;min 63 - Peter Ablinger, « Voices and piano: Ilya Prigogine ». Ilya Prigogine, voix - Nicolas Hodges, piano. Kairos (3‘00) / Robert Filliou: « Imitating the sound of the birds ». Anthology Records (1‘40)&lt;br /&gt;min 66 - Josse De Pauw / Corrie van Binsbergen, « Over de Bergen ». Josse De Pauw, voix - Claron McFadden, Béatrice &amp;amp; Vera van der Poel, chant - Miriam Overlach, harpe. Brokkenrecords (14‘35)&lt;br /&gt;min 80 - Nam June Paik: « My jubilee ist unverhemmet ». Anthology Records (3‘30)&lt;br /&gt;min 83 - Jean Sibelius, « Symphonie n° 5 en Mi b maj. op. 82 (V.O.): Andante mosso ». Lahti Symphony Orchestra - Osmo Vänskä. Bis (7‘37)&lt;br /&gt;min 89 - Magnus Lindberg, « Action-Situation-Signification. Earth I, Interlude: Metal, Fire, Wind ». Toimii ensemble. Finlandia. (11‘30) / John Cage, « Lecture on Nothing ». Frances-Marie Uitti, voix. Etcetera (1‘00) / Kurt Weill, « Street Scene: Lonely Home ». Sam Kaplan - Orchestre dirigé par Maurice Abravanel. CBS Records (3‘37)&lt;br /&gt;min 101 - Peter Ablinger, « Voices and piano: Agnes Gonxha Bojaxiu (Mother Theresa) ». Agnes Gonxha Bojaxiu , voix - Nicolas Hodges, piano. Kairos (1‘34)&lt;br /&gt;min 102 - Benjamin Britten, « Cello Suite n° 1: Fuga». Pieter Wispelwey, violoncelle. Onyx (4‘25)&lt;br /&gt;min 105 - Magnus Lindberg, « Action-Situation-Signification. Earth II ». Toimii ensemble. Finlandia. (2‘40)&lt;br /&gt;min 107 - Dick Higgins, « B.B. finally dreams about life». Anthology Records (0‘35)&lt;br /&gt;min 108 - Peter Ablinger, « Voices and piano: Ilya Prigogine ». Ilya Prigogine, voix - Nicolas Hodges, piano. Kairos (2’20)&lt;br /&gt;min 110 - Josse De Pauw / Corrie van Binsbergen, « Over de Bergen ». Claron McFadden, Béatrice &amp;amp; Vera van der Poel, chant. Brokkenrecords (2‘50)&lt;br /&gt;min 113 - Erwin Schulhoff, « Quatuor à cordes, 1927: Andante mosso sostenuto ». Casalquartett. Telos Music (6‘34)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-6338429909938863175?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/6338429909938863175/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=6338429909938863175' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6338429909938863175'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/6338429909938863175'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_11_01_archive.html#6338429909938863175' title='Autour de Babel n°150 - Anne Mattheeuws'/><author><name>André Defossez</name><uri>http://www.blogger.com/profile/17941312096448888974</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8215959507252742289.post-8389003854727898557</id><published>2010-10-29T22:00:00.002+02:00</published><updated>2010-10-29T22:00:01.021+02:00</updated><title type='text'>Autour de Babel n°149 "Réflections lunaires" - André Defossez</title><content type='html'>&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt; &lt;div align="left"&gt;&lt;a href="http://4.bp.blogspot.com/_agxA6EyM5W8/TMlkBAgue6I/AAAAAAAABnI/k-6PiXpv6WQ/s1600/full-moon-reflection.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" nx="true" src="http://4.bp.blogspot.com/_agxA6EyM5W8/TMlkBAgue6I/AAAAAAAABnI/k-6PiXpv6WQ/s320/full-moon-reflection.jpg" width="304" /&gt;&lt;/a&gt;&lt;br /&gt;min.00 - Moon Sequence - The Herbaliser Band {!K7 245}&lt;/div&gt;&lt;div align="left"&gt;min.06 - Lars-Gunnar Bodin : Divertimento for Dalle - musique électroacoustique {Firework Edition Records 1061}&lt;/div&gt;&lt;div align="left"&gt;min.18 - Boyan Vodenitcharov : The Sofia concert - bis - improvisation solo, 1/4/2007 {h.c. (radio de Sofia) }&lt;/div&gt;&lt;div align="left"&gt;min.21 - Pierre Henry : Reine Verte - Fantaisie I - {Philips 4800537}&lt;/div&gt;&lt;div align="left"&gt;min.28 - André KLENES : Moonly Smiles from ‘Moonly Delights’ - Sébastien Walnier, cello, Etienne Plumer, drums, Emmanuel Baily, guitar, A. Klenes, CBass {Chamber 316}&lt;/div&gt;&lt;div align="left"&gt;min.32 - Santiago Cimadevilla : Tras Tus Pasos, El Infierno (extr. B.O. “La Cantante de Tango” de Eugenia Ramirez Miori) - Santiago Cimadevilla {Tarantula.be TAR 2010.01}&lt;/div&gt;&lt;div align="left"&gt;min.36 - Yoko Kikuchi : Mews2010-10-23 “Full Moon” - Yoko Kikuchi (piano), Tom Malmendier (drums) {inédit nn}&lt;/div&gt;&lt;div align="left"&gt;min.46 - Claude Debussy : Préludes deuxième livre - VII - Lent (...La terrasse des audiences du clair de lune) - Michel Béroff, piano {Denon 78848}&lt;/div&gt;&lt;div align="left"&gt;min.50 - David Fortez : New Moon - (musique acousmatique) {inédit }&lt;/div&gt;&lt;div align="left"&gt;min.62 - Oregon : There was no moon that night - Ralph Towner (claviers), Paul McCandless (anches), Collin Walcott (percussions), Glen Moore (basse) {ECM 811711}&lt;/div&gt;&lt;div align="left"&gt;min.69 - Claude Debussy : Clair de lune - Cécile Ousset, piano {EMI }&lt;/div&gt;&lt;div align="left"&gt;min.73 - François Bayle : Couleurs froissées, extr. ‘Les couleurs de la nuit’ - musique acousmatique {INA C 1001}&lt;/div&gt;&lt;div align="left"&gt;min.75 - Erik Satie / Mathias Rüegg : Reflections On Gnossienne No. 1 - Vienna Art Orchestra {hatOLOGY 671}&lt;/div&gt;&lt;div align="left"&gt;min.81 - Christine Groult : Sourire de l’ange - musique acousmatique {Trace 023}&lt;/div&gt;&lt;div align="left"&gt;min.87 - Karol Szymanowski : Chants de la Princesse des contes de fée pour soprano et orch op.31 - 1 La lune solitaire - Iwona Sobotka, soprano, City of Birmingham&lt;/div&gt;&lt;div align="left"&gt;Symphony Orchestra, dir. Simon Rattle {EMI 364435}&lt;/div&gt;&lt;div align="left"&gt;min.91 - Erik Satie / Mathias Rüegg : Reflections On Idylle - Vienna Art Orchestra {hatOLOGY 671}&lt;/div&gt;&lt;div align="left"&gt;min.95 - Osvaldo Berligieri : Ritual (extr. B.O. “La Cantante de Tango” de Eugenia Ramirez Miori) - {Tarantula.be TAR 2010.01}&lt;/div&gt;&lt;div align="left"&gt;min.98 - W. A. Mozart arr. Robert Prizeman : Ave Virgo d’après le concerto pour clarinette - Libera, dir. Robert Prizeman (solo: Tom Cully) {EMI 6.26478.2}&lt;/div&gt;&lt;div align="left"&gt;min.102 - Loy Ehrlich / Didier Malherbe : Dragon de lune - Hadouk Trio (Loy Ehrlich, claviers, Didier Malherbe, flûtes, Steve Shehan, percus) {naïve NV812811}&lt;/div&gt;&lt;div align="left"&gt;min.109 - Santiago Cimadevilla : &lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-size: x-small;"&gt;min.110 - Hefti/Troup : Girl talk - Blue Mitchell (tp), Danny Turner (as), Fats Theus (ts), Bob Ashton (bs), Jimmy McGriff (org, ldr), Thornel Schwartz (gtr), Bob Bushnell (bgtr),&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-size: x-small;"&gt;Grady Tate (ds) {Blue Note 53869922}&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-size: x-small;"&gt;min.114 - David Shea : Radio Weekend (The Book of Scenes) - Vincent Royer, alto, Jean-Philippe Collard-Neven, piano, David Shea, sampler et électronique {Sub Rosa&lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;span style="font-size: x-small;"&gt;SR224}&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: x-small;"&gt;min.115 - Erik Satie / Mathias Rüegg : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: LucidaGrande; font-size: small;"&gt;&lt;span style="font-family: LucidaGrande; font-size: small;"&gt;El Exilo De Helena &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: ArialMT;"&gt;&lt;span style="font-family: ArialMT;"&gt;&lt;span style="font-size: x-small;"&gt;(extr. B.O. “La Cantante de Tango” de Eugenia Ramirez Miori) - Santiago Cimadevilla {Tarantula.be TAR 2010.01}&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: LucidaGrande; font-size: small;"&gt;&lt;span style="font-family: LucidaGrande; font-size: small;"&gt;&lt;span style="font-size: x-small;"&gt;Reflections On Meditation&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;&lt;span style="font-family: ArialMT; font-size: x-small;"&gt;- Vienna Art Orchestra {hatOLOGY 671}&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8215959507252742289-8389003854727898557?l=autourdebabel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://autourdebabel.blogspot.com/feeds/8389003854727898557/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8215959507252742289&amp;postID=8389003854727898557' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8389003854727898557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8215959507252742289/posts/default/8389003854727898557'/><link rel='alternate' type='text/html' href='http://autourdebabel.blogspot.com/2010_10_01_archive.html#8389003854727898557' title='Autour de Babel n°149 &quot;Réflections lunaires&quot; - André Defossez'/><author><name>André Defossez</name><uri>http://www.blogger.com/profi
